In 1943, in the Russian front, the decorated leader Rolf Steiner is promoted to Sergeant after another successful mission. Meanwhile the upper-class and arrogant Prussian Captain Hauptmann ... See full summary »
It's May 1943 at a US Army Air Corps base in England. The four officers and six enlisted men of the Memphis Belle - a B-17 bomber so nicknamed for the girlfriend of its stern and stoic ... See full summary »
A story of greed, a lust for power, and ultimate revenge. The Great Lord Hidetora Ichimonji has decided to step aside to make room for the younger blood of his three sons, Taro, Jiro, and Saburo, the Lord's only wish now being to live out his years as an honored guest in the castle of each of his sons in turn. While the older two sons flatter their father, the youngest son attempts to warn him of the folly of expecting the three sons to remain united; enraged at the younger son's attempt to point out the danger, the father banishes him. True to the younger son's warning, however, the oldest Son soon conspires with the second son to strip The Great Lord of everything, even his title. Written by
Akira Kurosawa referred to his previous film, Kagemusha (1980), as a "dress rehearsal" for this film. He spent ten years storyboarding every shot in the film as paintings. The resulting collection of images was published with the screenplay. See more »
During the first scene (while the Land Lord and his sons are hunting wild boars) the first shot that shows every single wild boar running in front of the camera is probably a single shot of the same wild boar repeated 3 times. See more »
Saburo is not our only enemy.
So what? If they attack, we retaliate. We grab their land and enlarge our own.
Fine words, but words don't win wars.
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With RAN (1985) Akira Kurosawa seems to be setting up a macarbe trap. The first section of the film is slow, following an aging warlord (Tatsuya Nakadai's best acting in a long wonderous career.) dividing his castles amongst his unsavory sons. The action is slow, people talk in low tones, it's almost at snail's pace. But then, a battle scene like nothing you ever seen before explodes on the screen. The film takes a 180 degree turn and becomes more and more sinister, more compelling. You can't look away.
Akira Kurosawa (1910-1997) was responsible for elevating Japanese cinema to a front-runner in world cinema. Two of his films, RASHOMON and SEVEN SAMURAI were made in less than ten years after World War II. These films put a spotlight on Japanese culture. Some of his later films, THE HIDDEN FORTRESS, THE BAD SLEEP WELL, YOJIMBO and HIGH AND LOW became the basis for a good percentage of the major American films produced after 1960.
If you sit down to see RAN, be prepared for a jaw-dropping experience.
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