Jay Austin is now a civilian police detective. Colonel Caldwell was his commanding officer years before when he left the military police over a disagreement over the handling of a drunk ... See full summary »
An eccentric scientist working for a large drug company is working on a research project in the Amazon jungle. He sends for a research assistant and a gas chromatograph because he's close ... See full summary »
When an escort girl is found dead in the offices of a Japanese company in Los Angeles, detectives Web Smith and John Connor act as liaison between the company's executives and the investigating cop Tom Graham.
Politics are already strained between English imperialists and the West African government of Kinjanja, when womanizing British diplomat Morgan Leafy (Colin Friels) is caught in bed with ... See full summary »
Jessie is an aging career criminal who has been in more jails, fights, schemes, and lineups than just about anyone else. His son Vito, while currently on the straight and narrow, has had a ... See full summary »
Three notebooks supposedly containing Russian military secrets are handed to a British publisher during a Russian book conference. The British secret service are naturally keen to learn if these notebooks are the genuine article. To this end, they enlist the help of the scruffy British publisher Barley Blair, who has plenty of experience with Russia and Russians. Barley, an unconventional character who doesn't respond well to authority, finds himself in a game more complex than he first thought when he digs into the origin of the notebooks. Written by
Murray Chapman <firstname.lastname@example.org>
The synopsis of the novel "The Russia House" (1989) by John le Carré, on his personal website, reads: "It is the third summer of perestroika. Barley Blair, London publisher, receives a smuggled document from Moscow. Blair, jazz-loving, drink-marinated, dishevelled, is hardly to the taste of the spymasters, yet he has to be used - sent to the Soviet Union to make contact. Katya, the Moscow intermediary, is beautiful, thoughtful, equally sceptical of all state ideology. Together, as the safe clichés of hostility disintegrate, they may represent the future - an idea that is anathema to the entrenched espionage professionals on both sides." See more »
Near the end of the movie, at the American control center, when an assistant hands Ned a cup of coffee, he tips it enough that you can see the cup is empty. See more »
The trouble is, a lot of very favorite sons are in danger of having their rice bowls broken, all on account of these goddamn notebooks. The Soviet military effort is stalled, the American military effort is stalled. These notebooks say their rocket motors suck instead of blow, they can't do solid fuel for shit...
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The first and best western film to come from Soviet Russia
The Russia House is an amazing movie. It captures the majesty of Russia in visits to Moscow and St. Petersburg (Leningrad) as well as the crumbling Soviet state. The first western movie filmed in the Soviet Union, The Russia House is better defined as a love story than as a spy thriller. Do not be concerned however, spy fans. There is plenty of intrigue to be had in this beautiful movie. The interplay between Sean Connery, Roy Scheider and J.T. Walsh in a scene from Vancouver, British Columbia alone is worth the price of admission. However, the true star of this understated romance is James Fox, who plays the British contact for Connery's Scott Blair and the foil for the CIA's Scheider character in such gentlemanly fashion as to make the audience believe the true Bond-style gentleman-spy really does exist in this world. From the beautiful scenery to perhaps the best and most haunting soundtrack of any movie--ever (reviews abound--just look them up, friends--easily the great Jerry Goldsmith's finest work), the Russia House is a truly mysterious and romantic movie.
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