“Nobody messes with my family!” shouts Queen Latifah, aiming a revolver at baddies during a late moment in “End of the Road.” It is one of several points in this Netflix thriller where the blatancy of undiluted cliché has an effect rather more comical than intended. Taking a brisk route from the pedestrian to the preposterous, Millicent Shelton’s slick but silly film diminishes its social-commentary edge by painting an African American family’s cross-country trip in cartoonishly broad terms, imperiled by crazy and/or criminal “crackers” at every junction.
Director and cast do their best — well, maybe not their best, but their competent professional duty — with a formulaic, contrived screenplay. Still, the results do no one much credit, landing closer to overripe cheese than taut suspense, or even guilty-pleasure terrain. “End” launches on the streamer Sept. 9.
The Freemans — a choice of name that signals the script’s heavy hand...
Director and cast do their best — well, maybe not their best, but their competent professional duty — with a formulaic, contrived screenplay. Still, the results do no one much credit, landing closer to overripe cheese than taut suspense, or even guilty-pleasure terrain. “End” launches on the streamer Sept. 9.
The Freemans — a choice of name that signals the script’s heavy hand...
- 9/9/2022
- by Dennis Harvey
- Variety Film + TV
The legendary punk god joins us to talk about movies he finds unforgettable. Special appearance by his cat, Moon Unit.
Show Notes: Movies Referenced In This Episode
Tapeheads (1988)
Rock ‘n’ Roll High School (1979) – Eli Roth’s trailer commentary
A Face In The Crowd (1957) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Meet John Doe (1941)
Bob Roberts (1992)
Bachelor Party (1984)
Dangerously Close (1986)
Videodrome (1983) – Mick Garris’s trailer commentary
F/X (1986)
Hot Rods To Hell (1967)
Riot On Sunset Strip (1967)
While The City Sleeps (1956) – Glenn Erickson’s trailer commentary
Leaving Las Vegas (1995)
It’s A Mad, Mad, Mad, Mad World (1963) – John Landis’s trailer commentary
Spider-Man (2002)
The Killing (1956) – Michael Lehmann’s trailer commentary
Serpent’s Egg (1977)
The Thin Man (1934)
Meet Nero Wolfe (1936)
The Hidden Eye (1945)
Eyes In The Night (1942)
Sudden Impact (1983) – Alan Spencer’s trailer commentary
Red Dawn (1984)
Warlock (1989)
The Dead Zone (1983) – Mick Garris’s trailer commentary
Secret Honor (1984)
The Player (1992) – Allan Arkush’s trailer commentary,...
Show Notes: Movies Referenced In This Episode
Tapeheads (1988)
Rock ‘n’ Roll High School (1979) – Eli Roth’s trailer commentary
A Face In The Crowd (1957) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Meet John Doe (1941)
Bob Roberts (1992)
Bachelor Party (1984)
Dangerously Close (1986)
Videodrome (1983) – Mick Garris’s trailer commentary
F/X (1986)
Hot Rods To Hell (1967)
Riot On Sunset Strip (1967)
While The City Sleeps (1956) – Glenn Erickson’s trailer commentary
Leaving Las Vegas (1995)
It’s A Mad, Mad, Mad, Mad World (1963) – John Landis’s trailer commentary
Spider-Man (2002)
The Killing (1956) – Michael Lehmann’s trailer commentary
Serpent’s Egg (1977)
The Thin Man (1934)
Meet Nero Wolfe (1936)
The Hidden Eye (1945)
Eyes In The Night (1942)
Sudden Impact (1983) – Alan Spencer’s trailer commentary
Red Dawn (1984)
Warlock (1989)
The Dead Zone (1983) – Mick Garris’s trailer commentary
Secret Honor (1984)
The Player (1992) – Allan Arkush’s trailer commentary,...
- 6/22/2021
- by Kris Millsap
- Trailers from Hell
It’s finally here in all its glory, the Howard Hawks movie nobody loves. The epitome of clueless ’60s filmmaking by an auteur who left his thinking cap back with Bogie and Bacall, this show is a PC quagmire lacking the usual compensation of exploitative thrills. But hey, it has a hypnotic appeal all its own: we’ll not abandon any movie where Teri Garr dances.
Red Line 7000
Blu-ray
Kl Studio Classics
1965 / Color / 1:85 widescreen / 110 min. / Street Date September 19, 2017 / available through Kino Lorber / 29.95
Starring: James Caan, Laura Devon, Gail Hire, Charlene Holt, John Robert Crawford, Marianna Hill, James (Skip) Ward, Norman Alden, George Takei, Diane Strom, Anthony Rogers, Robert Donner, Teri Garr.
Cinematography: Milton Krasner
Film Editors: Bill Brame, Stuart Gilmore
Original Music: Nelson Riddle
Written by George Kirgo story by Howard Hawks
Produced and Directed by Howard Hawks
Critics have been raking Howard Hawks’ stock car racing epic...
Red Line 7000
Blu-ray
Kl Studio Classics
1965 / Color / 1:85 widescreen / 110 min. / Street Date September 19, 2017 / available through Kino Lorber / 29.95
Starring: James Caan, Laura Devon, Gail Hire, Charlene Holt, John Robert Crawford, Marianna Hill, James (Skip) Ward, Norman Alden, George Takei, Diane Strom, Anthony Rogers, Robert Donner, Teri Garr.
Cinematography: Milton Krasner
Film Editors: Bill Brame, Stuart Gilmore
Original Music: Nelson Riddle
Written by George Kirgo story by Howard Hawks
Produced and Directed by Howard Hawks
Critics have been raking Howard Hawks’ stock car racing epic...
- 8/29/2017
- by Glenn Erickson
- Trailers from Hell
Gene Kirkwood is one of those true originals which are hard to come by these days within the film industry. A legend in his own right, he’s produced the likes of Rocky, New York New York, the Pope of Greenwich Village, The Keep and Get Rich or Die Tryin’. Originally an actor, Kirkwood then moved into producing and intends to do it “’til [he] drops”. Recently he and producing partner Ross Elliot folded their production company into Bitesize Networks, with the intention to create cutting-edge new content across a variety of platforms.
Kirkwood’s view on the industry is a refreshing one, and in the interview was prone to go off on tangents this writer was enjoying too much to divert. Read on for an insight into a fascinating personality that celebrates everything British, his admiration of Harvey Weinstein, his slew of exciting new projects and reveals things about the...
Kirkwood’s view on the industry is a refreshing one, and in the interview was prone to go off on tangents this writer was enjoying too much to divert. Read on for an insight into a fascinating personality that celebrates everything British, his admiration of Harvey Weinstein, his slew of exciting new projects and reveals things about the...
- 11/16/2013
- by Oscar Harding
- Obsessed with Film
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