A serial killer has been killing beautiful women in New York and the new owner of a media company offers a high ranking job to the first of his senior executives who can get the earliest scoops on the case.
Mae Doyle comes back to her hometown a cynical woman. Her brother Joe fears that his love, fish cannery worker Peggy, may wind up like Mae. Mae marries Jerry and has a baby; she is happy but restless, drawn to Jerry's friend Earl.
Death of media magnate Amos Kyne is causing power struggle between his executives. In the meantime New York women become prey of a serial killer. Reporter Edward Mobley is in that circumstances faced with almost impossible missions: to catch the killer, to prevent the media empire from falling into the wrong hands and to save his romantic relationship from break-up.Written by
Dragan Antulov <email@example.com>
Thomas Mitchell shares screen time with Ida Lupino. They previously worked together in Out Of The Fog (1941) where he plays her father. See more »
When the murderer opens the envelope that came with the flowers outside the door of Nancy's apartment, he uses a knife to cut open the envelope. When he puts the card back in the envelope, he licks the envelope flap and closes it...it was not cut. See more »
Get your things off. It's your wedding day, you wanna look nice.
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Maybe I was expecting too much from this picture. It's billed as a film noir, but I thought the mood was all wrong for a film noir. More like a melodrama bordering on a drama but for the presence of John Barrymore, Jr. It had a great cast with lots off recognizable names and the director was Fritz Lang.
I just thought it wasn't up to the lofty standard set by Lang in earlier films like 'M" and "The Testament Of Dr. Mabuse", but truth be told, these pictures were made many years before this one. Too much dialogue here, and this picture dearly needed an injection of excitement to break the tedium of the love stories in the sub-plot.
I like Dana Andrews, Thomas Mitchell, George Sanders, et al. A big boost was provided by Ida Lupino, always professional, as a sleep-around newspaper columnist. I also felt Barrymore tended toward ham in his portrayal of the psycho killer. My overall impression is of a master director who was losing his fastball, which is a shame. It could have been so much better.
5/10 - Website no longer prints my star rating.
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