Mubi has unveiled next’s streaming lineup, featuring notable new releases, including Felipe Gálvez’s The Settlers, Éric Gravel’s Full Time, C.J. Obasi’s Mami Wata, and Benjamin Mullinkosson’s The Last Year of Darkness.
This March also brings Elaine May’s Ishtar, four features by Mia Hansen-Løve, and a collection of films shot by women cinematographers, with Claire Denis’ Bastards, shot by Agnès Godard, and more. Next month’s collection also features retrospectives of radical German director Margarethe Von Trotta, experimental animator Suzan Pitt, and additions to their continuing retrospective of Takeshi Kitano.
Check out the lineup below, and get 30 days free here.
March 1st
The German Sisters, directed by Margarethe von Trotta | Radical Intimacy: Three by Margarethe von Trotta
The Second Awakening of Christa Klages, directed by Margarethe von Trotta | Radical Intimacy: Three by Margarethe von Trotta
The Promise, directed by Margarethe von Trotta | Radical Intimacy: Three...
This March also brings Elaine May’s Ishtar, four features by Mia Hansen-Løve, and a collection of films shot by women cinematographers, with Claire Denis’ Bastards, shot by Agnès Godard, and more. Next month’s collection also features retrospectives of radical German director Margarethe Von Trotta, experimental animator Suzan Pitt, and additions to their continuing retrospective of Takeshi Kitano.
Check out the lineup below, and get 30 days free here.
March 1st
The German Sisters, directed by Margarethe von Trotta | Radical Intimacy: Three by Margarethe von Trotta
The Second Awakening of Christa Klages, directed by Margarethe von Trotta | Radical Intimacy: Three by Margarethe von Trotta
The Promise, directed by Margarethe von Trotta | Radical Intimacy: Three...
- 2/22/2024
- by Leonard Pearce
- The Film Stage
Making main competition at the 49th Huelva Ibero-American Film Festival in Spain, “Prison in the Andes” (“Penal Cordillera”) trains a spotlight on the scandalous imprisonment of five high-ranking officers of General Augusto Pinochet’s brutal military junta.
We find these men serving out their sentences amounting to some 800 hundred years in a well-appointed mansion with a pool, gardens and aviaries in the Andes foothills and where their so-called guards wait on them hand and foot. At times, violence erupts among the guards, who are virtual prisoners themselves.
“I wanted the story to be a metaphor for Chilean society,” said its writer-director Felipe Carmona who chose to make this tale of misplaced justice his debut feature. While the facts around the case are depicted in the film, he has inserted elements of fantasy and fictional scenes to bring the story to life, imagining the conversations they would have had among themselves.
We find these men serving out their sentences amounting to some 800 hundred years in a well-appointed mansion with a pool, gardens and aviaries in the Andes foothills and where their so-called guards wait on them hand and foot. At times, violence erupts among the guards, who are virtual prisoners themselves.
“I wanted the story to be a metaphor for Chilean society,” said its writer-director Felipe Carmona who chose to make this tale of misplaced justice his debut feature. While the facts around the case are depicted in the film, he has inserted elements of fantasy and fictional scenes to bring the story to life, imagining the conversations they would have had among themselves.
- 11/10/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSSubscribe to Notebook magazine before November 1 to receive Issue 4, which explores cinematic soundscapes in their diverse sonic forms and includes contributions from filmmakers like Pedro Costa, Garrett Bradley, and Dominga Sotomayor, pop musician Julia Holter, plus a wide range of artists, writers, and scholars. Subscribers will also receive with this issue a very special gift, a seven-inch record featuring a song by filmmaker Gus Van Sant and a field recording by sound designer Leslie Shatz.This week brought the sad, shocking news that the legendary Taiwanese director Hou Hsiao-hsien has retired from filmmaking due to illness. Hou's family confirmed in a statement that he is battling Alzheimer's, and the effects of long Covid have forced him to stop making films; they requested privacy during this time, adding that he is healthy overall, in the presence of family.
- 10/25/2023
- MUBI
Distributor, Day for Night has acquired a trio of Asian titles for U.K. and Ireland at the Busan International Film Festival’s Asian Contents and Film Market.
Day for Night is acquiring the late Pema Tseden’s “Snow Leopard” from Rediance. Pema Tseden, the Tibetan art house film director known for “Jinpa” and “Balloon,” died at 53 earlier this year. The film explores the complicated coexistence of animals and people on the Tibetan plateau. After a snow leopard kills nine rams owned by a herder, a bitter conflict ensues between the herder who wants to kill the snow leopard and the father who wants to release it.
“Snow Leopard” world premiered at Venice and subsequently played Toronto and will next be at Tokyo.
“Next Sohee” by Korean filmmaker July Jung (“A Girl at My Door”), which premiered at Cannes’ Critics Week in 2022 and played at Busan and London, has been...
Day for Night is acquiring the late Pema Tseden’s “Snow Leopard” from Rediance. Pema Tseden, the Tibetan art house film director known for “Jinpa” and “Balloon,” died at 53 earlier this year. The film explores the complicated coexistence of animals and people on the Tibetan plateau. After a snow leopard kills nine rams owned by a herder, a bitter conflict ensues between the herder who wants to kill the snow leopard and the father who wants to release it.
“Snow Leopard” world premiered at Venice and subsequently played Toronto and will next be at Tokyo.
“Next Sohee” by Korean filmmaker July Jung (“A Girl at My Door”), which premiered at Cannes’ Critics Week in 2022 and played at Busan and London, has been...
- 10/10/2023
- by Naman Ramachandran
- Variety Film + TV
More than 200 international filmmakers have rallied in support of ousted Berlinale artistic director Carlo Chatrian, pledging their names to an open letter imploring the cultural organization to keep the artist director in place. Among the first signatories were Martin Scorsese, Paul Schrader, Joanna Hogg, “Corsage” director Marie Kreutzer, Andrew Ross Perry, and Olivier Assayas. Over the course of the day on Wednesday, another 130 directors joined them, the list swelling to include M. Night Shyamalan, Ryusuke Hamaguchi, Tilda Swinton, and Claire Denis. 260 filmmakers have now signed the open letter.
“We, a diverse group of filmmakers from all over the world, who have deep respect for Berlin International Film Festival as a place for great cinema of all kinds, protest the harmful, unprofessional, and immoral behavior of state minister Claudia Roth in forcing the esteemed Artistic Director Carlo Chatrian to step down despite promises to prolong his contract,” says the letter.
Chatrian...
“We, a diverse group of filmmakers from all over the world, who have deep respect for Berlin International Film Festival as a place for great cinema of all kinds, protest the harmful, unprofessional, and immoral behavior of state minister Claudia Roth in forcing the esteemed Artistic Director Carlo Chatrian to step down despite promises to prolong his contract,” says the letter.
Chatrian...
- 9/6/2023
- by Ben Croll
- The Wrap
Buenos Aires — Tinta Oscura winner Juan Bernardo Sánchez Mejía, Netflix awardee “Convince Me,” Argentine art film “León,” animated series “Choco” and the Shudder-coproduced “When Evil Lurks” walked off with some of the biggest prizes on Dec. 2 at a multitudinous Ventana Sur prize ceremony whose whooped applause at each and every winner attested also to the youth of Latin America’s film and TV industries.
The 47 allotted prizes also underscore just how broadly Ventana Sur has diversified from its art pic base into a building gamut of carefully targeted growth sectors for Latin America. Following, a breakdown of prize highlights in a fast-paced ceremony – winners basically made it to the stage for a just a photo – which still lasted the best of two hours.
Tinta Oscura: ‘Warrior’ Supercharged by Ventana Sur Jackpot
The big one. A 25,000 cash prize – a record for Ventana Sur – for the winning screenwriter, backed by Guadalajara’s Agavia Studios,...
