Restored versions of Chinese language cinema classics Wong Kar-wai’s “Days of Being Wild” (1990) and Jia Zhangke’s first full-length feature “Pickpocket” (“Xiao Wu”) 1998) will lead the inaugural program of Hong Kong’s M+ Cinema, which will be opened to the public on June 8.
The opening program also features the Hong Kong premiere of one of the films from Russian director Ilya Khrzhanovskiy’s epic project series “Dau,” making the M+ Museum notable for not canceling Russian culture following the country’s invasion of Ukraine.
The cinema, comprising three theaters with seating capacity of 180, 60, and 40 seats, is a core facility of the Moving Image Centre at M+, the visual culture museum that opened in Hong Kong’s West Kowloon Cultural District in November last year. Moving images, including artist-made audio-visual works, artist films, and traditional feature films, are considered among one of the three key disciplines of the mega institution...
The opening program also features the Hong Kong premiere of one of the films from Russian director Ilya Khrzhanovskiy’s epic project series “Dau,” making the M+ Museum notable for not canceling Russian culture following the country’s invasion of Ukraine.
The cinema, comprising three theaters with seating capacity of 180, 60, and 40 seats, is a core facility of the Moving Image Centre at M+, the visual culture museum that opened in Hong Kong’s West Kowloon Cultural District in November last year. Moving images, including artist-made audio-visual works, artist films, and traditional feature films, are considered among one of the three key disciplines of the mega institution...
- 6/3/2022
- by Vivienne Chow
- Variety Film + TV
“An intellectual today in Russia cannot afford to be silent,” said Vladimir Mirzoev.
The number of voices within the Russian film community actively speaking out against the Russian invasion of Ukraine is growing daily, as filmmakers Vitaly Mansky, Vladimir Mirzoev and Ilya Khrzhanovskiy and actresses Chulpan Khamatova and Ksenija Rappoport join the call to end the war
Mansky and Khamatova are signatories along with other filmmakers including Ivan Vyrypaev (Euphoria), Tofig Shahverdiev (Our Whole Life Is A Crime), and Andrey Smirnov (A Frenchman), as well as film critic Anton Dolin to an online appeal published by journalist and author Mikhail Zygar...
The number of voices within the Russian film community actively speaking out against the Russian invasion of Ukraine is growing daily, as filmmakers Vitaly Mansky, Vladimir Mirzoev and Ilya Khrzhanovskiy and actresses Chulpan Khamatova and Ksenija Rappoport join the call to end the war
Mansky and Khamatova are signatories along with other filmmakers including Ivan Vyrypaev (Euphoria), Tofig Shahverdiev (Our Whole Life Is A Crime), and Andrey Smirnov (A Frenchman), as well as film critic Anton Dolin to an online appeal published by journalist and author Mikhail Zygar...
- 2/27/2022
- by Geoffrey Macnab¬Martin Blaney
- ScreenDaily
“An intellectual today in Russia cannot afford to be silent,” said Vladimir Mirzoev.
The number of voices within the Russian film community actively speaking out against the Russian invasion of Ukraine is growing daily, as filmmakers Vitaly Mansky, Vladimir Mirzoev and Ilya Khrzhanovskiy and actresses Chulpan Khamatova and Ksenija Rappoport join the call to end the war
Mansky and Khamatova are signatories along with other filmmakers including Ivan Vyrypaev (Euphoria), Tofig Shahverdiev (Our Whole Life Is A Crime), and Andrey Smirnov (A Frenchman), as well as film critic Anton Dolin to an online appeal published by journalist and author Mikhail Zygar...
The number of voices within the Russian film community actively speaking out against the Russian invasion of Ukraine is growing daily, as filmmakers Vitaly Mansky, Vladimir Mirzoev and Ilya Khrzhanovskiy and actresses Chulpan Khamatova and Ksenija Rappoport join the call to end the war
Mansky and Khamatova are signatories along with other filmmakers including Ivan Vyrypaev (Euphoria), Tofig Shahverdiev (Our Whole Life Is A Crime), and Andrey Smirnov (A Frenchman), as well as film critic Anton Dolin to an online appeal published by journalist and author Mikhail Zygar...
- 2/27/2022
- by Martin Blaney¬Geoffrey Macnab
- ScreenDaily
“An intellectual today in Russia cannot afford to be silent,” said Vladimir Mirzoev.
The number of voices within the Russian film community actively speaking out against the Russian invasion of Ukraine is growing daily, as leading independent producer Artem Vasilyev of Moscow-based Metrafilms, filmmakers Vitaly Mansky, Vladimir Mirzoev and Ilya Khrzhanovskiy and actresses Chulpan Khamatova and Ksenija Rappoport join the call to end the war.
“This is all wrong,” Vasilyev told Screen of his opinion of the invasion. “I know many people in the Ukrainian film community and I am shocked that the situation has developed in this way.”
Additionally,...
The number of voices within the Russian film community actively speaking out against the Russian invasion of Ukraine is growing daily, as leading independent producer Artem Vasilyev of Moscow-based Metrafilms, filmmakers Vitaly Mansky, Vladimir Mirzoev and Ilya Khrzhanovskiy and actresses Chulpan Khamatova and Ksenija Rappoport join the call to end the war.
