It's a heroic tale of three blood brothers and their struggle in the midst of war and political upheaval. It is based on "The Assassination of Ma," a Qing Dynasty (1644-1911) story about ... See full summary »
Norway, WWII: A group of British and German soldiers find themselves stranded in the wilderness after an aircraft battle. Finding shelter in the same cabin, they realize the only way to survive the winter is to place the rules of war aside.
In this sequel to Red Cliff, first minister Cao Cao convinces Emperor Han to initiate a battle against the two Kingdoms of Xu and Wu, who have become allied forces, against all expectations... See full summary »
Tony Chiu Wai Leung,
Action/war drama based on the best-selling book detailing a near-disastrous mission in Somalia on October 3, 1993. On this date nearly 100 U.S. Army Rangers, commanded by Capt. Mike Steele, were dropped by helicopter deep into the capital city of Mogadishu to capture two top lieutenants of a Somali warlord. This lead to a large and drawn-out firefight between the Rangers and hundreds of Somali gunmen, leading to the destruction of two U.S. Black Hawk helicopters. This film focuses on the heroic efforts of various Rangers to get to the downed black hawks, centering on Sgt. Eversmann, leading the Ranger unit Chalk Four to the first black hawk crash site, Warrant Officer Durant who was captured after being the only survivor of the second black hawk crash, as well as many others who were involved. Written by
Matthew Patay: revised by Brady Schloz
A very American war story directed by an Englishman
I've been watching this movie and its accompanying extras on DVD this week for the first time and I thought is ironic that this very American war story should be directed and produced by an Englishman (Ridley Scott) and have a large number of British actors cast as the American servicemen (Ewan McGregor, Jasson Issacs, Hugh Dancy, Euan Bremner, Orlando Bloom.) I suppose it's the equivalent of Steven Spielberg directing a film about the Battle of Goose Green during the Falklands War and casting Americans as members of the Parachute Regiment.
Scott's movie is quite brave in that it has no major stars and no central character (unlike, say Tom Hanks in SAVING PRIVATE RYAN or Mel Gibson in WHEN WE WERE SOLDIERS). It's also largely free of the clichés of the genre: no soaring John Williams score accompanying shots of the flag fluttering in the sunlight; no scenes of the families back home. Instead its all about the logistics and the absolute horror of battle. This is the best combat footage since ZULU way back in 1964, a film which it resembles. In Scott's commentary description words, it is 'Anti-War but pro-military'.
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