Documentary-style look at the fictional Senatorial campaign of Bob Roberts, an arch-conservative folk singer turned politician. This political satire includes several original songs co-written and performed by writer/director/star Tim Robbins, and cameo appearances by other stars as reporters and news anchors. Written by
Scott Renshaw <email@example.com>
The first three albums by Bob Roberts - The Freewheelin' Bob Roberts, Times Are Changin' Back, and Bob on Bob - were spoofs of/based on/homages to Bob Dylan's classic albums The Freewheelin' Bob Dylan, The Times They Are A'Changin' and Blonde On Blonde, respectively, including the cover photos on the first two. See more »
The film takes place in 1990, on the eve of the Persian Gulf War. In real life, neither of Pennsylvania's U.S. Senate seats were up for re-election that year. See more »
Towards the end of the final credits, there is a heart-shaped outline surrounding the initials EMLA, JHR, MGR & SS (SS is in the center)... These stand for Susan Sarandon, their two children together, Jack Henry Robbins & Miles Guthrie Robbins, his step-daughter Eva Maria Livia Amurri (Susan's daughter with film-maker, Franco Amurri.) This is also in the credits for "Cradle Will Rock", another Tim Robbins directed film. Thanks are given to "The Bob Roberts Dancers"... See more »
Twice I had to confirm the release date of 1992 since this film's precise and uncanny applicability to the events of this last year were amazing. The political dynamic under which this country suffers today - along with the cabal currently installed in the White House that employed precisely the same tactics as defined in this film - were recreated, or more accurately foretold, with an uncanny truthfulness, precise focus, and vivid clarity.
Tim Robbins' direction, writing, and acting were all phenomenal; I never really fully appreciated his talent and brilliance until this film; Gore Vidal's contribution was a special treat from both a fine actor and a remarkable intellect.
Well worth the time - and a replay or two to capture, fully, all of the nuance and insight of this fine work.
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