The 47 allotted prizes also underscore just how broadly Ventana Sur has diversified from its art pic base into a building gamut of carefully targeted growth sectors for Latin America. Following, a breakdown of prize highlights in a fast-paced ceremony – winners basically made it to the stage for a just a photo – which still lasted the best of two hours.
Tinta Oscura: ‘Warrior’ Supercharged by Ventana Sur Jackpot
The big one. A 25,000 cash prize – a record for Ventana Sur – for the winning screenwriter, backed by Guadalajara’s Agavia Studios,...
- 12/3/2022
- by John Hopewell
- Variety Film + TV
Buenos Aires — Galvanised by backing from Netflix, BBC Studios and Flixxo, the presence of top regional producers – Fabula, Kapow, Pampa Films – power panels, a spread of project from Buenos Aires City, SoloSerieS, Ventana Sur’s TV strand looks in 2022 to have come of age.
That’s hardly surprising. Latin America is a key market for platforms, including Netflix, which looks set to try to reach out to broader cross-section of Argentine producers at two presentations on Thursday, headed by Belén Piñeiro, manager & content, legal, Latin America, and Francisco Ramos, VP of content, Netflix.
The diaspora of on-the-rise filmmakers into TV continues, Chile’s multi-prized cineastes Dominga Sotomayor and Francisca Alegría and Dominican Yanillys Pérez presenting their first TV projects at SoloSeries.
Women make much of the running, packing all five berths in Netflix’s strand and half of the projects competing for two BBC Studios mentorships. Short format series, in contrast,...
That’s hardly surprising. Latin America is a key market for platforms, including Netflix, which looks set to try to reach out to broader cross-section of Argentine producers at two presentations on Thursday, headed by Belén Piñeiro, manager & content, legal, Latin America, and Francisco Ramos, VP of content, Netflix.
The diaspora of on-the-rise filmmakers into TV continues, Chile’s multi-prized cineastes Dominga Sotomayor and Francisca Alegría and Dominican Yanillys Pérez presenting their first TV projects at SoloSeries.
Women make much of the running, packing all five berths in Netflix’s strand and half of the projects competing for two BBC Studios mentorships. Short format series, in contrast,...
- 11/30/2022
- by John Hopewell, Pablo Sandoval and Callum McLennan
- Variety Film + TV
Mubi Podcast: Encuentros returns this week with a new episode.The second episode features Carla Simón, a Spanish director who won the Golden Bear at the Berlinale for her second feature film, Alcarràs. Five years earlier, Simón won Best First Film at the same festival for Verano 1993 (Summer 1993), which was subsequently recognized with three Goya awards and five other nominations. The second guest is Chilean director and producer Dominga Sotomayor. After winning the Rotterdam Tiger Award for her debut feature De jueves a domingo (Thursday Till Sunday), in 2018 she became the first female director in history to win the Best Director Award at the Locarno Film Festival for her third feature, Tarde para morir joven (Too Late to Die Young). In this second episode, the hosts talk about memory and cinema as spaces of the imagination. Listen to the second episode of the new season below or in your favorite podcast app.
- 11/29/2022
- MUBI
Buenos Aires — Online in 2020, and sporting a boutique on-site edition in 2021, Ventana Sur, Latin America’s biggest film-tv market, is roaring back, attendance levels, especially from delegates outside Argentina, looking set to break all time records.
“With all the sales companies, distributors and platforms coming back, it’s really great to find the same dynamism as in 2019,” Jérôme Paillard, Ventana Sur co-director, commented a week out from this year’s 13th edition, running Nov. 28 to Dec. 2.
In some ways, in fact, there may be more. 10 takes on this year’s event, backed by the Cannes Festival, Market and Argentina’s Incaa film-tv agency:
Ventana Sur Xxl
Three stats nail this year’s Ventana Sur. Delegates from outside Argentina had near doubled by Sunday, say organisers. Led by Primer Corte & Copia Final, Proyecta, Animation!, Blood Window, Punto Genero, Maquinitas and the Spanish Screenings, projects and pix-in-post pitched has sky-rocketed to a...
“With all the sales companies, distributors and platforms coming back, it’s really great to find the same dynamism as in 2019,” Jérôme Paillard, Ventana Sur co-director, commented a week out from this year’s 13th edition, running Nov. 28 to Dec. 2.
In some ways, in fact, there may be more. 10 takes on this year’s event, backed by the Cannes Festival, Market and Argentina’s Incaa film-tv agency:
Ventana Sur Xxl
Three stats nail this year’s Ventana Sur. Delegates from outside Argentina had near doubled by Sunday, say organisers. Led by Primer Corte & Copia Final, Proyecta, Animation!, Blood Window, Punto Genero, Maquinitas and the Spanish Screenings, projects and pix-in-post pitched has sky-rocketed to a...
- 11/28/2022
- by John Hopewell
- Variety Film + TV
Spanish Screenings on Tour, video games section among anticipated highlights.
Ventana Sur organisers anticipate a record number of participants to descend on Buenos Aires for the in-person return of Latin America’s leading audiovisual market running November 28–December 2.
This year’s edition is loaded with animation and genre, a profusion of works in progress as well as video game projects and the arrival of Spanish Screenings On Tour.
Ventana Sur is heading towards a record attendance this year as organisers said more than 2,500 participants including 400 from Europe, 100 from North America and 400 from Latin America (excluding Argentina) have registered so far.
Ventana Sur organisers anticipate a record number of participants to descend on Buenos Aires for the in-person return of Latin America’s leading audiovisual market running November 28–December 2.
This year’s edition is loaded with animation and genre, a profusion of works in progress as well as video game projects and the arrival of Spanish Screenings On Tour.
Ventana Sur is heading towards a record attendance this year as organisers said more than 2,500 participants including 400 from Europe, 100 from North America and 400 from Latin America (excluding Argentina) have registered so far.
- 11/27/2022
- by Emilio Mayorga
- ScreenDaily
San Sebastian’s pix-in-post showcases, which have launched notable movies – Sebastian Lelio’s “Gloria” – and notable directors – Jayro Bustamante, introducing his debut “Ixcanul” – unspools in 2022, with the screenings of six Wip Latam titles taking place over Sept. 19 – 21. Wip Europe, with four titles, runs on Sept. 19 and 20.
In the mix is an awaited title from Chile, “Penal Cordillera,” directed by Felipe Carmona, produced by Dominga Sotomayor and Omar Zuñiga and sold by Luxbox, and “A Strange Path,” from Brazil’s Guto Parente, whose “The Cannibal Club,” acquired by Uncork’d Entertainment, made a stir by portraying a Brazil in which the rich literally eat the poor.
Also competing in Wip Latam is “A House in the Country,” from Davi Pretto whose “Rifle” – his second film, after the impressive “Castanha” – premiered at 67th Berlinale Forum and won the Grand Prize at Jeonju Intl. Film Festival.
The highest profile title in Wip Europe is “Hesitation Wound,...
In the mix is an awaited title from Chile, “Penal Cordillera,” directed by Felipe Carmona, produced by Dominga Sotomayor and Omar Zuñiga and sold by Luxbox, and “A Strange Path,” from Brazil’s Guto Parente, whose “The Cannibal Club,” acquired by Uncork’d Entertainment, made a stir by portraying a Brazil in which the rich literally eat the poor.
Also competing in Wip Latam is “A House in the Country,” from Davi Pretto whose “Rifle” – his second film, after the impressive “Castanha” – premiered at 67th Berlinale Forum and won the Grand Prize at Jeonju Intl. Film Festival.
The highest profile title in Wip Europe is “Hesitation Wound,...
- 9/19/2022
- by Anna Marie de la Fuente
- Variety Film + TV
A theatrical release is planned for the end of the year or early 2023.
New Wave Films has picked up Cannes Directors’ Fortnight title 1976 for UK-Ireland distribution from Paris-based sales agent Luxbox.
