After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally kills his wife, and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
Max Renn is the President of Channel 83 Civic-TV, a small television station on the UHF dial. He defends his programming of largely X-rated shows - which depict graphic sex and extreme violence - as a pure matter of economic survival as a small station. Behind closed doors in specific company, he would admit that he enjoys such programming, but as President will stay away from associated activities that may be dangerous for him in its purchase. His current girlfriend, radio personality Nicki Brand, who he met on a television talk show, is sexually aroused by light mutilation on her person, that despite or because her radio show is like an open air crisis hotline. On that same talk show, the other guest via video feed was Professor Brian O'Blivion - solely his stage name - who believes that television and video broadcasts will one day overtake the world as reality, which may make Max's programming in combination more dangerous. In Max's search for the next big thing in like programming...Written by
The VIDEODROME title experiences a TV white noise distortion. See more »
The TV version first released to syndicated television is a significantly different edit with extra/additional material as follows:
-A very different and extended introduction with longer opening titles presented over red themed paintings.
-A longer version of Max's business meeting with the Japanese salesmen, including a reminiscence about a girl in a Hong Kong hotel, a sinister foreshadowing of the disappearing Videodrome performers.
-Extended Sales Meeting at Civic TV.
-A very brief additional line of dialogue in Harlan's lab.
-An extension of the scene with Max and Nicki watching Videodrome.
-Masha comments how Max looks tired and exhausted but makes her sales pitch.
-Max takes a longer walk down Skid Row, and gets offered two meal choices during an extended scene inside the Cathode Ray Mission.
-An extended version of Brian's monologue in which he comments, "You've got a nice little addiction going."
-Nicki calls Max and explains that she was behind his first major hallucination, and Brian makes a return appearance telling Max to take advantage of his position.
-Nicki picks up Max in a limo, and notes how much she likes his current incarnation, including his "sick and wonderful" hallucinations.
-Barry Convex offers a greatly expanded backstory about the optical accumulator as a military device.
-Max walks down the street and see a very different version of himself in a store window.
-"It's Always Painful to change the program".
-An alternate, shortened version of Barry Conex's assassination, made "safe" for US TV.
-Max nervously sees a news report about the shootings on TV and encounters a mentally disturbed homeless man.
-An extended version of Max's solo excursion deeper into the heart of the city and his own psyche, revealing more of the boat interior.
-TV Epilogue - Pivotal lines of dialogue from the main characters are reiterated over the same paintings seen over the opening titles. (All the above are available on the 2015 Arrow Video UK Blu-ray release). See more »
Videodrome is truly a surreal experience. I do not want to include too much information as that would spoil the film for "virgin" viewers. If you are familiar with Cronenberg's work, you may have an inkling of what you're in for. Videodrome can drive one to the brink of madness, and then tell you you've been there for an hour and a half. From scene to scene you can't tell what's real and what is in James Wood's imagination. It's utter insanity, but it's great at the same time. This film is a good companion piece with Cronenberg's Existenze. When you can wrap the audience up in your movie, you have accomplished something few have. And David Cronenberg seems to do that time and again. Cronenberg is not for the faint of heart, definitely.
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