When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Spider-Man has been one of the biggest superhero franchises to hit the big screen in the past two decades. Who was almost cast in the three different iterations of the superhero tale?
After Peter Parker is bitten by a genetically altered spider, he gains newfound, spider-like powers and ventures out to solve the mystery of his parent's mysterious death.
In a world where mutants (evolved super-powered humans) exist and are discriminated against, two groups form for an inevitable clash: the supremacist Brotherhood, and the pacifist X-Men.
Director:
Bryan Singer
Stars:
Patrick Stewart,
Hugh Jackman,
Ian McKellen
In the 1960s, superpowered humans Charles Xavier and Erik Lensherr work together to find others like them, but Erik's vengeful pursuit of an ambitious mutant who ruined his life causes a schism to divide them.
Director:
Matthew Vaughn
Stars:
James McAvoy,
Michael Fassbender,
Jennifer Lawrence
The early years of James Logan, featuring his rivalry with his brother Victor Creed, his service in the special forces team Weapon X, and his experimentation into the metal-lined mutant Wolverine.
Director:
Gavin Hood
Stars:
Hugh Jackman,
Liev Schreiber,
Ryan Reynolds
The human government develops a cure for mutations, and Jean Gray becomes a darker uncontrollable persona called the Phoenix who allies with Magneto, causing escalation into an all-out battle for the X-Men.
Based on Marvel Comics' superhero character, this is a story of Peter Parker who is a nerdy high-schooler. He was orphaned as a child, bullied by jocks, and can't confess his crush for his stunning neighborhood girl Mary Jane Watson. To say his life is "miserable" is an understatement. But one day while on an excursion to a laboratory a runaway radioactive spider bites him... and his life changes in a way no one could have imagined. Peter acquires a muscle-bound physique, clear vision, ability to cling to surfaces and crawl over walls, shooting webs from his wrist ... but the fun isn't going to last. An eccentric millionaire Norman Osborn administers a performance enhancing drug on himself and his maniacal alter ego Green Goblin emerges. Now Peter Parker has to become Spider-Man and take Green Goblin to the task... or else Goblin will kill him. They come face to face and the war begins in which only one of them will survive at the end.Written by
Soumitra
Elizabeth Banks auditioned for the role of Mary-Jane Watson before being cast as Betty Brant. See more »
Goofs
When Peter is just getting to the science lab at the beginning right after his friend gets out of his fancy car, if you look at the extras walking behind the two, you will see a BRIGHT red haired girl walking by, going towards the building, but when the camera focuses on Peter the girl is there again, walking the opposite way on the other side of the huge sidewalk. You see her about 5 times going back and forth to the building. The first few times she's alone, then she's walking with another girl. See more »
Quotes
[first lines]
Peter Parker:
[voiceover]
Who am I? You sure you want to know? The story of my life is not for the faint of heart. If somebody said it was a happy little tale... if somebody told you I was just your average ordinary guy, not a care in the world... somebody lied. But let me assure you: This, like any story worth telling, is all about a girl. That girl. The girl next door. Mary Jane Watson. The woman I've loved since before I even liked girls.
[referring to Flash Thompson sitting next to her]
Peter Parker:
I'd ...
[...] See more »
Crazy Credits
The intro credits are all spun on a spider web and the end credits are surrounded by webbing on random sides of the screen. See more »
Alternate Versions
In the version that showed on Cartoon Network, there were many cuts for time, violence, and swearing. All uses of ass, hell, and damn were scrubbed from the movie (i.e. Goblin says "we're gonna have [an interesting] time" as opposed to a "hell of a time"). References to religion were also trimmed. There is also an alternate angle of Norman getting impaled that is less violent. See more »
Studios lately have been known to spend almost $200 million dollars bringing a comic book super hero to life on the silver screen. With $200 million dollars you can buy many state of the art special effects for the director to full around with to his hearts content. If in the process, though, he decides to fore-go an entertaining story and script, characters that we can get to know and sympathize with, and good actors to bring those characters to life, all the special effects in the world isn't going to amount to a hill of beans. Fortunately for us, in bringing Marvel Comic's Spiderman to life, Sam Raimi did care about those little details and the audience is richly rewarded because of it.
One of the trickier tasks when transferring a film such as Spiderman to film is in giving us enough background story. If a writer and director spend too much time on the origins of the character, it has a tendency to bog the rest of the film down. Likewise, if it is given short thrift, we never have a chance to become involved emotionally with the super-hero. In Spiderman, Raimi, aided immeasurably by Tobey Maguire as Peter Parker/Spiderman strikes just the right note. Maguire is such an accomplished actor, that he immediately establishes Peter Parker as someone we will care about throughout the film. He has a crush on the beautiful girl next door, Mary Jane Watson (Kirsten Dunst), is constantly harassed by the school jerk, and has a best friend, Harry (James Franco), who's relationship with his father Norman (Willem Dafoe)is far from perfect. As for Peter, he has an exceptional home life with his Uncle Ben (Cliff Robertson) and Aunt May (Rosemary Harris) which is probably one of the reasons Harry develops an early kinship with him. That and the fact that Harry's father seems to think more of Peter than he does of his own son at times.
After having been bitten by a mutated spider, Peter awakens one morning to find himself with some exceptional super powers. He develops muscles that he didn't have before, has reflexes Michael Jordan would be proud of, and can shoot a web like nobody's business. It is during these early scenes of discovery by Peter that the film truly excels. Maguire is like a child whom after taking his first steps, learns he can motor about the house quite nicely, thank you very much. We can't help but have as much fun watching Peter Parker hone his skills as he seems to have in being able to do these magnificent feats.
Another fine aspect of Spiderman is the love story that develops between Parker and Mary Jane. As Peter Parker, he is never able to quite overcome his inability to tell Mary Jane of his true feelings. Later, as Spiderman, there is a wonderful scene between him and Mary Jane in a drenching downpour that any romantic film would envy.
