Following World War II, a retired professor approaching his autumn years finds his quality of life drastically reduced in war-torn Tokyo. Denying despair, he pursues writing and celebrates his birthday with his adoring students.
A story of greed, a lust for power, and ultimate revenge. The Great Lord Hidetora Ichimonji has decided to step aside to make room for the younger blood of his three sons, Taro, Jiro, and Saburo, the Lord's only wish now being to live out his years as an honored guest in the castle of each of his sons in turn. While the older two sons flatter their father, the youngest son attempts to warn him of the folly of expecting the three sons to remain united; enraged at the younger son's attempt to point out the danger, the father banishes him. True to the younger son's warning, however, the oldest Son soon conspires with the second son to strip The Great Lord of everything, even his title. Written by
Unlike most other characters in the film, the character of the fool, Kyoami (Pîtâ), has no basis in historic Japan. The most similar position in relation to a historic Japanese warlord would be a page, but would be quite different in responsibilities. Rather Kyoami is based on the fool or jester of European medieval times and, of course, William Shakespeare's character of the Fool from "King Lear". See more »
During the first scene (while the Land Lord and his sons are hunting wild boars) the first shot that shows every single wild boar running in front of the camera is probably a single shot of the same wild boar repeated 3 times. See more »
Are there no gods... no Buddha? If you exist, hear me. You are mischievous and cruel! Are you so bored up there you must crush us like ants? Is it such fun to see men weep?
Enough! Do not blaspheme! It is the gods who weep. They see us killing each other over and over since time began. They can't save us from ourselves.
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A film requiring patience with huge rewards for the viewer!
The 'Kurosawa' adaptation of King Lear in his film 'Ran' is a tremendous memorable film.
It is a very dramatic film with many soliloquies and dialogue, but if you are patient with it, you are treated to some of the most epic scenes of cinematic brilliance that Kurosawa made. After all it is Shakespeare and one must be patient with it if they are not a fan of the old school theatre.
Colourfull clashing armies, The lord awaiting his fate in a burning castle, a brilliant execution scene (I consider the BEST I have ever seen film ever), and the blind being left in the hands of Buddha?
While Seven Samurai will always be his perfection, Ran is more than an enjoyable movie that should be seen. Just stick with it and you'll never forget it.
Rating 9 out of 10.
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