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Ran (1985)

R | | Action, Drama | 1 June 1985 (Japan)
In Medieval Japan, an elderly warlord retires, handing over his empire to his three sons. However, he vastly underestimates how the new-found power will corrupt them and cause them to turn on each other...and him.

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Top Rated Movies #133 | Won 1 Oscar. Another 27 wins & 22 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Akira Terao ...
...
Daisuke Ryû ...
...
Yoshiko Miyazaki ...
Hisashi Igawa ...
Pîtâ ...
Masayuki Yui ...
Kazuo Katô ...
Norio Matsui ...
Shumenosuke Ogura
Toshiya Ito ...
Mondo Naganuma
Kenji Kodama ...
Samon Shirane
Takashi Watanabe
Mansai Nomura ...
Tsurumaru (as Takeshi Nomura)
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Storyline

Japanese warlord Hidetori Ichimonji decides the time has come to retire and divide his fiefdom among his three sons. His eldest and middle sons - Taro and Jiro - agree with his decision and promise to support him for his remaining days. The youngest son Saburo disagrees with all of them arguing that there is little likelihood the three brothers will remain united. Insulted by his son's brashness, the warlord banishes Saburo. As the warlord begins his retirement, he quickly realizes that his two eldest sons selfish and have no intention of keeping their promises. It leads to war and only banished Saburo can possibly save him. Written by garykmcd

Plot Summary | Plot Synopsis

Genres:

Action | Drama

Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

1 June 1985 (Japan)  »

Also Known As:

Ran  »

Filming Locations:

 »

Box Office

Budget:

$11,500,000 (estimated)

Opening Weekend:

$3,567 (USA) (30 June 2000)

Gross:

$3,522,421 (USA)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(35 mm prints)| (70 mm prints)

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film used approximately 1400 extras and 200 horses. 1400 suits of armor (designed by Akira Kurosawa himself) were fabricated and a number of the horses had to be imported from the United States. Kurosawa used the extras and horses so efficiently that when the film was ready for premiere, newspapers in Japan were reporting that thousands of extras and horses were used to stage the battles. See more »

Goofs

During the first scene (while the Land Lord and his sons are hunting wild boars) the first shot that shows every single wild boar running in front of the camera is probably a single shot of the same wild boar repeated 3 times. See more »

Quotes

Kurogane: Saburo is not our only enemy.
Jiro: So what? If they attack, we retaliate. We grab their land and enlarge our own.
Kurogane: Fine words, but words don't win wars.
See more »

Connections

Referenced in Ying xiong (2002) See more »

Frequently Asked Questions

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User Reviews

Pain and beauty are not mutually exclusive
27 December 1998 | by (New York) – See all my reviews

Ran takes viewers to a place they would rather not explore on their own. In a world of cruelty, Kurasowa has shown how the moments within the horror can have beauty. Shakespeare wrote King Lear as a mirror on the human condition. We do not have to be kings and princesses to identify with the father's desire for the well being of his children, even if his own life was one of cruelty and pain. We see this theme throughout great literature and film. What Ran has done is to provide the viewer with many small moments within the pain to realize the beauty. Even the moment of epiphany for Hidetora, when his actions achieve his madness, is one of surpassing beauty. As the storm rages outside the small house of the prince he blinded, whose parents he killed, whose sister he forcibly married off, the simple sounds of the flute provide an intense focus on the here and now. It is at this moment when Hidetora recognizes that he himself sowed the seeds of his own destruction. There is no dialogue, no swashbuckling, just the terrible beauty of the music. As with many of Kurasowa's films, despite their epic scope, it is the small paint strokes that make up the master's canvas.


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