The lives of upstairs guests and downstairs servants at a party in 1932 in a country house in England as they investigate a murder involving one of them.
Director:
Robert Altman
Stars:
Maggie Smith,
Ryan Phillippe,
Michael Gambon
A gambler and a prostitute become business partners in a remote Old West mining town, and their enterprise thrives until a large corporation arrives on the scene.
When a casual gambler befriends a professional one, he begins to mirror his life, sending both deeper into the sleazy gambling world where the stakes keep getting bigger.
A fictionalized former President Richard M. Nixon offers a solitary, stream-of-consciousness reflection on his life and political career - and the "true" reasons for the Watergate scandal and his resignation.
A young lawyer, Richard Goodwin, investigates a potentially fixed game show. Charles Van Doren, a big time show winner, is under Goodwin's investigation.
A conservative folk singer turns his hand to politics, running for the US Senate. He is not above dirty tricks and smear campaigns to gain an advantage over his opponent.
Director:
Tim Robbins
Stars:
Tim Robbins,
Giancarlo Esposito,
Alan Rickman
Events in the life of a Hollywood studio executive, unfold with the same unrealistic positive coincidences, ultimately culminating to a "happy ending", much like the movie scripts, with which he works day in and out, after he accidentally murders someone.Written by
Abhay Bhatt
Every time Griffin Mill enters a bar, restaurant or party, he orders or is served a different brand of bottled water. He first orders San Pellegrino, but is told only Calistoga is available. Subsequent orders include Vitelle, Ramlosa, Volvic, and Banning Springs; and at other times he is served Evian or Perrier. See more »
Goofs
(Possible deliberate error by filmmakers) In the movie-within-a-movie "Habeas Corpus", as Bruce Willis races down the hallway to save Julia Roberts, the boom mike is visible. See more »
Quotes
[first lines]
Man 1:
[voiceover]
Quiet on the set.
Woman:
[voiceover]
OK, everybody, quiet on the set.
Man 2:
[voiceover]
Scene 1, take 10. Marker.
Man 1:
[voiceover]
And - action!
See more »
Crazy Credits
This film recorded digitally in a THX Sound System Theatre See more »
Alternate Versions
In the theatrical version there was a frontal nude scene of Tim Robbins at the hotel in the desert. This scene was removed for the cable version. See more »
TEMA PARA JOBIM
Copyright Mulligan Publishing Co., Inc.
Music by Gerry Mulligan
Lyrics by Joyce
Performed by Joyce, Milton Nascimento
Courtesy of Estudio Pointer Ltda. & RCA Electronica Ltda. See more »
Griffin Mill is a young hotshot producer who everyone bows and scrapes to because he has the powers to get a movie made. However he starts getting bugged by a dissatisfied writer which leads to all kinds of deadly intrigue.
Just when I thought Altman had gone totally off-the-boil he suddenly jumps back with his most perfectly realised film. While hardly unapplauded on its release (and in short retrospect) this is a movie that will be regarded by future generations as a classic. It is so smart, sassy, funny and has a beginning, a middle and an end. The kind of tragicomedy that gets the best of both worlds.
Robbins is perfect as the lead. He doesn't do much or emote much. As Robert De Niro once said "most people don't show their emotions, they hide them." Occasionally we get behind the shield of human indifference, but only occasionally. We don't like him much - nor should we - but he is not so bad that we can't bare him. Indeed he is merely someone whose selfish world gets out of control. Whoopie Goldberg makes the most of her unlikely casting too.
The appearance of stars in guest parts adds a bit of icing, but that is all. I loved Altman's directions to the stars who had to play walk-ons (who else could have got that?) "remember, you are responsible for who you are on screen. You are playing yourselves!"
The sexy Scacchi plays the love interest with great skill. While just a muse she is a far better actress than most and this shows in her short screen time. Shame she hasn't more involvement in the main plot.
Like breaking a car down in to its competent parts, taking The Player apart only leaves an ugly mess of oil and metal. Together it drives a tight little film that has insight, drama and comedy. I would hesitate to call this a masterpiece, but it is a mini-masterpiece that however farfetched never reaches the point of being totally unbelievable.
The pay off at the end is one of the best belly-laughs any film buff could ever get. I doubt I will see a better film about modern day Hollywood in my lifetime. Like Pulp Fiction, a film that is as enjoyable the second time of viewing as the first.
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Griffin Mill is a young hotshot producer who everyone bows and scrapes to because he has the powers to get a movie made. However he starts getting bugged by a dissatisfied writer which leads to all kinds of deadly intrigue.
Just when I thought Altman had gone totally off-the-boil he suddenly jumps back with his most perfectly realised film. While hardly unapplauded on its release (and in short retrospect) this is a movie that will be regarded by future generations as a classic. It is so smart, sassy, funny and has a beginning, a middle and an end. The kind of tragicomedy that gets the best of both worlds.
Robbins is perfect as the lead. He doesn't do much or emote much. As Robert De Niro once said "most people don't show their emotions, they hide them." Occasionally we get behind the shield of human indifference, but only occasionally. We don't like him much - nor should we - but he is not so bad that we can't bare him. Indeed he is merely someone whose selfish world gets out of control. Whoopie Goldberg makes the most of her unlikely casting too.
The appearance of stars in guest parts adds a bit of icing, but that is all. I loved Altman's directions to the stars who had to play walk-ons (who else could have got that?) "remember, you are responsible for who you are on screen. You are playing yourselves!"
The sexy Scacchi plays the love interest with great skill. While just a muse she is a far better actress than most and this shows in her short screen time. Shame she hasn't more involvement in the main plot.
Like breaking a car down in to its competent parts, taking The Player apart only leaves an ugly mess of oil and metal. Together it drives a tight little film that has insight, drama and comedy. I would hesitate to call this a masterpiece, but it is a mini-masterpiece that however farfetched never reaches the point of being totally unbelievable.
The pay off at the end is one of the best belly-laughs any film buff could ever get. I doubt I will see a better film about modern day Hollywood in my lifetime. Like Pulp Fiction, a film that is as enjoyable the second time of viewing as the first.