This is the film version of the Pulitzer and Tony Award winning musical about Bohemians in the East Village of New York City struggling with life, love and AIDS, and the impacts they have on America.

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Cast

Cast overview, first billed only:
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Julia Roth ...
Rent Tenant
Porscha Radcliffe ...
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Stephen Payne ...
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Thug
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Thug
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Storyline

This rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village New York. The story centers around Mark and Roger, two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, AIDS, and modern day life in one truly powerful story. Written by Alex W

Plot Summary | Plot Synopsis

Taglines:

Love. Hope. Struggle. Triumph. See more »

Genres:

Drama | Musical | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material involving drugs and sexuality, and for some strong language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

23 November 2005 (USA)  »

Also Known As:

Bohém élet  »

Filming Locations:

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend:

$10,016,021 (USA) (25 November 2005)

Gross:

$29,077,547 (USA) (30 December 2005)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Tracie Thoms first told Jesse L. Martin of her casting in Rent in between filming of their scenes in Law & Order: Mammon (2005). In an interview, she stated, "I'm like, 'Hey Jesse, it looks like we're gonna be spending a lot of time together.' And he's like, 'We are?' I'm like, 'Yeah. I'm Joanne.' (imitates Jesse gasping) 'ACTION!'" See more »

Goofs

During the "La Vie Boheme" reprise, you can see that the word AIDS that Tom Collins wrote on the board before Mimi and Roger go outside for "I Should Tell You" is different. The 's' is really sloppy and large when he first writes it, but if you look at the board behind the characters when they are on the bar, it changes size and handwriting. See more »

Quotes

[first lines]
MarkAngelMaureenRogerCollinsBenjamin Coffin IIIMimi: Five hundred twenty-five thousand six hundred minutes. Five hundred twenty-five thousand moments so dear. Five hundred twenty-five thousand six hundred minutes. How do you measure, measure a year? In daylights, in sunsets, in midnights, in cups of coffee. In inches, in miles, in laughter, in strife. In five hundred twenty-five thousand six hundred minutes - how do you measure a year in the life? How about love? How about love? How about love? Measure in love... seasons of love.
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Crazy Credits

Thank you, Jonathan Larson See more »

Connections

References Something to Live for: The Alison Gertz Story (1992) See more »

Soundtracks

Over the Moon
Written by Jonathan Larson
Performed by Idina Menzel
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Dated? I think not, my friends...
23 November 2005 | by (United States) – See all my reviews

So I'm reading the reviews...none seem too terrible, most are lukewarm, and some are even good. But one theme seems to override them: the material is "dated." Figures that journalists, whose livelihoods depend on presenting news flashes that will easily fall into the shadows after something more captivating happens, would find this material dated. You really think the topic of people living with -- not dying from -- AIDS is dated? Wake-up, friends...I'm not one to throw around statistics, but even I can tell you that AIDS is a much bigger problem today than when Jonathan Larson -- a genius in his own right -- wrote this almost 20 years ago. And drug addiction? Yeah let's not even guess how much that statistic has surged.

True, the material is not as shocking as it was when it first graced the stages of NYC 10 years ago. But -- though I never knew the man -- I have a feeling Mr. Larson was not going for shock value. I am sure he realized in his day that his masterpiece would create quite a stir, but I highly doubt that was his purpose. What was it, then? If you ask me, it is obvious ...the human condition.

The elements of humanity that satiate the stage version are virtually all apparent in the film version. These characters are vastly different from each other on the surface -- but listen to their songs. They are all experiencing life. And not only that, for the most part they aren't afraid to experience life -- the devastations, the love, the convictions, the laughter, the tears. Just listen to Seasons of Love -- it's all in there. That song, to me, is the premise of Mr. Larson's story -- this is life. It isn't necessarily glamorous, it isn't always glorious, but this is what happens in a year of these peoples' lives. And the one thing that gets them through it is the fact that they have each other -- their love for one another overshadows all of the intricacies of day-to-day life. And that theme, to me, is never dated, especially when it is portrayed so well, as Chris Columbus and the incredible cast have managed to do.

I applaud everyone who had any part in this film -- aside from the excellent adaption of Jonathan Larson's exquisite piece of art, I think it is extremely important to constantly expose our society to controversial topics, about which most of us don't like to think. And I think the ones that are dubbed "dated" are the most important, because it means that those are probably the ones we have forgotten. But just because it seems "dated" does not mean it has gone away.


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