Traffic (2000)

Director:

Steven Soderbergh

Writers (WGA):

Simon Moore (miniseries Traffik)
Stephen Gaghan (screenplay)

Release Date:

5 January 2001 (USA)

Genre:

Crime | Drama | Thriller

Tagline:

No One Gets Away Clean

Plot:

A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is an addict.

Plot Keywords:

Drugs | Teenage Daughter | Judge | Witness | Mexico

Awards:

Won 4 Oscars. Another 59 wins & 57 nominations

Cast

Benicio Del Toro	...	Javier Rodriguez
Jacob Vargas	...	Manolo Sanchez
Andrew Chavez	...	Desert Truck Driver
Michael Saucedo	...	Desert Truck Driver
Tomas Milian	...	General Arturo Salazar
Jose Yenque	...	Salazar Soldier / The Torturer
Emilio Rivera	...	Salazar Soldier #2
Michael O'Neill	...	Lawyer Rodman
Michael Douglas	...	Robert Wakefield
Russell G. Jones	...	Clerk
Lorene Hetherington	...	State Capitol Reporter #1
Eric Collins	...	State Capitol Reporter #2
Beau Holden	...	DEA Agent - CalTrans
Peter Stader	...	DEA Agent - CalTrans
James Lew	...	DEA Agent - CalTrans

Also Known As:

Traffic - Die Macht des Kartells (Germany)
Traffik (USA) (working title)

MPAA:

Rated R for pervasive drug content, strong language, violence and some sexuality.

Runtime:

147 min

Country:

Germany | USA

Language:

English | Spanish

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Iceland:16 | Philippines:PG-13 | Brazil:18 | Germany:16 (f) | Argentina:16 | Australia:MA | Canada:14A | Chile:14 | Denmark:15 | Finland:K-15 | France:U | Hong Kong:IIB | Netherlands:16 | New Zealand:M | Norway:15 | Peru:14 | Portugal:M/16 | Singapore:M18 (re-rating) | Singapore:R(A) (original rating) | South Korea:18 | Spain:13 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:18 | USA:R

Filming Locations:

A-1 Self Storage, 1190-B W. Morena Boulevard, San Diego, California, USA

Company:

Bedford Falls Productions

Trivia:

Michael Douglas originally declined the role of Robert Wakefield, and it was offered to Harrison Ford, who accepted. Ford worked with director Steven Soderbergh to improve the character, but then decided not to do the movie. Douglas liked the change in the character so much, he accepted the revamped part.

Goofs:

Factual errors: During the woman's speech in the courtroom, you can clearly see the microphone switch to be in the off position.

Quotes:

[first lines]
Javier Rodriguez: [in Spanish] Last night I had an ugly nightmare.
Manolo Sanchez: [in Spanish] Oh yeah? What happened, man?

Movie Connections:

Referenced in Five Directors on 'The Battle of Algiers' (2004) (V)

Soundtrack:

An Ending (Ascent)

Technically great, acting's great, the whole damn thing's great

It certainly has been a good 12 months for director Stephen Soderbergh, hasn't it? Erin Brockovich, probably the most underrated film of last year, eventually got the recognition Soderbergh, Roberts +Co deserved, as did this film, a chilling account of drug trafficking in North and Central America. As seen in 'Erin Brockovich', Soderbergh often deals with people under immense pressure, and this is quite evident here, telling the story of a new US drug control officer (Michael Douglas) whose daughter is rapidly becoming a drug addict (Erika Christensen). It also shows us the struggles of a drug trafficker's society wife (Catherine Zeta-Jones), whose husband is facing a conviction, and also that of a cop accused of corruption. The direction is superb throughout, speaking in tones, very believable tones, and contrasting atmospheres. The portrayal of Mexico, as a behind-the-scenes nightmare world of seediness, humidity (you can almost FEEL the heat) and as a place where one murder matters not, is handled excellently, Soderbergh quite cleverly using sepiatones to convey the mood. This high standard, which is often difficult to maintain in a movie of its length (2 ½ hours) is maintained, and while at times it borders on arty, it is done thoughtfully, incisively and effectively, the scenes of importance delivered in tense, muted tones. Javier Rodriguez's (Benicio Del Toro) character and personality is both strong and incredibly well-acted - the quiet, thick skinned yet razor-sharp mind suiting his environment perfectly, and his acting is often crucial to the moods set in the film, for example in creating the tense, unearthly atmosphere of Mexico. This quiet confidence is also a key part of one of the film's many underlying messages, namely a study in resourcefulness and where it gets us, particularly in Catherine Zeta-Jones' character, a trophy wife of a drug trafficker who is under arrest. Resourceful as she is, it takes her down the darkest and lowest moral alleyways, and this can be compared to 'Erin Brockovich', where another stressed woman used a different kind of soul and fighting spirit to get results. This film also deals with family life, and the movie cliché of 'daddy never being around' is handled exceptionally well. This time the daddy is the newly-instated drugs officer (Michael Douglas) fighting drugs on two fronts: the Mexican Border and his own home, as he struggles to keep his adolescent daughter on the straight and narrow. The characters are all strong and well acted, I can't put my finger on a single bad performance, but Benicio Del Toro is by far the best on show and his Oscar was well deserved. Michael Douglas proves again that he's a class act, as does Catherine Zeta-Jones and strength in depth is clear all round. All in all, then, a great film, combining good acting, clever psychological undertones and classy direction, which particularly stands out. Combining an ability to keep us interested with the snappy, modern style which he has brought to the movies today - this film is a gripping account and a very comprehensive display of Soderbergh's impressive arsenal of film knowledge, understanding and talent.