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Traffic (2000)

 -  Crime | Drama | Thriller  -  5 January 2001 (USA)
7.7
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Ratings: 7.7/10 from 149,843 users   Metascore: 86/100
Reviews: 847 user | 220 critic | 34 from Metacritic.com

A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is an addict.

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Writers:

(miniseries Traffik), (screenplay)
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Title: Traffic (2000)

Traffic (2000) on IMDb 7.7/10

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Won 4 Oscars. Another 73 wins & 57 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Andrew Chavez ...
Desert Truck Driver
...
Desert Truck Driver
...
General Arturo Salazar
...
Salazar Soldier / The Torturer
...
Salazar Soldier #2
...
Lawyer Rodman
...
...
Clerk
Lorene Hetherington ...
State Capitol Reporter #1
Eric Collins ...
State Capitol Reporter #2
...
DEA Agent - CalTrans
Peter Stader ...
DEA Agent - CalTrans
...
DEA Agent - CalTrans
Edit

Storyline

A modern day look at America's war on drugs told through four separate stories that are connected in one way or another. A conservative judge who's just been appointed as the US drug czar learns that his teenage honor student daughter is a drug addict. A beautiful trophy wife struggles to save her wealthy husband's drug business, while two DEA agents protect a witness with inside knowledge of the spouse's business. In Mexico, a slightly corrupt, yet dedicated cop struggles with his conscience when he learns that his new boss may not be the anti-drug official he made himself out to be. Written by <MonkeyKingMA@aol.com>

Plot Summary | Plot Synopsis

Taglines:

No One Gets Away Clean

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for pervasive drug content, strong language, violence and some sexuality | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

5 January 2001 (USA)  »

Also Known As:

Traffik  »

Box Office

Budget:

$48,000,000 (estimated)

Opening Weekend:

£1,245,665 (UK) (26 January 2001)

Gross:

$124,107,476 (USA) (6 July 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The scene where Michael Douglas takes his trip to the California border crossing to discuss drug interdiction was actually shot at the Tijuana crossing. The video and sound quality is so low in part because it was never supposed to be part of the movie. Douglas started asking, out of character, Rudy M. Camacho about drug trafficking on the border. Camacho was, at the time, the actual Customs chief in charge of the California border crossings. Steven Soderbergh began filming it with a hand-held camera, praying that Camacho wouldn't address the actor as "Mr. Douglas". See more »

Goofs

When Eduardo Ruiz is poisoned, Montgomery kicks the door out into the hallway when the second waiter arrives, hotel room doors always open into the room. See more »

Quotes

[first lines]
Javier Rodriguez: [in Spanish] Last night I had an ugly nightmare.
Manolo Sanchez: [in Spanish] Oh yeah? What happened, man?
See more »

Crazy Credits

There are no opening credits except for the film's title in the lower left corner. See more »

Connections

References Topkapi (1964) See more »

Soundtracks

On The Rhodes Again
Written by Skye Edwards, Paul Godfrey and Ross Godfrey
Performed by Morcheeba
Courtesy of Sire Records Group/Warner Music U.K. Ltd
By Arrangement with Warner Special Products
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Sodebergh Binge
1 January 2005 | by (London, England) – See all my reviews

Yep, I'm on a full Sodebergh binge. I've been crazy about him ever since "King of The Hill" and he, very rarely, lets me down. I couldn't say that about many people including siblings and lovers. "Traffic" is not a departure for Sodebergh, all of his films are. He is an artist with a golden touch. He can travel through opposing universes with amazing ease. In "Traffic" the universe is uncomfortable, muddy, almost ugly and yet, it fascinates and attracts with the power of a magic magnet. Benicio del Toro and Erika Christensen are the two inhabitants of this peculiar universe that get under your skin and carry with you as if they were part of a personal experience. No, not if. They do, they are, they become part of a personal experience. The film allows you that. It makes you learn without preaching. How many films today manage that?


62 of 89 people found this review helpful.  Was this review helpful to you?

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