“This is all wrong,” Vasilyev told Screen of his opinion of the invasion. “I know many people in the Ukrainian film community and I am shocked that the situation has developed in this way.”
Additionally,...
- 2/27/2022
- by Martin Blaney¬Geoffrey Macnab
- ScreenDaily
Russian Filmmakers Union KinoSoyuz issue declaration entitled ‘No To War’.
Internationally-renowned Russian directors Alexei Popogrebsky, Ilya Khrzhanovskiy, Marina Razbezhkina, Boris Khlebnikov and producers Evgeny Gindilis, Natalia Manskaya and Natalia Drozd are among the signatories of a declaration protesting at Russia’s invasion of Ukraine.
In a declaration entitled ‘No To War’, the Union of Cinematographers and Professional Cinematographic Organisations and Associations of Russia (known as KinoSoyuz) said that it had “received with pain and anger” the news of Russia’s invasion of Ukraine
“No national, political or geopolitical value can be more important than the most and fundamental value - the value of human life.
Internationally-renowned Russian directors Alexei Popogrebsky, Ilya Khrzhanovskiy, Marina Razbezhkina, Boris Khlebnikov and producers Evgeny Gindilis, Natalia Manskaya and Natalia Drozd are among the signatories of a declaration protesting at Russia’s invasion of Ukraine.
In a declaration entitled ‘No To War’, the Union of Cinematographers and Professional Cinematographic Organisations and Associations of Russia (known as KinoSoyuz) said that it had “received with pain and anger” the news of Russia’s invasion of Ukraine
“No national, political or geopolitical value can be more important than the most and fundamental value - the value of human life.
- 2/25/2022
- by Martin Blaney
- ScreenDaily
This year’s selection will be announced over two waves to account for pandemic conditions.
The first 32 features up for the 2020 European Films Awards has been announced with a second wave of “pandemic year” titles due to be revealed in September.
Scroll down for first selection of films
The titles include Armando Iannucci’s The Personal History Of David Copperfield and Viggo Mortensen’s Falling as well as Berlinale award-winners Undine, by Christian Petzold; Hidden Away, by Giorgio Diritti; Bad Tales, by the D’Innocenzo Brothers; Dau. Natasha, by Ilya Khrzhanovskiy and Jekaterina Oertel; and Delete History, by Benoît Delépine and Gustave Kervern.
The first 32 features up for the 2020 European Films Awards has been announced with a second wave of “pandemic year” titles due to be revealed in September.
Scroll down for first selection of films
The titles include Armando Iannucci’s The Personal History Of David Copperfield and Viggo Mortensen’s Falling as well as Berlinale award-winners Undine, by Christian Petzold; Hidden Away, by Giorgio Diritti; Bad Tales, by the D’Innocenzo Brothers; Dau. Natasha, by Ilya Khrzhanovskiy and Jekaterina Oertel; and Delete History, by Benoît Delépine and Gustave Kervern.
- 8/18/2020
- by 1100453¦Michael Rosser¦9¦
- ScreenDaily
Dau, the 700-hour behemoth of a cinema project, directed by Ilya Khrzhanovskiy, Jekaterina Oertel and Ilya Permyakov, caused quite a stir when two of its films premiered this year at Berlinale. The six-hour Dau. Degeneration and the four-hour Dau. Natasha both featured an extensive cast of mostly non-professional yet intensely watchable, often heartbreakingly convincing actors. Most of the project had been shot on the 42,000-square-feet set in Ukraine, which created an isolated, immersive atmosphere. With panache, some debauchery and plenty chugged vodka, the films inducted viewers into the universe of an isolated, top-secret Soviet research institute, where science and reason succumb to ruthless might and political machinations.In contrast to the sprawling Degeneration, and in line with the more intimate Natasha, the latest feature of the project to be released, Dau. Nora Mother, is modest. At just under one hour and thirty minutes, it feels slight, but that’s not necessarily a bad thing.
- 5/4/2020
- MUBI
One of this year’s Berlinale selections has already sparked controversy as the festival comes to a close this weekend. “Dau. Natasha,” the sophomore feature from Russian director Ilya Khrzhanovskiy, is a harrowing film experiment in which the director built a vast 42,000-square-foot set in Kharkiv, Ukraine, and cast some 352,000 people to live 24 hours a day in a meticulous rendering of a Soviet science institute. Ordinary people are asked to live in full character and hold normal jobs — even if that means facing repercussions from authorities if they wander from their routine. The movie, which won a cinematography prize out of the Berlinale on Saturday, culminates in a queasy scene of sexual assault that has led a group of Russian journalists to question the ethics of including the drama at all among the competition titles. In tandem, the director is tangling in his own share of controversy over the ambitious film.
- 2/29/2020
- by Ryan Lattanzio
- Indiewire
Iranian filmmaker Mohammad Rasoulof’s “There Is No Evil,” a drama about the impact of capital punishment on society and the human condition, won the Golden Bear at this year’s Berlin Film Festival on Saturday.
The seven-person festival jury, headed by Jeremy Irons, spread the prizes far and wide, with no single filmmaker dominating the awards.
American writer-director Eliza Hittman won the Silver Bear Grand Jury Prize for “Never Rarely Sometimes Always,” a drama about teen pregnancy, while the Silver Bear for best director went to South Korea’s Hong Sang Soo for his Seoul-set drama “The Woman Who Ran.”