Whereas some have not been too enamored of Dafoe's portrayal as Norman Osborn/Green Goblin, I found both to be right on the mark. As Norman, we see how his continuous drive to control his company alienates and spoils the relationship he has with his son Harry. It's not that Norman is an evil person, his quest for power has led him to more or less take his son for granted. Later, when after a lab accident, it is the schizophrenic battle between the normal Harry and the Evil Harry that brings the Green Goblin to life. It would have been easy for Raimi to have the lab accident just turn Harry instantly into the Green Goblin, but instead we get a richer more dramatic story that we wouldn't have had otherwise.
Likewise James Franco, who looks enough like Dafoe that they could be father and son, is a youth who seems tormented by the fact that no matter what success he achieves, his father never gives him his just due. Kirsten Dunst is also beautiful and charming as Mary Jane. Her romantic scenes with Spiderman are wonderfully played, and she has an especially moving scene with Peter Parker as the film draws to a close.
As for the special effects, they are indeed spectacular. As Spiderman swoops between buildings on his web, you won't think once that it's not really him doing so. When reading IMDB reviews of this film or any other film that depends heavily on special effects, one must keep in mind that it has become more or less a hobby among some to downgrade the effects of any film so my advice is to just ignore the criticism in that regard. The effects here are fine.
Two years ago, it was with quite a bit of eagerness that I anticipated Raimi's Spiderman film and it lived up to my hopes in every aspect. If the impending sequel comes even close to being as good as the original, it'll be a job well done. And if a film such as Spiderman can have me counting the days until Spiderman II, than I have no choice but to give it my grade, which for Spiderman is an A.
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"Fleabag" had a huge night at the Emmys, winning four awards including Outstanding Comedy Series. The creator and cast shared their feelings on the big night and the power of love.
Studios lately have been known to spend almost $200 million dollars bringing a comic book super hero to life on the silver screen. With $200 million dollars you can buy many state of the art special effects for the director to full around with to his hearts content. If in the process, though, he decides to fore-go an entertaining story and script, characters that we can get to know and sympathize with, and good actors to bring those characters to life, all the special effects in the world isn't going to amount to a hill of beans. Fortunately for us, in bringing Marvel Comic's Spiderman to life, Sam Raimi did care about those little details and the audience is richly rewarded because of it.
One of the trickier tasks when transferring a film such as Spiderman to film is in giving us enough background story. If a writer and director spend too much time on the origins of the character, it has a tendency to bog the rest of the film down. Likewise, if it is given short thrift, we never have a chance to become involved emotionally with the super-hero. In Spiderman, Raimi, aided immeasurably by Tobey Maguire as Peter Parker/Spiderman strikes just the right note. Maguire is such an accomplished actor, that he immediately establishes Peter Parker as someone we will care about throughout the film. He has a crush on the beautiful girl next door, Mary Jane Watson (Kirsten Dunst), is constantly harassed by the school jerk, and has a best friend, Harry (James Franco), who's relationship with his father Norman (Willem Dafoe)is far from perfect. As for Peter, he has an exceptional home life with his Uncle Ben (Cliff Robertson) and Aunt May (Rosemary Harris) which is probably one of the reasons Harry develops an early kinship with him. That and the fact that Harry's father seems to think more of Peter than he does of his own son at times.
After having been bitten by a mutated spider, Peter awakens one morning to find himself with some exceptional super powers. He develops muscles that he didn't have before, has reflexes Michael Jordan would be proud of, and can shoot a web like nobody's business. It is during these early scenes of discovery by Peter that the film truly excels. Maguire is like a child whom after taking his first steps, learns he can motor about the house quite nicely, thank you very much. We can't help but have as much fun watching Peter Parker hone his skills as he seems to have in being able to do these magnificent feats.
Another fine aspect of Spiderman is the love story that develops between Parker and Mary Jane. As Peter Parker, he is never able to quite overcome his inability to tell Mary Jane of his true feelings. Later, as Spiderman, there is a wonderful scene between him and Mary Jane in a drenching downpour that any romantic film would envy.
Whereas some have not been too enamored of Dafoe's portrayal as Norman Osborn/Green Goblin, I found both to be right on the mark. As Norman, we see how his continuous drive to control his company alienates and spoils the relationship he has with his son Harry. It's not that Norman is an evil person, his quest for power has led him to more or less take his son for granted. Later, when after a lab accident, it is the schizophrenic battle between the normal Harry and the Evil Harry that brings the Green Goblin to life. It would have been easy for Raimi to have the lab accident just turn Harry instantly into the Green Goblin, but instead we get a richer more dramatic story that we wouldn't have had otherwise.
Likewise James Franco, who looks enough like Dafoe that they could be father and son, is a youth who seems tormented by the fact that no matter what success he achieves, his father never gives him his just due. Kirsten Dunst is also beautiful and charming as Mary Jane. Her romantic scenes with Spiderman are wonderfully played, and she has an especially moving scene with Peter Parker as the film draws to a close.
As for the special effects, they are indeed spectacular. As Spiderman swoops between buildings on his web, you won't think once that it's not really him doing so. When reading IMDB reviews of this film or any other film that depends heavily on special effects, one must keep in mind that it has become more or less a hobby among some to downgrade the effects of any film so my advice is to just ignore the criticism in that regard. The effects here are fine.
Two years ago, it was with quite a bit of eagerness that I anticipated Raimi's Spiderman film and it lived up to my hopes in every aspect. If the impending sequel comes even close to being as good as the original, it'll be a job well done. And if a film such as Spiderman can have me counting the days until Spiderman II, than I have no choice but to give it my grade, which for Spiderman is an A.