The drama is the directorial debut of Chilean actor Manuela Martelli. An upper middle-class woman has a secret awakening during the early years of Chilean dictator Augusto Pinochet’s regime, and gets drawn into the political opposition when she is asked by the family priest to take care of an injured man who is in hiding.
A theatrical release is planned for the end of 2022/early 2023.
Chilean writer-directors Omar Zuniga...
New Wave Films has picked up Cannes Directors’ Fortnight title 1976 for UK-Ireland distribution from Paris-based sales agent Luxbox.
The drama is the directorial debut of Chilean actor Manuela Martelli. An upper middle-class woman has a secret awakening during the early years of Chilean dictator Augusto Pinochet’s regime, and gets drawn into the political opposition when she is asked by the family priest to take care of an injured man who is in hiding.
A theatrical release is planned for the end of 2022/early 2023.
Chilean writer-directors Omar Zuniga...
- 7/4/2022
- by Mona Tabbara
- ScreenDaily
Distributor plans theatrical release next winter.
Kino Lorber has acquired North American rights from Luxbox Films to Manuela Martelli’s Chilean drama and Cannes Directors’ Fortnight selection 1976, which has been renamed Chile 1976.
‘1976’: Cannes Review
Actor Martelli’s directorial debut takes place in the early years of the Augusto Pinochet regime as an upper middle-class woman gets drawn into the political opposition when she is asked by the family priest to take care of an injured man who is in hiding.
Aline Kuppenheim stars alongside Nicolás Sepúlveda, Hugo Medina and Alejandro Goic and acted with Martelli in Machuca. Martelli co-wrote the screenplay with Alejandra Moffat.
Kino Lorber has acquired North American rights from Luxbox Films to Manuela Martelli’s Chilean drama and Cannes Directors’ Fortnight selection 1976, which has been renamed Chile 1976.
‘1976’: Cannes Review
Actor Martelli’s directorial debut takes place in the early years of the Augusto Pinochet regime as an upper middle-class woman gets drawn into the political opposition when she is asked by the family priest to take care of an injured man who is in hiding.
Aline Kuppenheim stars alongside Nicolás Sepúlveda, Hugo Medina and Alejandro Goic and acted with Martelli in Machuca. Martelli co-wrote the screenplay with Alejandra Moffat.
- 6/15/2022
- by Jeremy Kay
- ScreenDaily
Following its world debut at Cannes Directors’ Fortnight this May, Kino Lorber has snagged North American distribution rights to “1976,” a gripping Pinochet-era drama directed by Manuela Martelli.
The film is the first feature for Martelli, produced by Chilean writer-directors Omar Zuniga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) for Cinestación, Alejandra Garcia and writer-director Andres Wood (“Violeta Went to Heaven”) for Wood Producciones, and co-produced by Nathalia Videla Peña and Juan Pablo Gugliotta for Argentina’s Magma Cine.
“1976” takes place in a small seaside town where Carmen (Aline Kuppenheim) reflects on her life as she transforms from a side-lined housewife into an integral caretaker. Putting her sanity and the values of her peers on the line, she steps further into uncertainty by aiding a weary and wounded opponent to Pinochet’s regime, Elías (Nicolás Sepúlvda), at her priest’s request.
“As the tone of Manuela Martelli...
The film is the first feature for Martelli, produced by Chilean writer-directors Omar Zuniga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) for Cinestación, Alejandra Garcia and writer-director Andres Wood (“Violeta Went to Heaven”) for Wood Producciones, and co-produced by Nathalia Videla Peña and Juan Pablo Gugliotta for Argentina’s Magma Cine.
“1976” takes place in a small seaside town where Carmen (Aline Kuppenheim) reflects on her life as she transforms from a side-lined housewife into an integral caretaker. Putting her sanity and the values of her peers on the line, she steps further into uncertainty by aiding a weary and wounded opponent to Pinochet’s regime, Elías (Nicolás Sepúlvda), at her priest’s request.
“As the tone of Manuela Martelli...
- 6/15/2022
- by Holly Jones
- Variety Film + TV
“1976,” the awaited first feature of Chile’s Manuela Martelli, has closed first new major territories for sales company Luxbox before its world premiere in Directors’ Fortnight later this upcoming week.
The film is produced out of Chile by writer-directors Omar Zúñiga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) at auteur-focused Chile-based Cinestación (“Too Late to Die Young”) as well as Alejandra Garcia and Andrés Wood, another celebrated Chilean director (“Violeta Went to Heaven”) at Wood Productions. Nathalia Videla Peña and Juan Pablo Gugliotta at Argentina’s Magma Cine co-produce.
“1976” is set, as its title implies, in 1976, one of the bloodiest years of Augusto Pinochet’s hugely bloody dictatorship. Carmen, the wife of a well-heeled Santiago de Chile doctor heads off to her beach house to supervise its renovation during the holidays.
The local priest appeals to her to help cure a young man who’s escaped from jail.
The film is produced out of Chile by writer-directors Omar Zúñiga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) at auteur-focused Chile-based Cinestación (“Too Late to Die Young”) as well as Alejandra Garcia and Andrés Wood, another celebrated Chilean director (“Violeta Went to Heaven”) at Wood Productions. Nathalia Videla Peña and Juan Pablo Gugliotta at Argentina’s Magma Cine co-produce.
“1976” is set, as its title implies, in 1976, one of the bloodiest years of Augusto Pinochet’s hugely bloody dictatorship. Carmen, the wife of a well-heeled Santiago de Chile doctor heads off to her beach house to supervise its renovation during the holidays.
The local priest appeals to her to help cure a young man who’s escaped from jail.
- 5/22/2022
- by John Hopewell
- Variety Film + TV
Berlinale Talents Alumni Prepare to Shine in Cannes
It’s slowly edging towards summer here in Berlin and that means one thing: Cannes is close! And as the sun gets ever brighter, many of Berlinale’s former Talents are also preparing to dazzle on the Croisette!
Three alumni are starring in films in Competition; Sherwan Haji in Tarik Saleh’s Boy from Heaven, Sara Fazilat in Ali Abbasi’s Holy Spider, which was produced by Sol Bondy and Jacob Jarek, and finally Nadia Litz joins the glittering cast of David Cronenberg’s Crimes of the Future. Also in Competition is Lukas Dhont’s Close, co-written by Angelo Tijssens. Un Certain Regard provides a stage for more Talents to shine, with 17 alumni involved in 9 films, including Ariel Escalante’s Domingo y la niebla, to name one example. The film was edited by Lorenzo Mora Salazar, music composed by Alberto Torres, with Nicolás Wong Díaz acting as both producer & cinematographer. Abinash Bikram Shah’s Lori screens in the Short Films Competition, alongside two films with Zuolong Shan as executive producer, Bi Gan’s A Short Story and Story Chen’s The Water Murmurs.
Critic’s Week features 11 former Talents who have contributed their creativity to 8 films in the selection. The Woodcutter Story was in fact developed at our Script Station by writer and director Mikko Myllylahti, edited by Jussi Rautaniemi and produced by Jussi Rantamäki, the short Cuerdas was shot by Lara Vilanova and there will also be a special screeing of Goutte d’Or, produced by Jean-Christophe Reymond.
Excitingly, the Director’s Fortnight will show the debut feature films of three Talents alumni: Manuela Martelli’s 1976, edited by Camila Mercadal and produced by Dominga Sotomayor, Elena López Riera’s El agua and Pamfir by Dmytro Sukholytkyy-Sobchuk. Included in the selection is Un Varón by Fabian Hernández, which Louise Bellicaud produced.
To see the complete picture of all Berlinale Talents alumni at Cannes, including those selected for the Cinéfondation’s Atelier, Les cinémas du monde’s La Fabrique and the Acid programme, click here.
Reconnect in Cannes — Register now!