Rasoulof, who is unable to leave Iran due to a travel ban, faces a one-year prison sentence for “spreading propaganda.” The filmmaker released a statement on Friday expressing his sorrow at missing the premiere of “There Is No Evil”: “I am sorry that I will not be able...
The seven-person festival jury, headed by Jeremy Irons, spread the prizes far and wide, with no single filmmaker dominating the awards.
American writer-director Eliza Hittman won the Silver Bear Grand Jury Prize for “Never Rarely Sometimes Always,” a drama about teen pregnancy, while the Silver Bear for best director went to South Korea’s Hong Sang Soo for his Seoul-set drama “The Woman Who Ran.”
Rasoulof, who is unable to leave Iran due to a travel ban, faces a one-year prison sentence for “spreading propaganda.” The filmmaker released a statement on Friday expressing his sorrow at missing the premiere of “There Is No Evil”: “I am sorry that I will not be able...
- 2/29/2020
- by Ed Meza
- Variety Film + TV
This year’s Berlin International Film Festival brought a lot of anticipation. The first edition assembled by artistic director Carlo Chatrian and executive director Mariette Rissenbeek required the team to push back on several years of backlash to lackluster programming while competing with a busy festival circuit.
The Berlinale isn’t Cannes or Sundance, but it turns out it didn’t need to chase either mold: In its 70th year, Berlin provided a range of international offerings large and small, more than enough to make the selection worth following across the 10-day event. Here are 10 highlights.
“The American Sector” (Courtney Stephens and Pacho Velez)
Courtney Stephens and Pacho Velez’s “The American Sector” may not have time to visit every section of the Berlin Wall that’s been imported to the country (the film runs a breezy 65 minutes without credits), but this light and thoughtful documentary road trip still manages...
The Berlinale isn’t Cannes or Sundance, but it turns out it didn’t need to chase either mold: In its 70th year, Berlin provided a range of international offerings large and small, more than enough to make the selection worth following across the 10-day event. Here are 10 highlights.
“The American Sector” (Courtney Stephens and Pacho Velez)
Courtney Stephens and Pacho Velez’s “The American Sector” may not have time to visit every section of the Berlin Wall that’s been imported to the country (the film runs a breezy 65 minutes without credits), but this light and thoughtful documentary road trip still manages...
- 2/29/2020
- by Eric Kohn, Anne Thompson and David Ehrlich
- Indiewire
The Russia House: Khrzhanovskiy & Oertel Arrive from Russia with Love
As far as the cinematic form has been concerned, there’s been nothing which courts the now mythic production of the project known as Dau, what was supposedly conceived as a biopic about Nobel-prize winning Soviet physicist Lev Landau from director Ilya Khrzhanovskiy. What began as the director’s sophomore film project began prepping in 2006, with its production commencing from 2008…and didn’t complete principal photography for three years. The brief but provocative snippets of muted information revealed Khrzhanovskiy had built a contained cityscape, wherein cast and crew lived as members of The Institute, a secret Soviet facility in operation from 1938 to 1968.…...
As far as the cinematic form has been concerned, there’s been nothing which courts the now mythic production of the project known as Dau, what was supposedly conceived as a biopic about Nobel-prize winning Soviet physicist Lev Landau from director Ilya Khrzhanovskiy. What began as the director’s sophomore film project began prepping in 2006, with its production commencing from 2008…and didn’t complete principal photography for three years. The brief but provocative snippets of muted information revealed Khrzhanovskiy had built a contained cityscape, wherein cast and crew lived as members of The Institute, a secret Soviet facility in operation from 1938 to 1968.…...
- 2/27/2020
- by Nicholas Bell
- IONCINEMA.com
“Dau. Natasha” has no credits to explain the wild concept behind its existence, but context is everything. The sophomore feature from Russian director Ilya Khrzhanovskiy follows his well-received 2004 debut “4,” but this is the rare case of an extensive delay that makes complete sense. The movie takes the form of a sexually explicit drama with a jarring Orwellian turn in its final act, and ends with a harrowing sexual assault, but the circumstances behind the scenes deepen the queasy intrigue that has defined the life of this project for more than a dozen years.
Khrzhanovskiy initially set out to make a traditional biopic of Soviet-era physicist Lev Landau, but the production later transformed into an epic installation piece, and eventually the most ambitious filmmaking experiment in history. The filmmaker built a sprawling 42,000-square-foot set in Kharkiv, Ukraine, and cast some 352,000 people to live 24 hours a day in a meticulous recreation of a Soviet science institute.
Khrzhanovskiy initially set out to make a traditional biopic of Soviet-era physicist Lev Landau, but the production later transformed into an epic installation piece, and eventually the most ambitious filmmaking experiment in history. The filmmaker built a sprawling 42,000-square-foot set in Kharkiv, Ukraine, and cast some 352,000 people to live 24 hours a day in a meticulous recreation of a Soviet science institute.
- 2/26/2020
- by Eric Kohn
- Indiewire
There’s a school of critical thought that believes no contextual details or backstory to a film — be they to do with its source material, the circumstances of its production, or its makers’ motivation — should be examined or factored into a review of it, that the final product up on the screen is the only thing that counts. In many cases, that’s correct. It’s an all but impossible approach to take, however, to “Dau. Natasha,” the first theatrical feature to emerge from the mammoth, multidisciplinary Dau art project — equal parts long-term film shoot, performance installation and “Truman Show”-esque anthropological experiment — intended to recreate the experience of everyday life under Stalinist oppression in a vast, fictitious Soviet research institution in the 1950s.
