7.7/10
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Black Hawk Down (2001)

160 elite U.S. soldiers drop into Somalia to capture two top lieutenants of a renegade warlord and find themselves in a desperate battle with a large force of heavily-armed Somalis.

Director:

Writers:

(book), (screenplay)
Popularity
462 ( 16)

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Won 2 Oscars. Another 8 wins & 37 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Wex
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Yurek (as Thomas Guiry)
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Storyline

Action/war drama based on the best-selling book detailing a near-disastrous mission in Somalia on October 3, 1993. On this date nearly 100 U.S. Army Rangers, commanded by Capt. Mike Steele, were dropped by helicopter deep into the capital city of Mogadishu to capture two top lieutenants of a Somali warlord. This led to a large and drawn-out firefight between the Army Ranges, US Special Forces, and hundreds of Somali gunmen; resulting in the destruction of two U.S. Black Hawk helicopters. The film focuses on the heroic efforts of various Rangers to get to the downed black hawks, centering on SSG. Eversmann, leading the Ranger unit Chalk Four to the first black hawk crash site, Chief Warrant Officer Durant who was captured after being the only survivor of the second black hawk crash, as well as many others who were involved. Written by Matthew Patay: revised by Corbin L.

Plot Summary | Plot Synopsis

Taglines:

Reporting for Duty Christmas 2001 See more »

Genres:

Drama | History | War

Motion Picture Rating (MPAA)

Rated R for intense, realistic, graphic war violence, and for language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

|

Country:

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Language:

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Release Date:

18 January 2002 (USA)  »

Also Known As:

La caída del halcón negro  »

Filming Locations:

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Box Office

Budget:

$92,000,000 (estimated)

Opening Weekend:

$193,021 (USA) (4 January 2002)

Gross:

$108,638,745 (USA) (12 April 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (extended)

Sound Mix:

| | (8 channels)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Captain Steele requests a panicked soldier to give anyone who comes through a door "two in the chest and one in the head". This is commonly referred to as a triple tap or Mozambique drill. Mozambique was, during the 1960s and 1970s, a war- and famine-ravaged country in East Africa much like Somalia. See more »

Goofs

After shooting the technical with his grenade launcher, Grimes dives into a little hole in the ground when Sanderson warns him of an incoming RPG. As he dives, you can see a camera crew visible on the left side of the screen. See more »

Quotes

[first lines]
Dan Busch: There. Technicals, nine o'clock.
See more »

Crazy Credits

There are no studio logos at the beginning and the only opening credit is the title. See more »

Connections

Featured in The Greatest Ever War Films (2014) See more »

Soundtracks

Minstrel Boy (Film Version)
Arranged by Joe Strummer, Scott Shields, Martin Slattery, Richard Flack and Tymon Dogg
Produced by Scott Shields, Martin Slattery, Richard Flack and Joe Strummer
Performed by Joe Strummer & The Mescaleros (as Joe Strummer and The Mescaleros)
Joe Strummer and The Mescaleros appear courtesy of Hellcat Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A very American war story directed by an Englishman
19 March 2005 | by (United Kingdom) – See all my reviews

I've been watching this movie and its accompanying extras on DVD this week for the first time and I thought is ironic that this very American war story should be directed and produced by an Englishman (Ridley Scott) and have a large number of British actors cast as the American servicemen (Ewan McGregor, Jasson Issacs, Hugh Dancy, Euan Bremner, Orlando Bloom.) I suppose it's the equivalent of Steven Spielberg directing a film about the Battle of Goose Green during the Falklands War and casting Americans as members of the Parachute Regiment.

Scott's movie is quite brave in that it has no major stars and no central character (unlike, say Tom Hanks in SAVING PRIVATE RYAN or Mel Gibson in WHEN WE WERE SOLDIERS). It's also largely free of the clichés of the genre: no soaring John Williams score accompanying shots of the flag fluttering in the sunlight; no scenes of the families back home. Instead its all about the logistics and the absolute horror of battle. This is the best combat footage since ZULU way back in 1964, a film which it resembles. In Scott's commentary description words, it is 'Anti-War but pro-military'.


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So rewatchable michaelhoulihan-30566
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