Building lasting relationships across all disciplines and editions is a crucial part of what we do. And since Cannes offers plenty of opportunities for long awaited informal encounters over a coffee or rosé, we’d love to build up the group again. If you are a Berlinale Talents alumni please register your attendance at the festival, market (or just on the beach) by clicking here. Who else is in Cannes? Find out here.
Dedicated to Discovery
The 17th edition of Talents Buenos Aires took place from April 19–23. Borrowing from Luis López Carrasco’s film of the same name, this year’s theme was ‘The Year of Discovery’. Drawing inspiration from the film’s exploration of Spain’s political and social crisis in the early 1990s, the programme’s aim was to promote critical and aesthetic thinking regarding recent world events and their influence on the film world. It was an engaging 5 days of events for the 55 Talents from all over South America, from workshops on non-traditional distribution with Maui Alena or on acting with Maria Laura Berch, to a dialogue on cinema as discovery with Darío Aguirre, and plenty of networking sessions. Welcome to the skilled film professionals who are now part of the Talents family, and congratulations to the team of Talents Buenos Aires on another great edition.
The preparations for Talents Guadalajara in June, Talents Durban in July and Talents Sarajevo in August are currently in full swing, and further out on the horizon, the 13th Talents Tokyo will be held from October 31 to November 5 within the Tokyo FILMeX Festival 2022.
Thanks for staying tuned and catching up!
The Berlinale Talents team
Upcoming Dates
May 6, 2022: Application deadline for Talents Guadalajara
May 31, 2022: Application deadline for Talents Sarajevo
May 31, 2022: Application deadline for Talents Tokyo
June 11–15, 2022: Talents Guadalajara takes place
Early July, 2022: Call for entries for Berlinale Talents 2023
July 22–26, 2022: Talents Durban Takes place
August 13–18, 2022: Talents Sarajevo takes place
October 31 — November 5, 2022: Talents Tokyo takes place
Photo credits:
1) Still from Close, co-written by Angelo Tijssens © Lukas Dhont / Diaphana Distribution
2) Talents Buenos Aires key visual 2022Berlinale Talents
Berlin International Film Festival
Potsdamer Platz 11, 10785 Berlin, Germany
Tel: +49 30 25920–515
www.berlinale-talents.de...
It’s slowly edging towards summer here in Berlin and that means one thing: Cannes is close! And as the sun gets ever brighter, many of Berlinale’s former Talents are also preparing to dazzle on the Croisette!
Three alumni are starring in films in Competition; Sherwan Haji in Tarik Saleh’s Boy from Heaven, Sara Fazilat in Ali Abbasi’s Holy Spider, which was produced by Sol Bondy and Jacob Jarek, and finally Nadia Litz joins the glittering cast of David Cronenberg’s Crimes of the Future. Also in Competition is Lukas Dhont’s Close, co-written by Angelo Tijssens. Un Certain Regard provides a stage for more Talents to shine, with 17 alumni involved in 9 films, including Ariel Escalante’s Domingo y la niebla, to name one example. The film was edited by Lorenzo Mora Salazar, music composed by Alberto Torres, with Nicolás Wong Díaz acting as both producer & cinematographer. Abinash Bikram Shah’s Lori screens in the Short Films Competition, alongside two films with Zuolong Shan as executive producer, Bi Gan’s A Short Story and Story Chen’s The Water Murmurs.
Critic’s Week features 11 former Talents who have contributed their creativity to 8 films in the selection. The Woodcutter Story was in fact developed at our Script Station by writer and director Mikko Myllylahti, edited by Jussi Rautaniemi and produced by Jussi Rantamäki, the short Cuerdas was shot by Lara Vilanova and there will also be a special screeing of Goutte d’Or, produced by Jean-Christophe Reymond.
Excitingly, the Director’s Fortnight will show the debut feature films of three Talents alumni: Manuela Martelli’s 1976, edited by Camila Mercadal and produced by Dominga Sotomayor, Elena López Riera’s El agua and Pamfir by Dmytro Sukholytkyy-Sobchuk. Included in the selection is Un Varón by Fabian Hernández, which Louise Bellicaud produced.
To see the complete picture of all Berlinale Talents alumni at Cannes, including those selected for the Cinéfondation’s Atelier, Les cinémas du monde’s La Fabrique and the Acid programme, click here.
Reconnect in Cannes — Register now!
Building lasting relationships across all disciplines and editions is a crucial part of what we do. And since Cannes offers plenty of opportunities for long awaited informal encounters over a coffee or rosé, we’d love to build up the group again. If you are a Berlinale Talents alumni please register your attendance at the festival, market (or just on the beach) by clicking here. Who else is in Cannes? Find out here.
Dedicated to Discovery
The 17th edition of Talents Buenos Aires took place from April 19–23. Borrowing from Luis López Carrasco’s film of the same name, this year’s theme was ‘The Year of Discovery’. Drawing inspiration from the film’s exploration of Spain’s political and social crisis in the early 1990s, the programme’s aim was to promote critical and aesthetic thinking regarding recent world events and their influence on the film world. It was an engaging 5 days of events for the 55 Talents from all over South America, from workshops on non-traditional distribution with Maui Alena or on acting with Maria Laura Berch, to a dialogue on cinema as discovery with Darío Aguirre, and plenty of networking sessions. Welcome to the skilled film professionals who are now part of the Talents family, and congratulations to the team of Talents Buenos Aires on another great edition.
The preparations for Talents Guadalajara in June, Talents Durban in July and Talents Sarajevo in August are currently in full swing, and further out on the horizon, the 13th Talents Tokyo will be held from October 31 to November 5 within the Tokyo FILMeX Festival 2022.
Thanks for staying tuned and catching up!
The Berlinale Talents team
Upcoming Dates
May 6, 2022: Application deadline for Talents Guadalajara
May 31, 2022: Application deadline for Talents Sarajevo
May 31, 2022: Application deadline for Talents Tokyo
June 11–15, 2022: Talents Guadalajara takes place
Early July, 2022: Call for entries for Berlinale Talents 2023
July 22–26, 2022: Talents Durban Takes place
August 13–18, 2022: Talents Sarajevo takes place
October 31 — November 5, 2022: Talents Tokyo takes place
Photo credits:
1) Still from Close, co-written by Angelo Tijssens © Lukas Dhont / Diaphana Distribution
2) Talents Buenos Aires key visual 2022Berlinale Talents
Berlin International Film Festival
Potsdamer Platz 11, 10785 Berlin, Germany
Tel: +49 30 25920–515
www.berlinale-talents.de...
- 5/10/2022
- by Sydney
- Sydney's Buzz
Prestige French distribution house Dulac Distribution has closed rights to France on “1976,” one of the most awaited of films to come out of Chile this year, which will world premiere next month at Cannes Directors’ Fortnight.
The buzzed up title represents the first feature from young Chilean actor-turned-director Manuela Martelli, star of Andrés Wood’s “Machuca” and Alicia Scherson’s “Il Futuro.”
Worldwide sales rights on “1976” are represented by Paris-based Luxbox, adding to its lengthening list of high profile pick-ups from Latin America which include Nathalie Alvarez Mesén’s “Clara Sola,” Alejandra Márquez’s “The Good Girls,” Marcelo Martinessi’s “The Heiresses” and Benjamín Naishtat’s “Rojo.”
The acquisition in a key territory for non English-language art films comes just weeks after “1976” walked off with three of the biggest awards at the Toulouse Latin American Festival’s Films in Progress, including the pix-in-post competition’s Grand Prix and Cine Plus...
The buzzed up title represents the first feature from young Chilean actor-turned-director Manuela Martelli, star of Andrés Wood’s “Machuca” and Alicia Scherson’s “Il Futuro.”
Worldwide sales rights on “1976” are represented by Paris-based Luxbox, adding to its lengthening list of high profile pick-ups from Latin America which include Nathalie Alvarez Mesén’s “Clara Sola,” Alejandra Márquez’s “The Good Girls,” Marcelo Martinessi’s “The Heiresses” and Benjamín Naishtat’s “Rojo.”