Ilya Khrzhanovskiy and Jekaterina Oertel impressively punishing chamber piece is ostensibly self-contained, yet to view it with no knowledge of the Dau project feels tantamount to...
Ilya Khrzhanovskiy and Jekaterina Oertel impressively punishing chamber piece is ostensibly self-contained, yet to view it with no knowledge of the Dau project feels tantamount to...
- 2/26/2020
- by Guy Lodge
- Variety Film + TV
Coproduction Office reveals first deals on ’Dau. Natasha’.
Four more Dau features are in post-production and ready to be unveiled at film festivals later this year and next, revealed Russian director Ilya Khrzhanovskiy, the co-director of Dau. Natasha, which is making its world premiere at the Berlinale tonight (February 26).
Dau. Natasha is the first standalone feature to emerge from the controversial multi-million dollar Dau immersive art project and is co-directed by Khrzhanovskiy and Jekaterina Oertel. Oertel was originally the head of makeup and hair design on the Dau project and took on an editing and co-direction role in post-production.
The...
Four more Dau features are in post-production and ready to be unveiled at film festivals later this year and next, revealed Russian director Ilya Khrzhanovskiy, the co-director of Dau. Natasha, which is making its world premiere at the Berlinale tonight (February 26).
Dau. Natasha is the first standalone feature to emerge from the controversial multi-million dollar Dau immersive art project and is co-directed by Khrzhanovskiy and Jekaterina Oertel. Oertel was originally the head of makeup and hair design on the Dau project and took on an editing and co-direction role in post-production.
The...
- 2/26/2020
- by 57¦Geoffrey Macnab¦41¦
- ScreenDaily
Coproduction Office reveals first deals on ’Dau.Natasha’.
Four more Dau features are in post-production and ready to be unveiled at film festivals later this year and next, revealed Russian director Ilya Khrzhanovskiy, the co-director of Dau. Natasha, which is making its world premiere at the Berlinale tonight (February 26).
Dau. Natasha is the first standalone feature to emerge from the controversial multi-million dollar Dau immersive art project and is co-directed by Khrzhanovskiy and Jekaterina Oertel. Oertel was originally the head of make up and hair design on the Dau project and took on an editing and co-direction role in post production.
Four more Dau features are in post-production and ready to be unveiled at film festivals later this year and next, revealed Russian director Ilya Khrzhanovskiy, the co-director of Dau. Natasha, which is making its world premiere at the Berlinale tonight (February 26).
Dau. Natasha is the first standalone feature to emerge from the controversial multi-million dollar Dau immersive art project and is co-directed by Khrzhanovskiy and Jekaterina Oertel. Oertel was originally the head of make up and hair design on the Dau project and took on an editing and co-direction role in post production.
- 2/26/2020
- by 57¦Geoffrey Macnab¦41¦
- ScreenDaily
Above: Swimming Out Till the Sea Turns BlueThis year is the 70th anniversary of the Berlin International Film Festival, and it celebrates with a change of guard: Out goes festival director Dieter Kosslick and in comes Executive Director Mariette Rissenbeek, presumably managing the business side of the massive event, and Artistic Director Carlo Chatrian, who most recently held the same title at the Locarno Film Festival, leading the curation. This hand-over of responsibility is not unique to Berlin; last year, Locarno’s programming team was new; this year sees new heads of Sundance, Sheffield, and New York film festivals; and next year Rotterdam is under new leadership. As film culture is shifting under the just cultural pressure of inclusion and diversity, major festivals around the world are in the process of shifting gears.What does that mean for the Berlinale? In these early days—and in the first year with...
- 2/22/2020
- MUBI
DaysThe titles for the 70th Berlin International Film Festival are being announced in anticipation of the event running February 20 - March 2, 2020. We will update the program as new films are revealed.COMPETITIONBerlin Alexanderplatz (Burhan Qurbani): Francis has survived his escape from Africa. In Berlin he gets to know Hasenheide park, the city’s clubs and its streets. His pal Reinhold becomes an adversary. Mieze brings both happiness and tragedy. Dau. Natasha (Ilya Khrzhanovskiy and Jekaterina Oertel): Natasha works in the canteen of a secret Soviet research institute. She drinks a lot, likes to talk about love and embarks on an affair. State security intervenes. A tale of violence that is as radical as it is provocative.The Woman Who Ran (Hong Sangsoo): While her husband is on a business trip, Gamhee meets three of her friends on the outskirts of Seoul. They make friendly conversation, as always,...
- 1/29/2020
- MUBI
The Berlinale lineup already includes films from Jia Zhangke, Matías Piñeiro, and more, but now the competition slate has arrived and it’s an incredibly promising selection. Headed by Carlo Chatrian, it includes many of our most-anticipated films of the year with Christian Petzold’s Undine, Hong Sang-soo’s The Woman Who Ran, Tsai Ming-Liang’s Days, Philippe Garrel’s The Salt of Tears, Abel Ferrara’s Siberia, and Caetano Gotardo & Marco Dutra’s All the Dead Ones, plus recent festival favorites: Kelly Reichardt’s First Cow and Eliza Hittman’s Never Rarely Sometimes Always.
