When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
In this movie, Truman is a man whose life is a fake one... The place he lives is in fact a big studio with hidden cameras everywhere, and all his friends and people around him, are actors who play their roles in the most popular TV-series in the world: The Truman Show. Truman thinks that he is an ordinary man with an ordinary life and has no idea about how he is exploited. Until one day... he finds out everything. Will he react? Written by
Chris Makrozahopoulos <email@example.com>
In an early scene, a bottle of vitamin D is on on Truman and Meryl's kitchen table, needed for those without exposure to the (real) sun. See more »
When Marlon is restocking the candy bars in one of the vending machines, he works on filling up one of the rows. The scene switches to Truman talking with Marlon, and when the scene switches back to the vending machine, the row that Marlon had filled in is empty. However, earlier in that scene Marlon can be seen removing two candy bars when Truman is not looking, then stocking them back into the machine. It is obvious Marlon is just acting busy by moving candy bars back and forth, thus killing time and keeping Truman stationary so the important discussion can unfold on camera. See more »
We've become bored with watching actors give us phony emotions. We are tired of pyrotechnics and special effects. While the world he inhabits is, in some respects, counterfeit, there's nothing fake about Truman himself. No scripts, no cue cards. It isn't always Shakespeare, but it's genuine. It's a life.
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In the end credits, the cast is divided between Truman's World, Christof's World and The Viewers See more »
Piano Sonata No. 11 in A Major (K. 331) (300), Third Movement: Alla Turca
by Wolfgang Amadeus Mozart
Performed by Wilhelm Kempff, piano
Courtesy of Deutsche Grammophon Gesellschaft mbH., Hamburg
by arrangement with PolyGram Film and TV Music See more »
Having been bandied about the release schedules for the best part of a year, Carrey's first semi-dramatic film finally got a UK release last October. He plays Truman Burbank, a vaguely unhappy insurance salesman in the perfect little seaside town of Seahaven. Following some strange occurrences, Truman starts to think that he is being watched. Little does he know that his entire life is secretly filmed, his town is a gigantic sound-stage, everyone he has ever known was an actor and that his every waking and sleeping second is broadcast around the world as a top-rated docu-soap.
Critics have been lavishing enormous praise on this movie since it opened in America last June, and probably rightly so because it is a superbly crafted piece of work. Weir's direction is outstanding, frequently viewing events from the point of view of hidden spy cameras, such as the one in Truman's car radio. One stunning shot has the town's main street full of motionless extras, waiting for Truman to turn the corner. Jim Carrey's performance has been singled out for particular praise, and though his acting is of a much higher standard that his usual comedy antics, it is not exactly Laurence Olivier. This said, an Oscar nomination would have been well deserved.
The setting of a chirpy small town from which escape is impossible echoes cult 60's series The Prisoner, but the balance of reality and poetry is much more restrained here than it was then. The opening credits are especially clever, using those of the actual `show' (e.g. Truman Burbank as Himself). There are, however, a few problems. The film is simply too short to adequately explore Truman's situation, and the character of Meryl, his `wife', disappears about half-an-hour from the end. This kind of slightly sloppy scripting was not something I expected from writer Andrew Niccol, whose previous film Gattaca, which he also directed, was such an immediate classic. Gripes aside, this is an extraordinary and highly original film that really is worth seeing several times to fully understand the director's message. It doesn't even matter if you never liked Jim Carrey before. You will now.
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