When their relationship turns sour, a couple undergoes a procedure to have each other erased from their memories. But it is only through the process of loss that they discover what they had to begin with.
In this movie, Truman is a man whose life is a fake one... The place he lives is in fact a big studio with hidden cameras everywhere, and all his friends and people around him, are actors who play their roles in the most popular TV-series in the world: The Truman Show. Truman thinks that he is an ordinary man with an ordinary life and has no idea about how he is exploited. Until one day... he finds out everything. Will he react? Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
While figuring out how to play the character of Christof, Ed Harris suggested him being a hunchback (causing him to have an unhappy childhood and instilling his desire for Truman to have an idealized life) but he changed his mind after trying on a prosthetic hump and seeing what he looked like. See more »
In the "Moon" room just before Truman's escape from the basement, Cristof enters the room and to the left we see a reflection of one of his employees sitting in a chair. Unfortunately, that employee has already left the chair in the prior shot. See more »
We've become bored with watching actors give us phony emotions. We are tired of pyrotechnics and special effects. While the world he inhabits is, in some respects, counterfeit, there's nothing fake about Truman himself. No scripts, no cue cards. It isn't always Shakespeare, but it's genuine. It's a life.
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Opening credits are for the "real" Truman Show, with lines like "starring Truman Burbank as himself" and "created and directed by Christof". See more »
I asked a friend to describe The Truman Show. He said, "No, it's not a comedy, well...not exactly." I didn't quite understand until I watched it myself. Truman takes on a tone quite different than any parody/comedies I've seen lately. The point (the media and its destructive powers) is subtlely relayed through dark humor, and you don't feel like the director is smashing you over the head with his morals. Peter Weir demonstrated his artistic genius in Dead Poets Society and here as well. The soundtrack is great, Ed Harris is stellar (what were they THINKING at the Academy?) and for once I actually liked Jim Carrey. His performance wasn't ribald for once. The final scene--I will not reveal it--is a majestic, long-awaited finish to an intellectual movie. Some people will insist that it was boring or pointless. Those are the same viewers who prefer slapstick, obvious humor to the subtle layers presented here. This is a thinking person's movie. If you can't see the underlying message here, of course you won't like it!
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