Check out the lineup below and return for our coverage.
Competition
Berlin Alexanderplatz
Germany / Netherlands
by Burhan Qurbani
with Welket Bungué, Jella Haase, Albrecht Schuch, Joachim Król, Annabelle Mandeng, Nils Verkooijen, Richard Fouofié Djimeli
World premiere
Dau. Natasha
Germany / Ukraine / United Kingdom / Russian Federation
by Ilya Khrzhanovskiy, Jekaterina Oertel
with Natalia Berezhnaya, Olga Shkabarnya, Vladimir Azhippo,...
Check out the lineup below and return for our coverage.
Competition
Berlin Alexanderplatz
Germany / Netherlands
by Burhan Qurbani
with Welket Bungué, Jella Haase, Albrecht Schuch, Joachim Król, Annabelle Mandeng, Nils Verkooijen, Richard Fouofié Djimeli
World premiere
Dau. Natasha
Germany / Ukraine / United Kingdom / Russian Federation
by Ilya Khrzhanovskiy, Jekaterina Oertel
with Natalia Berezhnaya, Olga Shkabarnya, Vladimir Azhippo,...
- 1/29/2020
- by Jordan Raup
- The Film Stage
What to make of Carlo Chatrian’s first selection?
Berlin Film Festival has announced its Competition lineup for the 70th edition, which runs from February 20 - March 1.
Screen has picked out six key talking points to arise from the selection.
Berlin Film Festival unveils 2020 Competition line-up It looks pretty familiar
Carlo Chatrian’s first main competition selection does not look wildly different from the Dieter Kosslick years at first glance. Ilya Khrzhanovskiy and Jekaterina Oertel’s Dau, Natasha, Burham Qurbani’s Berlin Alexanderplatz, Benoît Delépine and Gustave Kervern’s Delete Forever and Philippe Garrel’s The Salt Of Tears are...
Berlin Film Festival has announced its Competition lineup for the 70th edition, which runs from February 20 - March 1.
Screen has picked out six key talking points to arise from the selection.
Berlin Film Festival unveils 2020 Competition line-up It looks pretty familiar
Carlo Chatrian’s first main competition selection does not look wildly different from the Dieter Kosslick years at first glance. Ilya Khrzhanovskiy and Jekaterina Oertel’s Dau, Natasha, Burham Qurbani’s Berlin Alexanderplatz, Benoît Delépine and Gustave Kervern’s Delete Forever and Philippe Garrel’s The Salt Of Tears are...
- 1/29/2020
- by 88¦Louise Tutt¦0¦¬1101321¦Ben Dalton¦26¦¬1101184¦Orlando Parfitt¦38¦¬1100453¦Michael Rosser¦9¦
- ScreenDaily
This morning’s Berlinale Competition line-up announcement featured 33% films (six of 18) with women directors, including one project, Dau. Natasha, which is co-directed by a man and a woman (Ilya Khrzhanovskiy and Jekaterina Oertel).
That’s a drop on last year’s percentage of 41%, when seven of 17 pics selected were from female filmmakers.
Still, the Berlin fest continues to compare favorably to the other major European festivals. In 2019, Venice featured just two women directors of the 21 films in its Competition (less than 10%), while Cannes selected four of 21 (19%).
Of the six films by women filmmakers, four are world premieres, with Kelly Reichardt’s First Cow arriving following its Telluride debut last year, and Eliza Hittman’s Never Rarely Sometimes Always having played more recently in Sundance. Those are the only two...
That’s a drop on last year’s percentage of 41%, when seven of 17 pics selected were from female filmmakers.
Still, the Berlin fest continues to compare favorably to the other major European festivals. In 2019, Venice featured just two women directors of the 21 films in its Competition (less than 10%), while Cannes selected four of 21 (19%).
Of the six films by women filmmakers, four are world premieres, with Kelly Reichardt’s First Cow arriving following its Telluride debut last year, and Eliza Hittman’s Never Rarely Sometimes Always having played more recently in Sundance. Those are the only two...
- 1/29/2020
- by Tom Grater
- Deadline Film + TV
The Berlin International Film Festival on Wednesday morning revealed the main competition lineup and gala selections for festival’s 70th edition.
The festival, which begins February 20, will screen 18 films in competition, including movies from Sally Potter, Kelly Reichardt, and Eliza Hittman. Six are from female directors.
Among the gala presentations is Pixar’s” Onward.” The Dan Scanlon-helmed urban fantasy includes the voices of Tom Holland, Chris Pratt, Julia-Louis Dreyfus, Octavia Spencer, Mel Rodriguez, Kyle Bornheimer, Lena Waithe, and Ali Wong.
Here is the complete list:
Competition
“Berlin Alexanderplatz” (Germany/Netherlands)
Director: Burhan Qurbani
Cast: Welket Bungué, Jella Haase, Albrecht Schuch, Joachim Król, Annabelle Mandeng, Nils Verkooijen, and Richard Fouofié Djimeli
“Dau. Natasha” (Germany/Ukraine/United Kingdom/Russia)
Directors: Ilya Khrzhanovskiy and Jekaterina Oertel
Cast: Natalia Berezhnaya, Olga Shkabarnya, Vladimir Azhippo, Alexei Blinov, and Luc Bigé
“Domangchin yeoja” (“The Woman Who Ran”) (South Korea)
Director: Hong Sangsoo
Cast: Kim Minhee,...
