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Dog Day Afternoon (1975)

 -  Crime | Drama  -  21 September 1975 (USA)
8.1
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Ratings: 8.1/10 from 148,124 users  
Reviews: 233 user | 97 critic

A man robs a bank to pay for his lover's operation; it turns into a hostage situation and a media circus.

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(screenplay), (based upon a magazine article by), 2 more credits »
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Title: Dog Day Afternoon (1975)

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Top 250 #218 | Won 1 Oscar. Another 15 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Sully Boyar ...
...
Sal
Beulah Garrick ...
Margaret
...
Jenny
Sandra Kazan ...
Deborah
...
Miriam
Amy Levitt ...
Maria
John Marriott ...
Howard
Estelle Omens ...
Edna
...
...
Stevie
...
...
Carmine Foresta ...
Carmine
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Storyline

Based upon a real-life story that happened in the early seventies in which the Chase Manhattan Bank in Gravesend, Brooklyn, was held siege by a gay bank robber determined to steal enough money for his male lover to undergo a sex change operation. On a hot summer afternoon, the First Savings Bank of Brooklyn is held up by Sonny and Sal, two down-and-out characters. Although the bank manager and female tellers agree not to interfere with the robbery, Sonny finds that there's actually nothing much to steal, as most of the cash has been picked up for the day. Sonny then gets an unexpected phone call from Police Captain Moretti, who tells him the place is surrounded by the city's entire police force. Having few options under the circumstances, Sonny nervously bargains with Moretti, demanding safe escort to the airport and a plane out of the country in return for the bank employees' safety. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

Anything can happen during the dog days of summer. On August 22nd, 1972, everything did See more »

Genres:

Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 September 1975 (USA)  »

Also Known As:

Tarde de perros  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (1975)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

The entire film is mostly improvised, though around the script. After rehearsing the script for weeks with his cast, Sidney Lumet took the improvisations that were made while rehearsing and made that the official screenplay. See more »

Goofs

In the opening scene, when Sonny is walking to the bank, he holds his gun in some gift wrap. The blue ribbons are crossing where the flower is. In the next shot, the crossing is moved much closer to the top, as if to make it easier to open the box. But when Sonny tries to open the box to get the gun out, the ribbon is back to its starting position. See more »

Quotes

Sylvia: Why don't you smoke?
Sal: I don't want the cancer.
See more »

Crazy Credits

Opening credits prologue: What you are about to see is true - It happened in Brooklyn, New York on August 22, 1972. See more »

Connections

Referenced in Jack and Jill (2011) See more »

Soundtracks

Amoreena
(Uncredited)
(Elton John / Bernie Taupin)
Album "Tumbleweed Connection" 1970
This Record Co. Ltd.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
My Ten Commandments of Dog Day Afternoon! ;-)
26 May 2005 | by (Rome, Italy) – See all my reviews

I've watched this film for the third time in a few years last night. Instead of writing a straight review, I'd like to jot down ten thoughts just off the top of my head concerning this exquisite movie:

1) Watching this film will change forever your perception of the bank heist genre, making you question the contrived cinematic conventions these films usually make use of.

2) The source of this film's paradoxical and/or farcical elements spring from life itself, not from film or pre-existing cinematic conventions. Sometimes, the absurdities of life are so great, they dwarf those included in any form of fiction. Without even trying to make that point, this film captures that concept beautifully.

3) Its tone in relation to the homosexual theme is ahead of its time. In fact it's ahead of OUR time, even, in hardly making an issue out of it at all - it just IS.

4) It captures the climate of the 70s in a manner so sober, you'll remember its unshowy yet authentic feel forever.

5) Lumet's film brings to life the concept of the distorting lens of the media and how different groups with different agendas will turn an outlaw into a hero, with far more efficiency than Oliver Stone's brash, bloated, childish and repetitive Natural Born Killers.

6) Watching this film will illustrate to the younger generations exactly why Al Pacino has earned himself the legendary status he probably no longer would deserve with his performances of the last 10 years alone. **SPOILERS**: Just watch those last ten minutes of him handcuffed against the bonnet of a car, where he doesn't say a word, but speaks volumes with his eyes and his soul just oozing out of every frame at the end of the movie; you'll remember those eyes for as long as you live!

7) Watching this film, you'll realise that firing a gun-shot is a BIG DEAL in real life, and that other films make too much use of gun fire in a highly contrived way.

8) All that tension deriving from pointed guns unable to fire a shot OR move away… you realise Tarantino must've taken notes sometime along the way.

9) No genre is old or done too many times before if it's handled with this amount of freshness, inspiration and talent.

10) Watching Dog Day Afternoon for the third time has filled me with the same amount of wonder at the power of truly inspired but unobtrusive film-making as it did first time round.


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