The acquisition in a key territory for non English-language art films comes just weeks after “1976” walked off with three of the biggest awards at the Toulouse Latin American Festival’s Films in Progress, including the pix-in-post competition’s Grand Prix and Cine Plus...
- 4/25/2022
- by Holly Jones
- Variety Film + TV
It’s a new dawn for Chile’s audiovisual industry. When Gabriel Boric, Chile’s youngest (at 35) and most left-leaning president since Salvador Allende, was elected in December, his pledge to more than double the state’s contribution to the arts was greeted with great fanfare.
After all, Chile’s prodigious film output this past decade has been remarkable despite the scant public support it has received.
“If everything we have achieved in the last 10 years was done with so little money, imagine what we can achieve with an increase in audiovisual funding!” says Constanza Arena, executive director of Chile’s film promotion org, CinemaChile.
In recent years, Chile has triumphed at the Oscars, starting when Pablo Larraín’s “No” was nominated for international feature in 2012, and culminating in an Oscar win for Sebastian Lelio’s “A Fantastic Woman” in 2017. Last Academy Awards season, Maite Alberdi’s documentary “The Mole Agent...
After all, Chile’s prodigious film output this past decade has been remarkable despite the scant public support it has received.
“If everything we have achieved in the last 10 years was done with so little money, imagine what we can achieve with an increase in audiovisual funding!” says Constanza Arena, executive director of Chile’s film promotion org, CinemaChile.
In recent years, Chile has triumphed at the Oscars, starting when Pablo Larraín’s “No” was nominated for international feature in 2012, and culminating in an Oscar win for Sebastian Lelio’s “A Fantastic Woman” in 2017. Last Academy Awards season, Maite Alberdi’s documentary “The Mole Agent...
- 2/10/2022
- by Anna Marie de la Fuente
- Variety Film + TV
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
The Fever (Maya Da-Rin)
The Fever, director-cum-visual artist Da-Rin’s first full-length feature project, puts a human face to a statistic that hardly captures the genocide Brazil is suffering. This is not just a wonderfully crafted, superb exercise in filmmaking, a multilayered tale that seesaws between social realism and magic. It is a call to action, an unassuming manifesto hashed in the present tense but reverberating as a plea from a world already past us, a memoir of sorts. – Leonardo G. (full review)
Where to Stream: The Criterion Channel
French New Wave
Dive into one of the most fertile eras of moving pictures with a new massive 45-film series on The Criterion Channel dedicated to the French New Wave. Highlights include Le...
The Fever (Maya Da-Rin)
The Fever, director-cum-visual artist Da-Rin’s first full-length feature project, puts a human face to a statistic that hardly captures the genocide Brazil is suffering. This is not just a wonderfully crafted, superb exercise in filmmaking, a multilayered tale that seesaws between social realism and magic. It is a call to action, an unassuming manifesto hashed in the present tense but reverberating as a plea from a world already past us, a memoir of sorts. – Leonardo G. (full review)
Where to Stream: The Criterion Channel
French New Wave
Dive into one of the most fertile eras of moving pictures with a new massive 45-film series on The Criterion Channel dedicated to the French New Wave. Highlights include Le...
- 1/7/2022
- by Jordan Raup
- The Film Stage
The Cow That Sang A Song About The Future
When it comes time to developing the next generation of auteurs, the nation of Chile has provided more than a fair share. The well has not been dry in the past two decades with the likes of Pablo Larraín, Pablo Trapero, Dominga Sotomayor, Sebastián Silva and Sebastian Lelio taking over the film fest circuit and recently added, Sundance has supported the likes of Maite Alberdi, Alejandro Fernández Almendras, Marcela Said and in 2022: Francisca Alegria. The filmmaker saw her short film And All the Sky Fit in the Dead Cow’s Eye win Sundance’s Short Film Jury Award: International Fiction award in 2016 and has been in development process for her feature debut since 2017.…...
When it comes time to developing the next generation of auteurs, the nation of Chile has provided more than a fair share. The well has not been dry in the past two decades with the likes of Pablo Larraín, Pablo Trapero, Dominga Sotomayor, Sebastián Silva and Sebastian Lelio taking over the film fest circuit and recently added, Sundance has supported the likes of Maite Alberdi, Alejandro Fernández Almendras, Marcela Said and in 2022: Francisca Alegria. The filmmaker saw her short film And All the Sky Fit in the Dead Cow’s Eye win Sundance’s Short Film Jury Award: International Fiction award in 2016 and has been in development process for her feature debut since 2017.…...
- 1/6/2022
- by Eric Lavallée
- IONCINEMA.com
Chilean bio-musical series “Los Prisioneros” had its European debut at Madrid’s inaugural Iberseries Platino Industria on Sept. 28 where it screened in the event’s Chapter One sidebar.
Taking place in the mid ‘80s, the eight-episode show kicks off with the titular iconic band Los Prisioneros playing their sardonic protest songs to a rowdy, unappreciative crowd. It’s only when they perform at Chile’s then biggest entertainment show, “Sabado Gigante,” hosted by the equally iconic Don Francisco, that their career takes flight.
Episode one shows the key moments of their debut on the show and the start of their career, which later led to their persecution by the military regime and censorship on Chilean radio and television. To this day, their songs are anthems at protest rallies in the region, most recently in Chile and Colombia.
“Their songs have become ever more relevant, they still resonate to this day,...
Taking place in the mid ‘80s, the eight-episode show kicks off with the titular iconic band Los Prisioneros playing their sardonic protest songs to a rowdy, unappreciative crowd. It’s only when they perform at Chile’s then biggest entertainment show, “Sabado Gigante,” hosted by the equally iconic Don Francisco, that their career takes flight.
Episode one shows the key moments of their debut on the show and the start of their career, which later led to their persecution by the military regime and censorship on Chilean radio and television. To this day, their songs are anthems at protest rallies in the region, most recently in Chile and Colombia.
“Their songs have become ever more relevant, they still resonate to this day,...
- 9/29/2021
- by Anna Marie de la Fuente
- Variety Film + TV
A glum arthouse market may be entering a gateway weekend into happier days after months of distributors — with rare exceptions — pulling out their hair at dismal per-screens averages. That’s because festival buzz is mounting for film after film – from Card Counter, Dune and Spencer, to King Richard and Cyrano.
The Eyes of Tammy Faye and Dear Evan Hansen open in theaters on Sept, 17 and Sept. 24 after Toronto premieres. Wes Anderson’s The French Dispatch from Cannes rolls out Oct. 22. Warner Bros’ Sopranos prequel The Many Saints of Newark has an Oct. 1 release date. Kenneth Branagh’s Belfast has a Nov. 12 theatrical date after a world premiere in Toronto (and a glimpse at Telluride.)
It’s like the Marvel Cinematic Universe of arthouses, films set to give a bump to a specialty...
The Eyes of Tammy Faye and Dear Evan Hansen open in theaters on Sept, 17 and Sept. 24 after Toronto premieres. Wes Anderson’s The French Dispatch from Cannes rolls out Oct. 22. Warner Bros’ Sopranos prequel The Many Saints of Newark has an Oct. 1 release date. Kenneth Branagh’s Belfast has a Nov. 12 theatrical date after a world premiere in Toronto (and a glimpse at Telluride.)
It’s like the Marvel Cinematic Universe of arthouses, films set to give a bump to a specialty...
- 9/3/2021
- by Jill Goldsmith
- Deadline Film + TV
This review of “The Year of the Everlasting Storm” was first published after the film’s July premiere at the Cannes Film Festival.
In a way, Mark Cousins’ “The Story of Film: A New Generation” was the ideal film to be the first screening at the 2021 Cannes Film Festival, because the documentary surveyed the most groundbreaking cinema of the 21st century and looked ahead to celebrate the return of moviegoers to theaters as the pandemic receded. But “The Year of the Everlasting Storm,” which premiered days later at Cannes, may be a perfect bookend to come as the festival nears its conclusion.
