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4 (II) (2005)

 -  Drama | Mystery | Sci-Fi  -  August 2005 (Russia)
6.7
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Ratings: 6.7/10 from 1,540 users   Metascore: 72/100
Reviews: 37 user | 41 critic | 10 from Metacritic.com

Two men and a woman happen to meet in a bar. We learn from their conversations both the intriguing and banal details of their lives. But is anyone really telling the truth? From the meat ... See full summary »

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Title: 4 (2005)

4 (2005) on IMDb 6.7/10

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Cast

Credited cast:
Shavkat Abdusalamov
Anatoli Adoskin
Aleksei Khvostenko
Andrei Kudriashov
Yuri Laguta ...
Oleg
Konstantin Murzenko ...
Marat
...
Volodya
Irina Vovchenko
Marina Vovchenko ...
Marina
Svetlana Vovchenko
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Storyline

Two men and a woman happen to meet in a bar. We learn from their conversations both the intriguing and banal details of their lives. But is anyone really telling the truth? From the meat market, to the president's drinking habit or the soviet cloning project, this allegory opposes different aspects of contemporary Russian society. Written by Anonymous

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bar | conversation | dog | car crash | nudity | See more »

Genres:

Drama | Mystery | Sci-Fi

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Release Date:

August 2005 (Russia)  »

Also Known As:

4  »

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1.66 : 1
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User Reviews

 
Involving, Varied
11 June 2005 | by (Seattle) – See all my reviews

Was this Andy Warhol's "Pets or Meat" ? or Henry Jaglom's "Motel Hell"? Possibly Mike Leigh's "Night of the Living Dead"? Anyway, this film has my nomination for best ever use of clones with crones, and also for best use of crones overall. Did you know that if you play this film it matches up very well with Mussorgsky's "Night on Bald Mountain"? No? Well maybe it doesn't but it should! Try it!

I found this film consistently involving even though it became increasingly unpleasant and difficult to categorize or interpret. It appeared to have two distinct halves, each with different pacing and tone. The lively and stimulating first half took place in the city (Moscow?) and showed the stories of several characters unfolding. The 2nd half focused on one character and a separate set of people she knew in the country (until the very ending bits). This 2nd half was more claustrophobic, squalid, and disturbing.

After the Seattle 2005 screening during the Q/A session with the director, one Russian woman ranted at him for an act of "treason" in this disturbing portrayal of Russian life, and said it and he were "dirty!", asking him where he lived *now*, he must have been well paid for this, etc. He responded that unlike her he still lived in Russia, that in fact life was *harder* than he portrayed and that Russians drank *more* than he portrayed, etc. After she walked out, he explained that her reaction was typical of the culturally *soviet* people in Russia, who were brought up to always present the best face of Russia at all times.


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