Ran (1985)

Director:

Akira Kurosawa

Writers:

Akira Kurosawa (screenplay) and
Hideo Oguni (screenplay) ...

Release Date:

1 June 1985 (Japan)

Genre:

Action | Drama | War

Plot:

An elderly lord abdicates to his three sons, and the two corrupt ones turn against him.

Plot Keywords:

Blood | Power | Revenge | Greed | Castle

Awards:

Won Oscar. Another 25 wins & 15 nominations

Cast

Tatsuya Nakadai	...	Lord Hidetora Ichimonji
Akira Terao	...	Taro Takatora Ichimonji
Jinpachi Nezu	...	Jiro Masatora Ichimonji
Daisuke Ryû	...	Saburo Naotora Ichimonji
Mieko Harada	...	Lady Kaede
Yoshiko Miyazaki	...	Lady Sue
Hisashi Igawa	...	Shuri Kurogane
Peter	...	Kyoami (as Pîtâ)
Masayuki Yui	...	Tango Hirayama
Kazuo Katô	...	Kageyu Ikoma
Norio Matsui	...	Shumenosuke Ogura
Toshiya Ito	...	Mondo Naganuma
Kenji Kodama	...	Samon Shirane
Takashi Watanabe
Mansai Nomura	...	Tsurumaru (as Takeshi Nomura)

Also Known As:

Ran (UK) (USA)
Revolt (International: English title)

Runtime:

162 min

Country:

France | Japan

Language:

Japanese

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby (35 mm prints) | 70 mm 6-Track (70 mm prints)

Certification:

Iceland:16 | South Korea:15 (DVD rating) | Australia:M (TV rating) | Argentina:16 | Australia:PG | Chile:18 | Finland:K-16 | France:U | Japan:R | Norway:16 (1985) | Singapore:PG | Sweden:15 | UK:12 (video re-rating) (2004) | UK:15 (original rating) | UK:15 (video rating) (1986) | USA:R | West Germany:12 | Canada:13+ (Quebec)

Filming Locations:

Aso, Kumamoto, Japan

Company:

Greenwich Film Productions

Trivia:

Unlike most other characters in the film, the character of the fool, Kyoami (Peter), has no basis in historic Japan. The most similar position in relation to a historic Japanese warlord would be a page, but would be quite different in responsibilities. Rather Kyoami is based on the Fool or Jester of European medieval times and, of course, William Shakespeare's character of the fool from "King Lear".

Quotes:

Hidetora: What madness have I spoken? Wherein lies my senility?
Saburo Naotora Ichimonji: I'll tell you. What kind of world do we live in? One barren of loyalty and feeling.
Hidetora: I'm aware of that.
Saburo Naotora Ichimonji: So you should be! You spilled an ocean of blood. You showed no mercy, no pity. We too are children of this age... weaned on strife and chaos. We are your sons, yet you count on our fidelity. In my eyes, that makes you a fool. A senile old fool!

Movie Connections:

Featured in T'as de beaux escaliers tu sais (1986)

RAN - A Classic Of Its Time And For All Time

Based on Shakespeare's King Lear, this film follows the story of the aging warlord Hidetora who, in an attempt to restore peace, divides his kingdom between his three sons - Taro, Jiro, and Saburo - and retires from his duties. However, one of his sons sees this as unwise and is banished by his father, leaving his two brothers in charge of two of the three castles left in their hands. It isn't long before they are overtaken by greed and eventually betray their father, leaving him in the hands of a philosophical jester and a loyal retainer. This betrayal ultimately leads to war, dividing the family and driving Hidetora insane.

The remarkable script, which contains many of my favorite lines from any film, still manages to break its way through the confinement of subtitles and reveals itself to be one of the richest Kurosawa ever wrote. He has obviously worked equally hard on the look and feel of the film - the cinematography being excellent (example: the long, continuous shot of Saburo's men charging on horseback across a river).

There's also something rather frightening about it that I can't quite put my finger on. The first battle, which is the film's turning point, is the most horrifying, yet strangely beautiful, battles ever filmed. A good effect used is the loss of sound, with only Toru Takemitsu's haunting score to be heard. The entire battle lasts less than ten minutes and there is no uplifting or bombastic music to be heard, but in my opinion, it's Ran's finest scene, and thus the finest scene ever.

What Kurosawa managed to get rather than give though was excellent performances from his actors, none more brilliant than Tatsuya Nakadai's Hidetora, Mieko Harada as Lady Kaede (a woman similar to Lady Macbeth but with a different hidden agenda), and the strangely-named Peter as Kyoami.