Whereas “The Story of Film” pointed the way toward the future as we come out of tough times, “Everlasting Storm” uses seven great filmmakers to peer deeply into where we’ve been during the pandemic, and where we may still be today; it’s set in the immediate past,...
In a way, Mark Cousins’ “The Story of Film: A New Generation” was the ideal film to be the first screening at the 2021 Cannes Film Festival, because the documentary surveyed the most groundbreaking cinema of the 21st century and looked ahead to celebrate the return of moviegoers to theaters as the pandemic receded. But “The Year of the Everlasting Storm,” which premiered days later at Cannes, may be a perfect bookend to come as the festival nears its conclusion.
Whereas “The Story of Film” pointed the way toward the future as we come out of tough times, “Everlasting Storm” uses seven great filmmakers to peer deeply into where we’ve been during the pandemic, and where we may still be today; it’s set in the immediate past,...
- 9/2/2021
- by Steve Pond
- The Wrap
While our massive, 50-film fall preview will give you an overview of what we’re looking forward to for the next four months, we’ll still be diving deeper in our monthly previews. While much of September is dedicated to coverage from Venice, TIFF, and NYFF, there’s still plenty of worthwhile new releases to check––including a few from the aforementioned festivals.
14. The Mad Women’s Ball (Mélanie Laurent; Sept. 17 on Amazon Prime)
Along with her impressive acting career, Mélanie Laurent has proven to be a formidable force behind the camera, particularly with Breathe. She’s now back with two features over the next two years and first up is this TIFF premiere. Set in Paris at the end of the 1800s, it concerns an independent woman who is deemed mentally unwell and institutionalized. Once inside, she desperately attempts to escape. The title refers to a year-end ball in...
14. The Mad Women’s Ball (Mélanie Laurent; Sept. 17 on Amazon Prime)
Along with her impressive acting career, Mélanie Laurent has proven to be a formidable force behind the camera, particularly with Breathe. She’s now back with two features over the next two years and first up is this TIFF premiere. Set in Paris at the end of the 1800s, it concerns an independent woman who is deemed mentally unwell and institutionalized. Once inside, she desperately attempts to escape. The title refers to a year-end ball in...
- 9/1/2021
- by Jordan Raup
- The Film Stage
From the moment this pandemic began, it’s been difficult to totally gauge its toll. It would be easy to say the daily ups and downs have played out like a film, but at least you can often see the end of a film coming before it arrives. It’s the way they follow easy, familiar tracks that makes them so inviting, so comforting.
“The Year of the Everlasting Storm,” From all parts of the globe, seven filmmakers, ranging from David Lowery to Jafar Panahi, helm seven distinct stories, each grappling through their art with the unknowability of the past year-plus. They turn to hyperactive animation, personal and investigative documentary filmmaking, a meditative art installation, and some heartbreaking fictional storytelling to vocalize every facet of this worldwide crisis.
The opening vignette by the subversive Iranian director Panahi (he’s also an executive producer on this project) leans into his proven...
“The Year of the Everlasting Storm,” From all parts of the globe, seven filmmakers, ranging from David Lowery to Jafar Panahi, helm seven distinct stories, each grappling through their art with the unknowability of the past year-plus. They turn to hyperactive animation, personal and investigative documentary filmmaking, a meditative art installation, and some heartbreaking fictional storytelling to vocalize every facet of this worldwide crisis.
The opening vignette by the subversive Iranian director Panahi (he’s also an executive producer on this project) leans into his proven...
- 9/1/2021
- by Robert Daniels
- Indiewire
Anthology films like The Year of the Everlasting Storm, wherein a flurry of esteemed directors create short segments tethered to a common theme, lack a strong track record. Take the Cities of Love series, September 11, or To Each His Own Cinema. All have memorable, if not masterful, pieces. But it doesn’t matter how many noteworthy names are involved or how great some shorts might be—the collective feature experience often falls prey to a certain disjointedness endemic to the territory.
It doesn’t help that the joint theme is pandemic isolation––a topic so few filmmakers have been able to tackle effectively in the immediate aftermath of quarantine living. Though this concept has inspired more cringe-worthy art than any thematic culprit, The Year of the Everlasting Storm offers hope.
It shows pandemic art is maturing and substantiates the idea that the more time we have to process, the more...
It doesn’t help that the joint theme is pandemic isolation––a topic so few filmmakers have been able to tackle effectively in the immediate aftermath of quarantine living. Though this concept has inspired more cringe-worthy art than any thematic culprit, The Year of the Everlasting Storm offers hope.
It shows pandemic art is maturing and substantiates the idea that the more time we have to process, the more...
- 7/21/2021
- by Luke Hicks
- The Film Stage
Information, context and mystery have been on my mind quite a bit since seeing the two new films that Thai filmmaker Apichatpong Weerasethakul brought to this year’s Cannes: his feature-length, Tilda Swinton-starring, Colombia-set Memoria, and the 13-minute “Night Colonies,” the segment that concludes The Year of the Everlasting Storm omnibus project, which collects seven short films about creativity in the time of Covid-19 from global arthouse heavyweights such as Jafar Panahi, Dominga Sotomayor and David Lowery. This is partly because Weerasethakul’s new films, like the rest of his cinema, negotiate the divide between our sensory and cognitive functions better than […]
The post Cannes Film Festival 2021 Critic’s Notebook 5: Apichatpong Weerasethakul first appeared on Filmmaker Magazine.
The post Cannes Film Festival 2021 Critic’s Notebook 5: Apichatpong Weerasethakul first appeared on Filmmaker Magazine.
- 7/18/2021
- by Blake Williams
- Filmmaker Magazine-Director Interviews
Information, context and mystery have been on my mind quite a bit since seeing the two new films that Thai filmmaker Apichatpong Weerasethakul brought to this year’s Cannes: his feature-length, Tilda Swinton-starring, Colombia-set Memoria, and the 13-minute “Night Colonies,” the segment that concludes The Year of the Everlasting Storm omnibus project, which collects seven short films about creativity in the time of Covid-19 from global arthouse heavyweights such as Jafar Panahi, Dominga Sotomayor and David Lowery. This is partly because Weerasethakul’s new films, like the rest of his cinema, negotiate the divide between our sensory and cognitive functions better than […]
The post Cannes Film Festival 2021 Critic’s Notebook 5: Apichatpong Weerasethakul first appeared on Filmmaker Magazine.
The post Cannes Film Festival 2021 Critic’s Notebook 5: Apichatpong Weerasethakul first appeared on Filmmaker Magazine.
- 7/18/2021
- by Blake Williams
- Filmmaker Magazine - Blog
Neon will donate to Direct Relief and its global Covid-19 relief efforts as part of its release of “The Year of the Everlasting Storm.”
The anthology feature world premiered at the Cannes Film Festival on July 14 as part of the Special Screening section, and will be released theatrically later this year.
News of the distributor’s donation comes as a number of wealthy countries were able to send delegations to the Cannes Film Festival, which ends this weekend, but many more were missing from the Croisette due to an international disparity in vaccine development and distribution.
The Neon donation will support real-time Covid-19 response and assistance through the distribution of funds, tests, supplies and vaccines to the countries and areas that are hardest hit worldwide. Variety has inquired about the sum of the company’s donation, but hasn’t yet heard back.
“The Year of the Everlasting Storm” is helmed...
The anthology feature world premiered at the Cannes Film Festival on July 14 as part of the Special Screening section, and will be released theatrically later this year.
News of the distributor’s donation comes as a number of wealthy countries were able to send delegations to the Cannes Film Festival, which ends this weekend, but many more were missing from the Croisette due to an international disparity in vaccine development and distribution.
