Burglar Maurice Faugel has just finished his sentence. He murders Gilbert Vanovre, a receiver, and steals the loot of a break-in. He is also preparing a house-breaking, and his friend ... See full summary »
Mouchette is a young girl living in the country. Her mother is dying and her father does not take care of her. Mouchette remains silent in the face of the humiliations she undergoes. One ... See full summary »
French Resistance activist Andre Devigny is imprisoned by the Nazis, and devotes his waking hours to planning an elaborate escape. Then, on the same day, he is condemned to death, and given... See full summary »
Charles Le Clainche,
The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Michel takes up picking pockets as a hobby, and is arrested almost immediately, giving him the chance to reflect on the morality of crime. After his release, though, his mother dies, and he rejects the support of friends Jeanne and Jacques in favour of returning to pickpocketing (after taking lessons from an expert), because he realises that it's the only way he can express himself... Written by
Michael Brooke <firstname.lastname@example.org>
Bresson's films are quite unlike anything else in the cinema...
In his dismissal determination to keep out elements often thought fundamental to the mediumspectacle, drama, performance Bresson has followed an incomparable personal vision of the world that stays consistent whatever the nature of his subject matter...
In "Pickpocket," a petty thief understands life's mystery only when his conventional wisdom is violently shaken and embraces humanity through his newfound love Most notable, however, is not the emphasis upon redemption attained through communication and self-sacrifice, but the high-purity of Bresson's style...
The camera keeps out pictorial beauty to create an abstract timeless world through the detached, detailed observation of hands, faces, and objects; natural sounds rather than music to satisfy the need In thus rejecting conventional realism and characterization, Bresson manifested a fascination not with human psychology but with the capacity of the soul to survive in a world of pain, disbelieve, and restriction...
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