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The Keep (1983)

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Nazis are forced to turn to a Jewish historian for help in battling the ancient demon they have inadvertently freed from its prison.

Director:

Michael Mann

Writers:

F. Paul Wilson (novel), Michael Mann (screenplay)
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Scott Glenn ... Glaeken
Alberta Watson ... Eva Cuza
Jürgen Prochnow ... Woermann
Robert Prosky ... Father Fonescu
Gabriel Byrne ... Kaempffer
Ian McKellen ... Dr. Theodore Cuza
William Morgan Sheppard ... Alexandru (as Morgan Sheppard)
Royston Tickner Royston Tickner ... Tomescu
Michael Carter ... Radu Molasar
Phillip Joseph Phillip Joseph ... Oster
John Vine John Vine ... Lutz
Jona Jones Jona Jones ... Otto
Wolf Kahler ... S.S. Adjutant
Rosalie Crutchley ... Josefa
Frederick Warder ... Border Guard 1
Edit

Storyline

Nazis are sent to guard an old, mysterious fortress in a Romanian pass. One of them mistakenly releases an unknown force trapped within the walls. A mysterious stranger senses this from his home in Greece and travels to the keep to vanquish the force. As soldiers are killed, a Jewish man and his daughter (who are both knowledgeable of the keep) are brought in to find out what is happening. Written by Brian House

Plot Summary | Plot Synopsis

Taglines:

THEY WERE ALL DRAWN TO THE KEEP. The soldiers who brought death. The father and daughter fighting for life. The people who have always feared it. And the one man who knows its secret... THE KEEP Tonight, they will all face the evil.

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English

Release Date:

16 December 1983 (USA) See more »

Also Known As:

Satans borg See more »

Filming Locations:

UK See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (video) | (original cut)

Sound Mix:

Dolby Stereo

Color:

Color (Rankcolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Final feature film of legendary Visual Effects Supervisor Wally Veevers, who died in the middle of post-production. The film is dedicated to his memory. The closing credits dedication states: "The Keep production pays tribute to Wally Veevers". See more »

Goofs

When the two soldiers are ripping the cross from the wall you can see the whole 'stone' wall flexing. See more »

Quotes

[first lines]
Captain Klaus Woermann: [to a soldier, looking at the Keep] Your new home. How do you like it ?
See more »

Crazy Credits

The Keep Production Pays Tribute To Wally Veevers See more »

Alternate Versions

The more upbeat ending showing Eva and Glaeken alive together is closer to the ending in the novel by F. Paul Wilson. See more »


Soundtracks

Walking In The Air
(a.k.a. "Theme From The Snowman")
Composed by Howard Blake
Rearranged and Performed by Tangerine Dream
Copyright Highbridge Music 1982
See more »

Frequently Asked Questions

See more »

User Reviews

Best Entity ever committed to celluloid
4 July 2012 | by amesmondeSee all my reviews

A few of a detachment of German Army soldiers are mysteriously murdered in a Romanian citadel - 1942. The SS arrives to investigate and put a stop to the killings. However, there is an evil force at work within the Keep which will do anything to escape.

The Keep is a high concept yarn. The initial find set up and shooting of the villagers are stand out moments. The visuals and effects are stylistic, strong lighting, wind machines, optical layers are very much of there day. The special make-up has a startling 'cool' look to it, the 'Molasar' and Trismegestus designs are particularly well executed. Notably are the cast which includes the likes of Gabriel Byrne and Robert Prosky. Jürgen Prochnow is on fine form as Captain Klaus Woermann, Scott Glenn is intense and Ian McKellen is memorable as Dr. Theodore Cuza. The sets are well crafted, the on location shoot adds credence to the WWII setting and costumes add to the believability.

Nevertheless, rather than being intriguing with a slow pace The Keep plods along without building any real tension or suspense. The editing is a little jumbled, it appears to be a mixture of good and bad takes leaving it somewhat disjointed especially in the final reel, it may have benefited from only using those 'good' takes with a shorter running time. Tangerine Dream's score is of its time but doesn't compliment the scenes, it's highly intrusive and takes away much of the atmosphere, subtlety and eeriness.

Even with director Michael Mann at the helm and given the excellent story based on F. Paul Wilson's novel and Mann's adequate screenplay it never gels together. It's not sure whether it wants to be an art house, MTV video piece or gritty supernatural. Should Mann had attempted this recently he may have been able to fuse it together satisfyingly. I suppose retrospect is a fine thing. Curiously, Mann's workprint ran for 3 hours, after the studio saw what he had they wanted it cut to no longer than 90 minutes and assigned it second-level advertising. Mann has since distanced himself from the film.

Through all its disjointedness The Keep is an interesting film with a strong mythical good versus evil theme that plays on old religious fables. Molasar (Michael Carter) is the most menacing evil entity/being ever committed to celluloid and it's a shame that this has fallen into obscurity robbing the character and The Keep of even cult status.


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