The Neon donation will support real-time Covid-19 response and assistance through the distribution of funds, tests, supplies and vaccines to the countries and areas that are hardest hit worldwide. Variety has inquired about the sum of the company’s donation, but hasn’t yet heard back.
“The Year of the Everlasting Storm” is helmed...
- 7/15/2021
- by Manori Ravindran
- Variety Film + TV
What did you do during the coronavirus lockdown of 2020? Grow a beard? Make bread? Write the Great American Novel? For creative types cooped up during the pandemic, the pressures to adapt to the moment felt enormous, but so did the limitations.
Premiering at Cannes 2021, “The Year of the Everlasting Storm” springs from those competing and seemingly contradictory reactions — to express oneself, or to retreat inward and wait it out — empowering seven filmmakers from different corners of the globe to do what they do best — to make films — during the historic tsunami of uncertainty and fear that was 2020. While the world was in lockdown, this portmanteau project achieved something remarkable, giving artists ranging from Jafar Panahi to Apichatpong Weerasethakul the opportunity to unlock their imaginations.
Panahi, who came aboard early and also served as an executive producer, is no stranger to shooting in restrictive conditions, having directed a film — 2012’s Cannes-selected...
Premiering at Cannes 2021, “The Year of the Everlasting Storm” springs from those competing and seemingly contradictory reactions — to express oneself, or to retreat inward and wait it out — empowering seven filmmakers from different corners of the globe to do what they do best — to make films — during the historic tsunami of uncertainty and fear that was 2020. While the world was in lockdown, this portmanteau project achieved something remarkable, giving artists ranging from Jafar Panahi to Apichatpong Weerasethakul the opportunity to unlock their imaginations.
Panahi, who came aboard early and also served as an executive producer, is no stranger to shooting in restrictive conditions, having directed a film — 2012’s Cannes-selected...
- 7/14/2021
- by Peter Debruge
- Variety Film + TV
Neon has partnered with Direct Relief for its upcoming anthology film “The Year of the Everlasting Storm,” and it will donate to the organization’s worldwide Covid-19 relief efforts.
The feature, which will be released theatrically later this year, is making its debut at Cannes Film Festival today as part of the Special Screening section.
With its donation, Neon aims to support real-time Covid-19 direct response through the distribution of funds, tests, supplies and vaccines to countries and areas that have been hit the hardest by the pandemic.
Helmed by filmmakers Jafar Panâhi, Anthony Chen, Malik Vitthal, Laura Poitras, Dominga Sotomayor, David Lowery and Apichatpong Weerasethakul, “The Year of the Everlasting Storm” follows seven stories during an unprecedented time, serving as a love letter to the power of cinema and storytelling. The film is executive produced by Panâhi, Tom Quinn and David Kaplan and produced by Brad Becker-Parton, Andrea Roa,...
The feature, which will be released theatrically later this year, is making its debut at Cannes Film Festival today as part of the Special Screening section.
With its donation, Neon aims to support real-time Covid-19 direct response through the distribution of funds, tests, supplies and vaccines to countries and areas that have been hit the hardest by the pandemic.
Helmed by filmmakers Jafar Panâhi, Anthony Chen, Malik Vitthal, Laura Poitras, Dominga Sotomayor, David Lowery and Apichatpong Weerasethakul, “The Year of the Everlasting Storm” follows seven stories during an unprecedented time, serving as a love letter to the power of cinema and storytelling. The film is executive produced by Panâhi, Tom Quinn and David Kaplan and produced by Brad Becker-Parton, Andrea Roa,...
- 7/14/2021
- by Ethan Shanfeld
- Variety Film + TV
Tom Quinn’s Neon is partnering with Direct Relief for its upcoming anthology feature The Year Of The Everlasting Storm, and will donate to the humanitarian organization’s Covid-19 relief efforts. The title, which is one of Neon’s first original productions, is having its World Premiere at the Cannes Film Festival today as part of the fest’s Special Screening section and will be released theatrically later this year.
Neon’s donation will support real-time Covid-10 direct response and assistance through the distribution of funds, tests, supplies and vaccines to the countries and areas that are hardest hit worldwide by the global disparity in how vaccines are being developed and distributed.
The news comes as many of the world’s wealthiest territories have been able to reunite on the Croisette thanks to quicker vaccine rollouts in their home countries.
The Year Of The Everlasting Storm is directed by award-winning filmmakers Jafar Panahi,...
Neon’s donation will support real-time Covid-10 direct response and assistance through the distribution of funds, tests, supplies and vaccines to the countries and areas that are hardest hit worldwide by the global disparity in how vaccines are being developed and distributed.
The news comes as many of the world’s wealthiest territories have been able to reunite on the Croisette thanks to quicker vaccine rollouts in their home countries.
The Year Of The Everlasting Storm is directed by award-winning filmmakers Jafar Panahi,...
- 7/14/2021
- by Diana Lodderhose
- Deadline Film + TV
Un Certain Regard looks set to be hailed as The section of this year’s Cannes Film Festival.
Cannes has sailed over the half-way mark, with hopes high it won’t be scuttled by another wave entirely. Initially assailed by Covid-19 tests and overcome by sheer delight to be back on the Croisette, critics and buyers are now beginning to realise that while Cannes 74 is a landmark event in many ways, thus far the 24-film Competition itself, stuffed with auteurs and old friends of the festival, is not shaping up to be a vintage year (such as 2019).
Eleven films have yet to show,...
Cannes has sailed over the half-way mark, with hopes high it won’t be scuttled by another wave entirely. Initially assailed by Covid-19 tests and overcome by sheer delight to be back on the Croisette, critics and buyers are now beginning to realise that while Cannes 74 is a landmark event in many ways, thus far the 24-film Competition itself, stuffed with auteurs and old friends of the festival, is not shaping up to be a vintage year (such as 2019).
Eleven films have yet to show,...
- 7/12/2021
- by Fionnuala Halligan
- ScreenDaily
Chilean filmmaker Dominga Sotomayor, who is one of the directors on Neon’s anthology movie The Year Of The Everlasting Storm which premieres in Cannes next week, is set to write and direct Niebla for Rt Features’ Rodrigo Teixeira.
Film takes place on a cruise ship heading towards a distant nondescript coastline. In the middle of the ocean, the large and eclectic group of international passengers, all seem to be escaping their own realities. Among them Julia, a 35-year-old woman who won the cruise as a raffle prize at work, embarks on what she believes to be a simple vacation and finds herself stuck in a physical and emotional purgatory.
Teixeira and Lourenço Sant’Anna will produce with Alan Terpins executive producing. Project is planning to shoot next year. CAA Media Finance arranged the financing and will represent the sales rights.
Sotomayor also directed Too Late to Die, which won...
Film takes place on a cruise ship heading towards a distant nondescript coastline. In the middle of the ocean, the large and eclectic group of international passengers, all seem to be escaping their own realities. Among them Julia, a 35-year-old woman who won the cruise as a raffle prize at work, embarks on what she believes to be a simple vacation and finds herself stuck in a physical and emotional purgatory.
Teixeira and Lourenço Sant’Anna will produce with Alan Terpins executive producing. Project is planning to shoot next year. CAA Media Finance arranged the financing and will represent the sales rights.
Sotomayor also directed Too Late to Die, which won...
- 7/10/2021
- by Tom Grater
- Deadline Film + TV
Project in development, earmarked for early 2022 shoot.
Dominga Sotomayor, one of the directors on special screening The Year Of The Everlasting Storm that plays out of competition here on Wednesday (July 14) will write and direct drama Niebla for Rt Features.
The Chilean filmmaker wrote and will direct the story about an eclectic group of ocean liner passengers who all appear to be escaping something. Among them is Julia, a 35-year-old woman who won a prize to be on the trip and finds herself stuck in a physical and emotional purgatory.
Rt Features’ Rodrigo Teixeira (Call Me By Your Name) and...