The festival, which begins February 20, will screen 18 films in competition, including movies from Sally Potter, Kelly Reichardt, and Eliza Hittman. Six are from female directors.
Among the gala presentations is Pixar’s” Onward.” The Dan Scanlon-helmed urban fantasy includes the voices of Tom Holland, Chris Pratt, Julia-Louis Dreyfus, Octavia Spencer, Mel Rodriguez, Kyle Bornheimer, Lena Waithe, and Ali Wong.
Here is the complete list:
Competition
“Berlin Alexanderplatz” (Germany/Netherlands)
Director: Burhan Qurbani
Cast: Welket Bungué, Jella Haase, Albrecht Schuch, Joachim Król, Annabelle Mandeng, Nils Verkooijen, and Richard Fouofié Djimeli
“Dau. Natasha” (Germany/Ukraine/United Kingdom/Russia)
Directors: Ilya Khrzhanovskiy and Jekaterina Oertel
Cast: Natalia Berezhnaya, Olga Shkabarnya, Vladimir Azhippo, Alexei Blinov, and Luc Bigé
“Domangchin yeoja” (“The Woman Who Ran”) (South Korea)
Director: Hong Sangsoo
Cast: Kim Minhee,...
- 1/29/2020
- by Chris Lindahl
- Indiewire
18-strong Competition strand includes films by Sally Potter, Hong Sangsoo, Tsai Ming-Liang, Christian Petzold, Rithy Panh and Philippe Garrel.
The 18-strong competition line-up for the 70th Berlin International Film Festival (Feb 20-Mar 1) has been unveiled by the festival’s new executive director Mariette Rissenbeek and artistic director Carlo Chatrian.
Among the titles selected are new work by Sally Potter, Kelly Reichardt, Hong Sangsoo, Philippe Garrel, Rithy Panh, Tsai Ming-Liang and Silver Bear winner Christian Petzold.
Other intriguing projects include Burhan Qurbani’s Berlin Alexanderplatz and Ilya Khrzhanovskiy and Jekaterina Oertel’s long-gestating project Dau. Natasha.
Six of the 18 films selected...
The 18-strong competition line-up for the 70th Berlin International Film Festival (Feb 20-Mar 1) has been unveiled by the festival’s new executive director Mariette Rissenbeek and artistic director Carlo Chatrian.
Among the titles selected are new work by Sally Potter, Kelly Reichardt, Hong Sangsoo, Philippe Garrel, Rithy Panh, Tsai Ming-Liang and Silver Bear winner Christian Petzold.
Other intriguing projects include Burhan Qurbani’s Berlin Alexanderplatz and Ilya Khrzhanovskiy and Jekaterina Oertel’s long-gestating project Dau. Natasha.
Six of the 18 films selected...
- 1/29/2020
- by 1101184¦Orlando Parfitt¦38¦
- ScreenDaily
The Berlin International Film Festival has unveiled its 2020 line-up, with 18 films playing in competition from directors such as Abel Ferrara, Sally Potter, Christian Petzold, Hong Sangsoo, Kelly Reichardt and Eliza Hittman.
Abel Ferrara’s Willem Dafoe starrer “Siberia” is a world premiere in competition, as is Sally Potter’s “The Roads Not Taken.”
Among the U.S. films at the Berlinale, Reichardt’s “First Cow” is an international premiere, and so too is Hittman’s “Never Rarely Sometimes Always.”
Pixar’s latest animation, “Onward”, also has its international premiere out of competition in the Special Galas section.
Previous Berlin Silver Bear winner Christian Petzold’s latest, “Undine”, world premieres, while Iranian director Mohammed Rasoulof, who is not allowed to travel outside his home country, world premieres his latest, “There is No Evil.”
Six out of the 18 films in competition are helmed by female directors.
The 70th edition of the festival...
Abel Ferrara’s Willem Dafoe starrer “Siberia” is a world premiere in competition, as is Sally Potter’s “The Roads Not Taken.”
Among the U.S. films at the Berlinale, Reichardt’s “First Cow” is an international premiere, and so too is Hittman’s “Never Rarely Sometimes Always.”
Pixar’s latest animation, “Onward”, also has its international premiere out of competition in the Special Galas section.
Previous Berlin Silver Bear winner Christian Petzold’s latest, “Undine”, world premieres, while Iranian director Mohammed Rasoulof, who is not allowed to travel outside his home country, world premieres his latest, “There is No Evil.”
Six out of the 18 films in competition are helmed by female directors.
The 70th edition of the festival...
- 1/29/2020
- by Tim Dams
- Variety Film + TV
The Berlin Film Festival revealed its main competition lineup and additional galas this morning at a press conference in the German capital.
The lineup includes new films by Sally Potter, Kelly Reichardt, Abel Ferrara, Christian Petzold, Hong Sangsoo and Iranian filmmaker Mohammad Rasoulof (who is unable to leave Iran due to a travel ban). Scroll down for the lineup in full.
