Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love,"... See full summary »
A nerdy valedictorian proclaims his love for the hottest and most popular girl in school - Beth Cooper - during his graduation speech. Much to his surprise, Beth shows up at his door that very night and decides to show him the best night of his life.
This rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village New York. The story centers around Mark and Roger, two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, AIDS, and modern day life in one truly powerful story. Written by
Tracie Thoms first told Jesse L. Martin of her casting in Rent in between filming of their scenes in Law & Order: Mammon (2005). In an interview, she stated, "I'm like, 'Hey Jesse, it looks like we're gonna be spending a lot of time together.' And he's like, 'We are?' I'm like, 'Yeah. I'm Joanne.' (imitates Jesse gasping) 'ACTION!'" See more »
During "Today for you" Mark is holding a paper cup in some shots, and in others his hands are empty. See more »
Mark, Angel, Maureen, Roger, Collins, Benjamin Coffin III, Mimi:
Five hundred twenty-five thousand six hundred minutes. Five hundred twenty-five thousand moments so dear. Five hundred twenty-five thousand six hundred minutes. How do you measure, measure a year? In daylights, in sunsets, in midnights, in cups of coffee. In inches, in miles, in laughter, in strife. In five hundred twenty-five thousand six hundred minutes - how do you measure a year in the life? How about love? How about love? How about love? Measure in love... seasons of love.
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Everything said in the first post is pretty much correct - except some minor points. I'm a MAJOR Musical Theater fan, but I've never been much of a 'Rent-head', (I find the story a bit pretentious and self aware - basically a modern version of "Hair") - yet the emotion and energy is real and infectious, fueled by an incredible and memorable score.
As I remember, though, both the songs "Halloween" and "Goodbye, Love" were NOT in the final cut I saw last night (11/6), but the interview with the cast and director was inspirational!
The best factor for me was that Director Columbus made a decision to shoot it AS A MUSICAL and not try to hide it's musical theater roots (like say, "Chicago"). Also, he cast many members of the original cast (a throwback to old movie musicals). These were brave and successful moves, and should finally knock down that door to MORE movie musicals.
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