After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally kills his wife, and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Johnny Smith wakes from a coma due to a car accident, only to find he has lost five years of his life, and yet gained psychic powers. Foreseeing the future appears to be a 'gift' at first, but ends up causing problems...Written by
Paul Reynolds <firstname.lastname@example.org>
Director David Cronenberg had to re-shoot the scene in which John Smith has his first premonition. It showed a little girl's room burning and a small E.T. doll could be seen on one of the shelves. The scene had to be re-shot when Universal Pictures threatened to file a lawsuit against them. See more »
When Stillson presses the red button, it begins to blink on and off, with a synchronized audible tone. The next time you see the button, the tone is still perfectly synchronized with the red light, but it remained so only by speeding up significantly when the button was out of view. See more »
[Johnny is reading "The Raven" to his class]
And the Raven, never flitting, still is sitting, still is sitting, on the pallid bust of Pallas just above my chamber door, and his eyes have all the seeming of a demon's that is dreaming, and the lamp light o'er him streaming throws his shadow on the floor, and my soul from out that shadow that lies floating on the floor, shall be lifted... nevermore.
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As the opening titles roll, certain parts (or "dead zones") of the screen become blocked out, until the part of the screen you can see spell out the title "The Dead Zone." See more »
Although the UK cinema version was 18-rated and intact in 1986 Thorn-EMI released a British home video version with 13 seconds cut to obtain a 15 certificate rating from the BBFC. A scissor suicide sequence was re-edited to remove shots of the preparation and aftermath, and shots of topless nudity and the descending scissors were removed from the gazebo murder. Later 18-rated releases feature the full uncut print. See more »
Relatively gore-free but very well-made Stehen King adaptation.
One of the unwritten laws of the movies is that Stephen King books are nearly always disappointing when transferred to the big screen. One film which doesn't fit that rule is The Dead Zone. In the hands of David Cronenberg, you may expect this to be a gore-filled affair, but it is actually a very well-made, subtle film which emphasises the psychological sense of fear rather than settling for blood-spattered mayhem. There isn't a moment in the film that will make you jump out of your seat, but it is still an effectively scary film because it plays on your mind.
Normal, down-to-earth everyman Johnny Smith (Christopher Walken) is involved in a terrible car crash which leaves him comatose. Four years later, he miraculously awakens. To begin with, he is devastated to learn that his girlfriend has moved on, marrying and starting a family with another man. But soon he realises that this is the least of his problems. He soon discovers that the accident has left him with remarkable powers, which enable him to see into people's futures just by touching their hand. And Johnny is in for one hell of a nasty shock when he shakes hands with potential senator Greg Stillson (Martin Sheen) at a political rally....
An intelligently paced and very well-acted film, The Dead Zone is also full of unpredictable plot developments. Walken elicits great sympathy as the normal guy who rapidly learns that his new gift is actually a curse, and there are fabulous supporting performances from Tom Skerritt, Herbert Lom, Brooke Adams and the terrifying Martin Sheen. The film has several tremendous moments, but the climax in particular builds to an emotional crescendo. The premise of The Dead Zone is probably rather silly if you stop to think about it, but other than that it is a most impressive film - and still ranks as one of, if not THE, best adaptation of a Stephen King story so far.
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