Artistic director Carlo Chatrian confirmed that all main cast and all directors – other than Rasoulof – are due to attend the festival. Guests are set to include Hillary Clinton, who is the subject of Nanette Burstein’s docu-series Hillary; Stateless star and producer Cate Blanchett; Willem Dafoe, star of Abel Ferrara’s Siberia; and Javier Bardem, Elle Fanning and Salma Hayek, the stars of Potter’s drama The Roads Not Taken.
The 18-strong competition lineup includes six films by women directors. Last year, 17 films were selected for the competition with seven helmed by women.
The lineup includes new films by Sally Potter, Kelly Reichardt, Abel Ferrara, Christian Petzold, Hong Sangsoo and Iranian filmmaker Mohammad Rasoulof (who is unable to leave Iran due to a travel ban). Scroll down for the lineup in full.
Artistic director Carlo Chatrian confirmed that all main cast and all directors – other than Rasoulof – are due to attend the festival. Guests are set to include Hillary Clinton, who is the subject of Nanette Burstein’s docu-series Hillary; Stateless star and producer Cate Blanchett; Willem Dafoe, star of Abel Ferrara’s Siberia; and Javier Bardem, Elle Fanning and Salma Hayek, the stars of Potter’s drama The Roads Not Taken.
The 18-strong competition lineup includes six films by women directors. Last year, 17 films were selected for the competition with seven helmed by women.
- 1/29/2020
- by Andreas Wiseman
- Deadline Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSJonas Mekas (1922 — 2019)"I have never been able, really, to figure out where my life begins and where it ends. I have never, never been able to figure it all out, what's all about." We're sad to say that Jonas Mekas, considered the "godfather of avant-garde cinema," has passed away today at the age of 96. The Lithuanian filmmaker leaves behind a legacy of film criticism, programming, and lovingly, meticulously crafted cinema, often confronting and splicing through his own biography as a refugee and artist. In April of last year, Mekas was "rediscovering Virginia Woolf," and working on a compilation of 50 years' worth of diaries. After a number of health scares in the summer, he informed The New York Times that death is a "normal transition [...] It’s where the mystery begins, where it becomes interesting.
- 1/23/2019
- MUBI
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSThe controversial production of Russian director Ilya Khrzhanovskiy's Dau has come to an end, and there is now a trailer and a promotional website to prove it. The film was rumored to have taken nearly twelve years, recruiting a cast and crew of thousands in an isolated town that recreated life in the 1950s Soviet Union. Dau will likely be released as multiple films and a television series, but the new trailer presents it as primarily an "experiment." As Siddhant Adlakha says in his 2017 dissection of the film, "the remaining details, both factual and emotional, are still speculation that falls in the realm of audience interpretation." Professor and Kubrick expert Nathan Abrams has discovered the presumably lost screenplay to Kubrick's Burning Secret, an adaptation of a 1913 novella by Viennese writer Stefan Zweig. Long...
- 7/18/2018
- MUBI
With only hours ago before the official selection for the Main Competition is announced, we’ve narrowed our final predictions to the following titles that we’re crystal-balling as the films that will be included on Thierry Fremaux’s highly anticipated list. Despite an obvious drought of Asian auteurs (we’re thinking the rumored frontrunner Takashi Miike won’t be included in tomorrow’s list) who’s to say there won’t be some definite surprises, like Jia Zhang-ke’s A Touch of Sin last year.
Several hopefuls appear not to be ready in time, including Malick, Hsou-hsien, Cristi Puiu, and Innarritu, to name a few. But there does appear to be a high quantity of exciting titles from some of cinema’s leading auteurs. We’re still a bit tentative about whether Xavier Dolan’s latest, Mommy, will get a main competition slot—instead, we’re predicting another surprise,...
Several hopefuls appear not to be ready in time, including Malick, Hsou-hsien, Cristi Puiu, and Innarritu, to name a few. But there does appear to be a high quantity of exciting titles from some of cinema’s leading auteurs. We’re still a bit tentative about whether Xavier Dolan’s latest, Mommy, will get a main competition slot—instead, we’re predicting another surprise,...
- 4/17/2014
- by IONCINEMA.com Contributing Writers
- IONCINEMA.com
Half Nelson: Chadwick’s Biopic Stretched Thin
An attempt to cover fifty years in the life of South African President Nelson Mandela in the time span of two and a half hours seems as exhausting to sit through as it was daunting to piece together, even if it is based on Mandela’s own autobiography. To their credit, Justin Chadwick and screenwriter William Nicholson have made a well-paced film, albeit one that gives us a rudimentary glance at Mandela’s development, doggedly comprehensive without taking any opportunities for depth or subtlety. Its rather conservative depiction of apartheid further places the film into a textbook category and seems an appropriate and elementary learning tool for those ignorant of the subject matter. Despite adhering to the trappings of generalization as seen in many genuinely produced biopics that would have been better served by sticking to one particular moment or period, Chadwick...
An attempt to cover fifty years in the life of South African President Nelson Mandela in the time span of two and a half hours seems as exhausting to sit through as it was daunting to piece together, even if it is based on Mandela’s own autobiography. To their credit, Justin Chadwick and screenwriter William Nicholson have made a well-paced film, albeit one that gives us a rudimentary glance at Mandela’s development, doggedly comprehensive without taking any opportunities for depth or subtlety. Its rather conservative depiction of apartheid further places the film into a textbook category and seems an appropriate and elementary learning tool for those ignorant of the subject matter. Despite adhering to the trappings of generalization as seen in many genuinely produced biopics that would have been better served by sticking to one particular moment or period, Chadwick...
