When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
In this movie, Truman is a man whose life is a fake one... The place he lives is in fact a big studio with hidden cameras everywhere, and all his friends and people around him, are actors who play their roles in the most popular TV-series in the world: The Truman Show. Truman thinks that he is an ordinary man with an ordinary life and has no idea about how he is exploited. Until one day... he finds out everything. Will he react? Written by
Chris Makrozahopoulos <email@example.com>
Just before the boat stops, we see the number "139" prominently displayed on its sail. The ensuing dialogue between Truman and Christof contains some paraphrased references to Psalm 139, as do many other aspects of the film. See more »
When Marlon is restocking the candy bars in one of the vending machines, he works on filling up one of the rows. The scene switches to Truman talking with Marlon, and when the scene switches back to the vending machine, the row that Marlon had filled in is empty. However, earlier in that scene Marlon can be seen removing two candy bars when Truman is not looking, then stocking them back into the machine. It is obvious Marlon is just acting busy by moving candy bars back and forth, thus killing time and keeping Truman stationary so the important discussion can unfold on camera. See more »
We've become bored with watching actors give us phony emotions. We are tired of pyrotechnics and special effects. While the world he inhabits is, in some respects, counterfeit, there's nothing fake about Truman himself. No scripts, no cue cards. It isn't always Shakespeare, but it's genuine. It's a life.
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Opening credits are for the "real" Truman Show, with lines like "starring Truman Burbank as himself" and "created and directed by Christof". See more »
Piano Sonata No. 11 in A Major (K. 331) (300), Third Movement: Alla Turca
by Wolfgang Amadeus Mozart
Performed by Wilhelm Kempff, piano
Courtesy of Deutsche Grammophon Gesellschaft mbH., Hamburg
by arrangement with PolyGram Film and TV Music See more »
Truman Burbank (Jim Carrey) is the most famous man in the world, and he doesn't even know it. Raised entirely 'within' a television show which comprises his entire world, Truman is an Everyman for the post-television age. Truman's world, "Seahaven", is an Eisenhower-era model of American bliss, recalling the prison-like Port Meirion and the moral certainty of Bedford Falls (Its a Wonderful Life). Surreptitiously filmed around the clock by 5000 hidden cameras, the show exists inside an enormous geodesic dome with simulated weather and even its own ocean. Through a series of production blunders Truman slowly realises that he is being controlled and that perhaps all in his world is not as it seems. His surrogate father by proxy, 'Christof' the producer/director, goes from being benevolent social scientist to evil genius as his attempts to frustrate Truman's wanderlust become more and more deadly. Will he escape?
The film raises some interesting points about our fascination with life as seen through the magnifying lens of tv, and the morality of real lives viewed as so much entertainment. But like most soaps the scenes from "The Truman Show" that appear within the movie are variously dull, mawkish and sentimental. At points the film has a problem deciding on whether it is going to be a straight escape-chase movie or a philosophical piece about morality and technology. The t.v. show's inherent blandess also lends little to the pace or our sense that there are characters worth caring about.
Carrey is good. This in itself is gratifying, and a tribute to a script that walks the tightrope of imitating bad t.v. in tandem with the metaphysical angst of Truman's unique situation. If it isn't quite the film it could have been, The Truman Show is still pretty much unique in the recent crop from our cultural overlords in Hollywood. No arthouse here, this is a watchable, big-budget think piece, with well-executed and stylish direction. Its too early to say but this film may have given some execs at NBC, ABC et al. one very bad idea...
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