The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
After developing an addiction to the substance he uses to kill bugs, an exterminator accidentally kills his wife, and becomes involved in a secret government plot being orchestrated by giant bugs in a port town in North Africa.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
Johnny Smith wakes from a coma due to a car accident, only to find he has lost five years of his life, and yet gained psychic powers. Foreseeing the future appears to be a 'gift' at first, but ends up causing problems...Written by
Paul Reynolds <email@example.com>
Martin Sheen's character says he has had a vision that he will become the President of the United States. Sheen went on to play the President of the United States in the mini series Kennedy (1983) and in The West Wing (1999). See more »
In the fire scene, right after Johnny Smith tells the nurse her daughter is trapped but alive, the camera crane is visible in the window of the Fire Fighter truck that is parked in the driveway. See more »
[Johnny is reading "The Raven" to his class]
And the Raven, never flitting, still is sitting, still is sitting, on the pallid bust of Pallas just above my chamber door, and his eyes have all the seeming of a demon's that is dreaming, and the lamp light o'er him streaming throws his shadow on the floor, and my soul from out that shadow that lies floating on the floor, shall be lifted... nevermore.
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As the opening titles roll, certain parts (or "dead zones") of the screen become blocked out, until the part of the screen you can see spell out the title "The Dead Zone." See more »
Although the UK cinema version was 18-rated and intact in 1986 Thorn-EMI released a British home video version with 13 seconds cut to obtain a 15 certificate rating from the BBFC. A scissor suicide sequence was re-edited to remove shots of the preparation and aftermath, and shots of topless nudity and the descending scissors were removed from the gazebo murder. Later 18-rated releases feature the full uncut print. See more »
Brilliant thriller with a superb performance from Christopher Walken. One of the very best Steven King adaptations.
I'm a great admirer of David Cronenberg, and "The Dead Zone' could well be his most underrated movie. The problem is that it's just not very Cronenbergesque, and being "Deprave" Cronenberg's first mainstream Hollywood movie, and coming hot off his provocative and mind blowing 'Videodrome', many people regard it as some kind of sell out. I really cannot agree. If you forget your preconceived idea of what Cronenberg movies SHOULD be (and let's not forget his other career oddities 'Fast Company' or 'M. Butterfly'), and just accept it for what it is, you'll see that it is a very well made and well acted thriller, and is almost impossible to fault. In my opinion it joins Kubrick's 'The Shining' and De Palma's 'Carrie' as the most effective Steven King adaptations to date. Christopher Walken is on top form here, and I think gives one of his very best performances. The supporting cast are also excellent, the lovely Brooke Adams ('Invasion Of The Body Snatchers'), horror veteran Herbert Lom ('Mark Of The Devil'), Martin Sheen ('Badlands'), Tom Skerritt ('Alien'), Anthony Zerbe ('The Omega Man'), and Cronenberg regular Nicholas Campbell, who is involved in the movies most unforgettable sequence. I've lost track of how many times I've watched 'The Dead Zone' over the years, but it never fails to hook me in, and I always get something more out of Walken's performance every time I view it. This movie may not be typical fare from David Cronenberg, but it is one of his most straightforward and entertaining films. Highly recommended.
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