Famous film director Guido Contini struggles to find harmony in his professional and personal lives, as he engages in dramatic relationships with his wife, his mistress, his muse, his agent, and his mother.
Set in New York City's gritty East Village, the revolutionary rock opera RENT tells the story of a group of bohemians struggling to live and pay their rent. "Measuring their lives in love,"... See full summary »
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after he breaks parole, agrees to care for factory worker Fantine's daughter, Cosette. The fateful decision changes their lives forever.
This rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village New York. The story centers around Mark and Roger, two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, AIDS, and modern day life in one truly powerful story. Written by
In "What You Own", when Mark and Roger are on the roof, you can briefly see the side of the building. If you look closely, "ANGEL" is spray-painted on the side of the building. This was purely coincidental. See more »
The collar on the coat Angel buys Collins is flipped up originally so Collins flips it down. In the next shot he flips it down again. See more »
Mark, Angel, Maureen, Roger, Collins, Benjamin Coffin III, Mimi:
Five hundred twenty-five thousand six hundred minutes. Five hundred twenty-five thousand moments so dear. Five hundred twenty-five thousand six hundred minutes. How do you measure, measure a year? In daylights, in sunsets, in midnights, in cups of coffee. In inches, in miles, in laughter, in strife. In five hundred twenty-five thousand six hundred minutes - how do you measure a year in the life? How about love? How about love? How about love? Measure in love... seasons of love.
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I saw 'Rent' at a screening on Nov.12. I had seen the stage version both in NYC with the original cast as well as in LA with a different cast. The music and story has been echoing in my head for the past 10 years. So I was bound to be critical, but determined to be open-minded as this was going to be a film, not a stage musical. Chris Columbus did a wonderful job in preserving the message and feelings Jonathan Larson I think wanted people to take away with them. The changes made to bring this story to the screen were artfully accomplished. The film is gritty and sad and has a feeling of hopelessness that was difficult to transmit in a stage venue. The music that made it into the film is spectacular, and the soundtrack is indeed better than the OBC recording. The loss of several songs, though at first disappointing, works in the context of the movie. I hope all you fellow 'Rentheads' give this film the chance it deserves. I will be in the theater on opening day next week to see it again for sure.
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