The story begins during a massive traffic jam, caused by reckless driver Smiler Grogan, who, before kicking the bucket, cryptically tells the assembled drivers that he's buried a fortune in stolen loot, under the Big W. All of the motorists set out to find the fortune.Written by
When the cast first assembled for a meeting with director Stanley Kramer, they were shown the stunts and second unit footage that had already been shot. Buddy Hackett was so impressed that he went to Kramer and asked, "What do you need US for?" See more »
When Dingy Bell is chasing the station wagon out to the first airport, the VW bug is covered in dirt and dust as is Dingy Bell's red sweater. When we next see him approach the manager at the other airport, his sweater is still brown and dirty. yet seconds later when he is running into the room to meet up with Tyler Fitzgerald, his dirty brown sweater is now immaculately clean and bright red. See more »
J. Russell Finch:
[as all the cars pull over one by one, the men quickly jump out in shock at having just witnessed Smiler Grogan pass them recklessly fast, careen off the side of the hilly road, and terribly crash down below]
Whoa! Hey d-did ya see it, the way he went sailing right out there? D-d he just went *sailing* right out there.
It was terrible, I m-a-mean just terrible. He musta been doin' over 80 ya know.
J. Russell Finch:
An ambulance; we better, we oughta call an ambulance.
Oh... oh look at that car.
J. Russell Finch:
[...] See more »
Then some hands (presumably the characters themselves) move their credit to the top of the list, causing a squabble and shuffle to occur.
The final order is Silvers, Rooney, Berle, Winters, Merman, Hackett, Terry-Thomas, Caesar, and Shawn. See more »
The original 70mm roadshow version ran 192 minutes (excluding overture and entr'acte music). This 70mm version was then re-edited to 162 minutes, and in the subsequent 35mm general and worldwide release it was cut further to 154 minutes. The original video version was mastered off the 35mm negative and also ran 154 minutes. In the early 1990s, 20 minutes of additional 70mm footage was found in the form of an old theatrical print in an old film warehouse slated for demolition and was transferred to video which was then combined with the 35mm footage video transfer to create the new "video restoration" The original 192-minute, 65mm camera negative print has not been restored and it would appear that the missing original negative segments and the additional scenes, which include a musical dance number, Culpepper and Jimmy's phone conversation, plus a few more scenes involving a TV news anchorman detailing news about the race for the buried money, have been irretrievably lost. The new "video restoration" runs approximately 186 minutes which includes both parts, as well as the overture and entr'acte music, as well as the intermission and closing music. See more »
It's a Mad Mad Mad Mad World
Music by Ernest Gold
Lyrics by Mack David
Sung by an offscreen chorus during the Overture
Variations in the score throughout the film See more »
A Comedy Classic that Still Holds Up...
A couple of years ago, I finally managed to get IT'S A MAD, MAD, MAD, MAD WORLD on video. I saw it as a kid and remember enjoying it but watching it again for 40 years later, I still found myself LMAO. This is still the granddaddy of all comedy/adventures directed by Stanley Kramer, who up to this point had only directed serious dramas like THE DEFIANT ONES and JUDGMENT AT NUREMBURG. A dying man (Jimmy Durante) who was thrown from a car that careened over a cliff, tells a group of witnesses to the accident (Sid Ceasar, Mickey Rooney, Buddy Hackett, Milton Berle, Jonathan Winters) that there is $350,000.00 hidden under a big "W" in a nearby town, which sets off one of the wildest, craziest chase comedies made in the history of cinema. A rather tired and haggard looking Spencer Tracy heads the cast as the cop on the trail of these greedy money-mongers and just about every comedian or comic actor alive in 1963 appears in this film, either in a starring role or cameo and despite this impressive gathering of the best comedic talent in the business, towering over all of them in one of her few film performances, is Broadway legend Ethel Merman, who gives the performance of a lifetime as Berle's shrew of a mother-in-law. Her performance alone makes IT'S A MAD, MAD, MAD, MAD WORLD worth seeing. Check out this classic if you've never seen it.
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