A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.
A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
An intertwined drama about the United States' war on drugs, seen through the eyes of a once conservative judge, now newly-appointed drug czar, his crack-addicted daughter, two DEA agents, a jailed drug kingpin's wife, and a Mexican cop who begins to question his boss's motives.
Michael Douglas originally declined the role of Robert Wakefield, and it was offered to Harrison Ford, who accepted. Ford worked with director Steven Soderbergh to improve the character, but then decided not to do the movie. Douglas liked the change in the character so much, he accepted the revamped part. See more »
The last name of actor Peter Riegert is spelled two different ways in the credits. The first time it appears on screen at the end of the movie it's Reigert, which is wrong. The second time, Riegert, is right. See more »
Yep, I'm on a full Sodebergh binge. I've been crazy about him ever since "King of The Hill" and he, very rarely, lets me down. I couldn't say that about many people including siblings and lovers. "Traffic" is not a departure for Sodebergh, all of his films are. He is an artist with a golden touch. He can travel through opposing universes with amazing ease. In "Traffic" the universe is uncomfortable, muddy, almost ugly and yet, it fascinates and attracts with the power of a magic magnet. Benicio del Toro and Erika Christensen are the two inhabitants of this peculiar universe that get under your skin and carry with you as if they were part of a personal experience. No, not if. They do, they are, they become part of a personal experience. The film allows you that. It makes you learn without preaching. How many films today manage that?
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