A conservative folk singer turns his hand to politics, running for the US Senate. He is not above dirty tricks and smear campaigns to gain an advantage over his opponent.
Inspired by The Farewell director Lulu Wang's call to action at the 2020 Independent Spirit Awards, we celebrate women filmmakers working in their field.
A play that chronicles the war in Iraq through satire and commedia dell'arte masks., which pokes fun at neo-conservatives such as Karl Rove, Condoleezza Rice, Dick Cheney, and Donald Rumsfeld.
Director:
Tim Robbins
Stars:
V.J. Foster,
Brent Hinkley,
Jay R. Martinez
A thrill seeker agrees to help a shady professional gambler win a high stakes poker game. However, they lose and become captives of two eccentric rich men who decide to forcibly keep them on their remote gated ranch as indentured servants.
Director:
Philip Haas
Stars:
James Spader,
Mandy Patinkin,
M. Emmet Walsh
A small-time conman has torn loyalties between his estranged mother and new girlfriend--both of whom are high-stakes grifters with their own angles to play.
Director:
Stephen Frears
Stars:
Anjelica Huston,
John Cusack,
Annette Bening
A bittersweet look at life in Middle America in 1963 as seen through the experiences of the McGuire family. This was a pilot which was not picked up as a TV-series.
Documentary-style look at the fictional Senatorial campaign of Bob Roberts, an arch-conservative folk singer turned politician. This political satire includes several original songs co-written and performed by writer/director/star Tim Robbins, and cameo appearances by other stars as reporters and news anchors.Written by
Scott Renshaw <as.idc@forsythe.stanford.edu>
In a scene where Bob gets off the bus in "Harrisburg" a police barrier clearly says "City of Philadelphia." See more »
Quotes
Bugs Raplin:
The reason that Iran-Contra happened is because nobody did anything substantial about Watergate. And the reason that Watergate happened is that there were no consequences from the Bay of Pigs. They are all the same operatives, didn't you notice? The foot soldiers in the Bay of Pigs, the plumbers that got busted at Watergate, the gunrunners in Iran contra: they are all the same people. The same faces. Now it doesn't take a genius to make the connection here. A secret government beyond the ...
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Crazy Credits
Towards the end of the final credits, there is a heart-shaped outline surrounding the initials EMLA, JHR, MGR & SS (SS is in the center)... These stand for Susan Sarandon, their two children together, Jack Henry Robbins & Miles Guthrie Robbins, his step-daughter Eva Maria Livia Amurri (Susan's daughter with film-maker, Franco Amurri.) This is also in the credits for "Cradle Will Rock", another Tim Robbins directed film. Thanks are given to "The Bob Roberts Dancers"... See more »
A broad take on arch-conservatism in American politics that rings true on many levels, false on others. The songs and videos are the weak points--simple and shallow as they are, it's hard to buy that Bob Roberts could have had any commercial success at all. On the other hand, the portrayals of the newscasters and Roberts' followers are a beautiful mix of satire and truth.
There are so many broad caricatures on this film, I found myself wishing that Tim Robbins would have toned it down for the sake of believability. This film lays it on a little heavy, which keeps it from being a more important work. None the less, it is eerily more timely in 2003 than it was in 1992.
As you will read, this is a highly political movie which may be friendly or unfriendly to your political sensibilities. Keep that in mind when you read this, or any, review. ;-)
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A broad take on arch-conservatism in American politics that rings true on many levels, false on others. The songs and videos are the weak points--simple and shallow as they are, it's hard to buy that Bob Roberts could have had any commercial success at all. On the other hand, the portrayals of the newscasters and Roberts' followers are a beautiful mix of satire and truth.
There are so many broad caricatures on this film, I found myself wishing that Tim Robbins would have toned it down for the sake of believability. This film lays it on a little heavy, which keeps it from being a more important work. None the less, it is eerily more timely in 2003 than it was in 1992.
As you will read, this is a highly political movie which may be friendly or unfriendly to your political sensibilities. Keep that in mind when you read this, or any, review. ;-)