The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students who wants to search through his papers and her estranged sister who shows up to help settle his affairs.
'Heights' follows five characters over 24 hours on a fall day in New York City. Isabel, a photographer, is having second thoughts about her upcoming marriage to Jonathan, a lawyer. On the same day, Isabel's mother Diana learns that her husband has a new lover and begins to re-think her life choices and her open marriage. Diana and Isabel's paths cross with Alec, a young actor, and with Peter, a journalist. As the interrelated stories proceed, the connections between the lives of the five characters begin to reveal themselves and their stories unravel. Isabel, Jonathan, Diana, Alec, and Peter must choose what kind of lives they will lead before the sun comes up on the next day. Written by
Sujit R. Varma
The Vanity Fair editor played by Isabella Rossellini mentions that Peter's interviewees will meet him at The Big Cup. Those interview scenes were filmed at the real Big Cup, a coffee shop in the Chelsea neighborhood (at 228 Eighth Avenue) that, before its 2005 closing, was a popular gathering for Chelsea's gay community. See more »
Correction for Alec and Isabel leaving the building in the beginning of the film. Alec did not came out of a door, he exited the elevator with his dog. See more »
HEIGHTS ***** A cross between 'Playing By Heart' and 'The Ice Storm', 'Heights' is a ferociously clever montage of character triumph and fumble, played within an aura of amorality and dark secrecy. Callaborators Chris Turrio and Amy Fox seem to have the simple intention of penetrating an interplay of character dynamic to the audience, making sense and importance out of each scene, and reaching a faithful finale. The film's quasi-surreal blend of musical score (Ben Butler, Martin Erskine) and direction (Turrio) makes the story seem more complicated than it really is because, in truth, the viewer can relate to its societal or interpersonal issues in a degree. The story presents a search one takes in finding something more fulfilling when life has either grown weary or boring. The densely layered characters all have this hunger, with modulated performances that govern the transition between normal thinking and obscure behavior amid their struggles. Within the famous theater actress (Glenn Close), who has skill and a passion for her work, we sense delicate vulnerability due to an impacting marital issue she's facing. Her daughter (Elizabeth Banks) has troubles of her own: Finessing her decisions between the welfare of others and meeting her own needs, particularly in terms of whether to marry a burdened attorney (James Marsden). I don't believe it's a film to take lightly, but it's definitely a rewarding viewing, with accolades deserved by all involved.
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