In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
The brash James T. Kirk tries to live up to his father's legacy with Mr. Spock keeping him in check as a vengeful, time-traveling Romulan creates black holes to destroy the Federation one planet at a time.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
In 1982, a massive star ship bearing a bedraggled alien population, nicknamed "The Prawns," appeared over Johannesburg, South Africa. Twenty-eight years later, the initial welcome by the human population has faded. The refugee camp where the aliens were located has deteriorated into a militarized ghetto called District 9, where they are confined and exploited in squalor. In 2010, the munitions corporation, Multi-National United, is contracted to forcibly evict the population with operative Wikus van der Merwe in charge. In this operation, Wikus is exposed to a strange alien chemical and must rely on the help of his only two new 'Prawn' friends. Written by
Kenneth Chisholm (firstname.lastname@example.org)
In addition to the original ending, the Neill Blomkamp shot five alternate endings for the film. One ending was apparently so embarrassing neither Blomkamp nor Sharlto Copley will say a thing about it, with Blomkamp stating, "No one will ever see that ending." The only thing known about it at this point was that Copley got very, very dirty in the process. See more »
Early in the film there are shots of "aliens not welcome here" signs around the city. One sign begins "These public premises an the amenities thereof..." - the "d" on "and" is missing. See more »
[Fundiswa clutches his face mask while he witnesses the burning shack]
Wikus Van De Merwe:
[referring to the face mask]
You don't need that, man. Only sissies wear that. You don't need that.
See more »
The end credits are back to front, with the actors names on the left and character names on the right. As opposed to most films where its the other way round. See more »
I do not give out ratings of 10 lightly, but here it is - the first film in years that has been deserving of the rating.
Neill Blomkamp brings to screens a fantastic, gritty, realistic piece of science fiction with District 9. Not since Ridley Scott's "Blade Runner", John Carpenter's "The Thing", or James Cameron's "Aliens" have we seen a science fiction film with a vision of this caliber. After viewing District 9, it will be clear to one and all why Peter Jackson put so much faith in Blomkamp and took him under his wing as protégé.
Abandoning the usual settings of Hollywood sci-fi and placing us in the harsh slums of South Africa, we are given an original piece of work which takes risks in the way it tells its story. Not only does it go against the expectations of audiences who have been trained to expect mediocrity from their sci-fi, it goes above and beyond the call of duty to provide us with spectacle as well as something to ponder after we've downed our popcorn.
There is, thankfully, not an overused, overexposed celebrity in sight, and every unknown face in the film gives a solid performance. The aliens themselves, brilliantly realized with top notch CGI even manage to make us feel something, only rivaled by Gollum from "Lord of the Rings".
District 9 has so much to like. It's spectacular, darkly funny, entertaining and thoughtful all at the same time, and it's all done on a meager $30m budget. There is true talent on show here. If only there were more films like this, the world of cinema would be a more interesting place.
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