Max Renn is the President of Channel 83 Civic-TV, a small television station on the UHF dial. He defends his programming of largely X-rated shows - which depict graphic sex and extreme violence - as a pure matter of economic survival as a small station. Behind closed doors in specific company, he would admit that he enjoys such programming, but as President will stay away from associated activities that may be dangerous for him in its purchase. His current girlfriend, radio personality Nicki Brand, who he met on a television talk show, is sexually aroused by light mutilation on her person, that despite or because her radio show is like an open air crisis hotline. On that same talk show, the other guest via video feed was Professor Brian O'Blivion - solely his stage name - who believes that television and video broadcasts will one day overtake the world as reality, which may make Max's programming in combination more dangerous. In Max's search for the next big thing in like programming...Written by
Among the scenes that were scripted but deleted was one where Max Renn's TV rises up out of his bathtub, while showing an image. The crew had researched how to do this - there had been talk of having the actor IN the tub - and had come up with several solutions. One involved filling the tub with a clear fluid that was non conductive, but that would have cost $25 a quart. The crew eventually decided to take a real TV and simply cover its insides with layers of waterproofing insulation. It worked - they dunked the TV into a swimming pool and found, to their astonishment, that TVs float due to the ultra-high vacuum inside the picture tube. The scene was axed just before it was to be filmed. See more »
Barry Convex proclaims Lorenzo de Medici as the author of the two famous ocular quotes. The first, "love comes in at the eye", is from a William Butler Yeats poem called "A Drinking Song". The second, "the eye is the window of the soul", is not definitively attributable to any one source. Seemingly similar variations exist in Cicero, European proverbs and the Gospel of Matthew. See more »
The VIDEODROME title experiences a TV white noise distortion. See more »
Some TV prints of the film have an extended ending. While the original film ends with James Woods holding a gun to his head, the TV version continues on to show images of cast members as dialogue from the film is heard. See more »
Wow! My favorite actor and my favorite singer in the same movie! Deborah Harry (of Blondie fame) gives a great non-blonde performance as an "emotionally energized" radio show host, and James Woods is a scummy business-minded owner of a seedy TV station.
Like "Brazil" or "Twelve Monkeys" this movie will make you think, and even though there isn't really much violence or horror, your mind will fill in the parts that aren't there. The ability of a movie to do this makes it a must-see alone. You constantly ask yourself "is this real?" just as the main character is asking the same thing.
One thing about this movie is that they never really answer a lot of things. As we watch the main character go in and out of reality, the audience is never quite sure what is really happening either. They never tell us. They never truly explain who is behind Videodrome, or even what happens to James Woods. If you didn't like the ending of Network or Twelve Monkeys, then you won't like the lack of explanation here either.
Lots of underlying messages here too, involving television, pornography, and technology - all of which are more significant today than in 1983. Note common themes such as the head in a box. Excellently made film, the only thing that would have made it better is more story.
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