- 11/28/2013
- by Nicholas Bell
- IONCINEMA.com
Before we unveil our most anticipated film of 2011, I figure we might want to emphasize some of the names that most frequently populated our Top 100 Most Anticipated Films list. Here is our version of 10 movers and shakers for 2011. Brady Corbet - Actor An actor who works with both the European filmmaker elite and American Independent helmers, Brady Corbet sees his work in Sean Durkin's Martha Marcy May Marlene showcased in Sundance, he'll most likely have a double billing at Cannes for Antonio Campos' Simon Killer and Lars Von Trier's Melancholia. You should really look out for him in a mostly non-verbal part in Alistair Banks Griffin's excellent directorial debut Two Gates of Sleep -- which preemed in Cannes and should receive distribution sometime this year. He'll next appear in Regular Boy (the film adaptation of Coin Locker Babies) to be directed by commercials director Michele Civetta and also stars his wife,...
- 1/20/2011
- IONCINEMA.com
The Cannes Film Festival has announced that Olivier Assayas's Carlos will be presented Out of Competition, while Carlos Diegues's 5x Favela joins the lineup of this year's edition in the Special Screening section. You'll find info for both films on the updated Cannes lineup entry.
Semaine de la Critique, or Critics' Week, experienced a leak today, but the official announcement of the lineup is due shortly; Quinzaine des réalisateurs — Directors' Fortnight — announces tomorrow.
Other Fests
The Tribeca Film Festival opens on Wednesday, but here at The Auteurs, we've already begun showing highlights from past editions — for free in most territories. We're beginning with Vers Mathilde, a documentary on France's foremost contemporary choreographer by Claire Denis; My Marlon and Brando, for which director Huseyin Karabey won Tribeca's Best New Narrative Filmmaker award; 4, Ilya Khrjanovsky's Tiger Award-winning debut film; and Matthias Glasner's hard-hitting The Free Will, for which...
Semaine de la Critique, or Critics' Week, experienced a leak today, but the official announcement of the lineup is due shortly; Quinzaine des réalisateurs — Directors' Fortnight — announces tomorrow.
Other Fests
The Tribeca Film Festival opens on Wednesday, but here at The Auteurs, we've already begun showing highlights from past editions — for free in most territories. We're beginning with Vers Mathilde, a documentary on France's foremost contemporary choreographer by Claire Denis; My Marlon and Brando, for which director Huseyin Karabey won Tribeca's Best New Narrative Filmmaker award; 4, Ilya Khrjanovsky's Tiger Award-winning debut film; and Matthias Glasner's hard-hitting The Free Will, for which...
- 4/20/2010
- MUBI
The Auteurs, the fastest growing online destination for lovers of independent, foreign, and classic film, will be celebrating the 2010 Tribeca Film Festival by showing online and for free some of its favorite films from past Festivals! The online series features: Vers Mathilde A documentary on France's foremost contemporary choreographer by art-house favorite Claire Denis (Beau travail, 35 Shots of Rhum) My Marlon and Brando For which director Huseyin Karabey won Tribeca's Best New Narrative Filmmaker award 4 Ilya Khrjanovsky's Tiger Award-winning debut film and wildly audacious vision of contemporary Russia Free Will Matthias Glasner's searing, controversial drama, which garnered Berlinale's Silver Bear More films will be added to the series soon, and all will be shown on The Auteurs for free for audiences in the U.S. from 19 April - 2 May, 2010.
- 4/20/2010
- TribecaFilm.com
Doug Sadler's Swimmers was awarded the grand jury prize for best new American film at an awards ceremony held Sunday, the closing day of the 31st annual Seattle International Film Festival. A special jury prize for best new American film also was awarded to Scott Coffey's Ellie Parker, starring Naomi Watts. In the documentary field, the grand jury prize went to Walter Stokman's Based on a True Story, a recounting of the bank robbery that inspired Dog Day Afternoon. Heather Rae's Trudell, a portrait of American Indian poet John Trudell, received a special jury prize. Russian director Ilya Khrjanovsky received the grand jury prize for best new director for his film 4. Brad McGann was awarded a special jury prize for best new director for In My Father's Den.
- 6/13/2005
- The Hollywood Reporter - Movie News
ROTTERDAM, the Netherlands -- Movies from Russia, Spain and Italy each took home a Tiger award at close Saturday night of this year's Rotterdam International Film Festival. The festival's competition jury, including American photographer Nan Goldin, awarded Russia's Ilya Khrzhanovsky's 4, Italy's Daniele Gaglianone's Nemmeno Il Destiono (Changing Destiny) and Spain's documentarian Mercedes Alvarez's El Cielo Gira (The Sky Turns) a Tiger apiece. In addition to the cash purse, each winner's film will air on Dutch public television network VPRO. Festival director Sandra den Hamer said the 34th edition had been a success. Attendance rose slightly -- to an all-time high for the event -- to 358,000 admissions, up 3,000 from last year. The number of overseas guests also rose 150 to 2,586.
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