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The Keep (1983)

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Nazis are forced to turn to a Jewish historian for help in battling the ancient demon they have inadvertently freed from its prison.

Director:

Michael Mann

Writers:

F. Paul Wilson (novel), Michael Mann (screenplay)
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Scott Glenn ... Glaeken
Alberta Watson ... Eva Cuza
Jürgen Prochnow ... Woermann
Robert Prosky ... Father Fonescu
Gabriel Byrne ... Kaempffer
Ian McKellen ... Dr. Theodore Cuza
William Morgan Sheppard ... Alexandru (as Morgan Sheppard)
Royston Tickner Royston Tickner ... Tomescu
Michael Carter ... Radu Molasar
Phillip Joseph Phillip Joseph ... Oster
John Vine John Vine ... Lutz
Jona Jones Jona Jones ... Otto
Wolf Kahler ... S.S. Adjutant
Rosalie Crutchley ... Josefa
Frederick Warder ... Border Guard 1
Edit

Storyline

Nazis are sent to guard an old, mysterious fortress in a Romanian pass. One of them mistakenly releases an unknown force trapped within the walls. A mysterious stranger senses this from his home in Greece and travels to the keep to vanquish the force. As soldiers are killed, a Jewish man and his daughter (who are both knowledgeable of the keep) are brought in to find out what is happening. Written by Brian House

Plot Summary | Plot Synopsis

Taglines:

THEY WERE ALL DRAWN TO THE KEEP. The soldiers who brought death. The father and daughter fighting for life. The people who have always feared it. And the one man who knows its secret... THE KEEP Tonight, they will all face the evil.

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

16 December 1983 (USA) See more »

Also Known As:

Satans borg See more »

Filming Locations:

UK See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (video) | (original cut)

Sound Mix:

Dolby Stereo

Color:

Color (Rankcolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The theatrical trailer shows some deleted and extended scenes; Longer conversation between Woermann and Alexandru in which Woermann says that the keep looks like it was build to keep something in, longer version of the scene where Molasar is talking with professor Cuza for the first time, also in this scene Cuza asks Molasar "What are you?" one more time, Glaeken talking with Eva asking her did she find what she was looking for and did she expect to find him, Glaeken touching Eva's face while she asks "What's happening to me?", Glaeken walking inside the keep with his eyes turning white, longer version of the ending where Glaeken is standing at the entrance of the keep looking over Molasar's fog/white smoke, different version of the scene (different visual effects) where Glaeken is walking towards the room where Molasar is waiting for him, in this alternate scene Glaeken's sword is covered with some glowing grey light. See more »

Goofs

One of the German soldiers who opens the tomb accidentally nudges a fake boulder which slides away way to easily. See more »

Quotes

[first lines]
Captain Klaus Woermann: [to a soldier, looking at the Keep] Your new home. How do you like it ?
See more »

Crazy Credits

The Keep Production Pays Tribute To Wally Veevers See more »

Alternate Versions

The more upbeat ending showing Eva and Glaeken alive together is closer to the ending in the novel by F. Paul Wilson. See more »

Connections

Referenced in The Directors: The Films of Michael Mann (2001) See more »

Soundtracks

Walking In The Air
(a.k.a. "Theme From The Snowman")
Composed by Howard Blake
Rearranged and Performed by Tangerine Dream
Copyright Highbridge Music 1982
See more »

Frequently Asked Questions

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User Reviews

 
This is a consistently strange, yet engaging film.
12 August 1999 | by A-Ron-2See all my reviews

I wish that Mann had been a more experienced director when he tackled this really bizarre film, but all things considered it is really a damn fine movie. The soundtrack has some problems, but the dialogue and acting are so interesting that the faults of the film are balanced out. I especially enjoyed the conversations between Byrne's SS Major and Prochnow's German Army Captain. In fact, I almost wish that the majority of the film had dealt with this rather than the bizarre supernatural stuff. I really do advise this film to anyone that is interested in strange cinema. If you can get past the unfortunate flaws of the film, I think you will notice that it is actually a kind of fascinating little movie. I have seen it many times (first back in '85) and still find it a good watch (although most of my friends do not). In other words, this movie is not for everyone, but I thought it is quite interesting.


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