Dominga Sotomayor, one of the directors on special screening The Year Of The Everlasting Storm that plays out of competition here on Wednesday (July 14) will write and direct drama Niebla for Rt Features.
The Chilean filmmaker wrote and will direct the story about an eclectic group of ocean liner passengers who all appear to be escaping something. Among them is Julia, a 35-year-old woman who won a prize to be on the trip and finds herself stuck in a physical and emotional purgatory.
Rt Features’ Rodrigo Teixeira (Call Me By Your Name) and...
- 7/10/2021
- by Jeremy Kay
- ScreenDaily
Chile is starting its own big restart. Few national industries will have a larger online presence at this year’s Cannes Film Market. Big name news has broken in early market plays as well.
After features with Rachel Weisz and Rachel McAdams (“Disobedience”) and Julianne Moore (“Gloria Bell”), Academy Award winner Sebastián Lelio, (“A Fantastic Woman”) will associate produce “El Porvenir de la Mirada,” a doc feature that captures the trauma of some of the 460 protesters shot in the eyes by Chilean police during massive demonstrations that erupted in October 2019.
Set up at Storyboard Media, “Porvenir” is directed by distinguished Chilean doc filmmaker Cristián Leighton.
Even while gearing up to direct Joaquin Phoenix in A24’s “Disappointment Blvd.,” Ari Aster has signed on to executive produce Chilean stop-motion short “The Bones,” directed by Cristóbal León and Joaquín Cociña (“The Wolf House”) with a soundtrack composed by acclaimed U.S. violinist Tim Fain,...
After features with Rachel Weisz and Rachel McAdams (“Disobedience”) and Julianne Moore (“Gloria Bell”), Academy Award winner Sebastián Lelio, (“A Fantastic Woman”) will associate produce “El Porvenir de la Mirada,” a doc feature that captures the trauma of some of the 460 protesters shot in the eyes by Chilean police during massive demonstrations that erupted in October 2019.
Set up at Storyboard Media, “Porvenir” is directed by distinguished Chilean doc filmmaker Cristián Leighton.
Even while gearing up to direct Joaquin Phoenix in A24’s “Disappointment Blvd.,” Ari Aster has signed on to executive produce Chilean stop-motion short “The Bones,” directed by Cristóbal León and Joaquín Cociña (“The Wolf House”) with a soundtrack composed by acclaimed U.S. violinist Tim Fain,...
- 7/8/2021
- by John Hopewell
- Variety Film + TV
It’s been a while, but for the first time since 2019, the Cannes Film Festival is officially happening on the Croisette. After being canceled in 2020 due to the coronavirus pandemic, the 2021 Cannes Film Festival is happening right now on the French Riviera with a full slate of international features. Here’s everything to know about this year’s Cannes Film Festival, including the full lineup.
What movies are playing at this year’s Cannes Film Festival?
The 2021 lineup at the Cannes Film Festival features new films from Wes Anderson, Sean Baker, Sean Penn, Leo Carax, and Tom McCarthy. But despite the usual vast pedigree of talent at Cannes, awards attention for the films that launch there is uncertain. Only twice have Palme d’Or winners subsequently won Best Picture at the Oscars (1955’s “Marty” and 2019’s “Parasite”) — although that data point could be rendered moot by the coronavirus pandemic. The...
What movies are playing at this year’s Cannes Film Festival?
The 2021 lineup at the Cannes Film Festival features new films from Wes Anderson, Sean Baker, Sean Penn, Leo Carax, and Tom McCarthy. But despite the usual vast pedigree of talent at Cannes, awards attention for the films that launch there is uncertain. Only twice have Palme d’Or winners subsequently won Best Picture at the Oscars (1955’s “Marty” and 2019’s “Parasite”) — although that data point could be rendered moot by the coronavirus pandemic. The...
- 7/6/2021
- by Christopher Rosen
- Gold Derby
After last year’s Cannes Film Festival was reduced to a press conference announcing the works they would’ve screened, they’re back in full swing for 2021. Forgoing the virtual aspects embraced by many festivals, Cannes kicks off this Tuesday and we’ll be on the ground to cover.
Ahead of the festivities we’ve rounded up what we’re most looking forward to—and while we’re sure many surprises await, per every year, one will find twenty films that should already be on your radar. Check out our picks below and be sure to subscribe to our daily newsletter for the latest updates from the festival.
20. The Year of the Everlasting Storm (Various)
It’s only fitting to kick off with a film that looks to encapsulate our tumultuous year. Featuring contributions from Apichatpong Weerasethakul (who appears a bit later down as well), David Lowery, Jafar Panahi, Laura Poitras,...
Ahead of the festivities we’ve rounded up what we’re most looking forward to—and while we’re sure many surprises await, per every year, one will find twenty films that should already be on your radar. Check out our picks below and be sure to subscribe to our daily newsletter for the latest updates from the festival.
20. The Year of the Everlasting Storm (Various)
It’s only fitting to kick off with a film that looks to encapsulate our tumultuous year. Featuring contributions from Apichatpong Weerasethakul (who appears a bit later down as well), David Lowery, Jafar Panahi, Laura Poitras,...
- 7/4/2021
- by The Film Stage
- The Film Stage
Leading German sales company has a record 13 titles in Official Selection.
Michael Weber’s The Match Factory has revealed it is heading into this year’s Cannes Film Festival with an impressive 13 titles in selection – its biggest assortment of features on the Croisette to date.
Screen can reveal that the leading German sales and production company will handle anthology feature The Year Of The Everlasting Storm, selected for Cannes’ Special Screenings strand, and directed by auteurs Jafar Panahi, Anthony Chen, Malik Vitthal, Laura Poitras, Dominga Sotomayor, David Lowery and Apichatpong Weerasethakul.
Also in Special Screenings, the Match Factory will represent...
Michael Weber’s The Match Factory has revealed it is heading into this year’s Cannes Film Festival with an impressive 13 titles in selection – its biggest assortment of features on the Croisette to date.
Screen can reveal that the leading German sales and production company will handle anthology feature The Year Of The Everlasting Storm, selected for Cannes’ Special Screenings strand, and directed by auteurs Jafar Panahi, Anthony Chen, Malik Vitthal, Laura Poitras, Dominga Sotomayor, David Lowery and Apichatpong Weerasethakul.
Also in Special Screenings, the Match Factory will represent...
- 6/9/2021
- by Michael Rosser
- ScreenDaily
After a year of skipping screenings, festival president Pierre Lescure and director Thierry Frémaux announced the first list of the Cannes Official Selections 2021 on Thursday. How these films will actually play out is still be to determined. In previous press conferences, Cannes has insisted upon continuing in-person. With the blessing of the city and the French government, the festival pushed back their usual May schedule to early July this year to make accommodations. Should the festival continue in-person in spite of France’s own Covid-19 count, international presence will likely look limited regardless. In any case, this year’s festival is predicted to be a quiet bounce-back from last year’s absence.
Perhaps this explains, then, the more conservative roster. This year welcomes a plethora of returnees, including independent filmmaker Ryusuke Hamaguchi, slow cinema master Apitchatpong Weerasethakul (starring Tilda Swinton!), and existential favorite Hong Sang-soo. Despite the prominence of older autuers,...
Perhaps this explains, then, the more conservative roster. This year welcomes a plethora of returnees, including independent filmmaker Ryusuke Hamaguchi, slow cinema master Apitchatpong Weerasethakul (starring Tilda Swinton!), and existential favorite Hong Sang-soo. Despite the prominence of older autuers,...
- 6/4/2021
- by Grace Han
- AsianMoviePulse
"The young leaves unfold, flushed with memories in the year of the everlasting storm." Yet another poetic collection of lockdown short films from talented directors (also see Netflix's Homemade). Get a first look at the trailer for an intriguing new pandemic anthology film titled The Year of the Everlasting Storm, made by the distributor Neon. This was just announced as part of the official selection at the 2021 Cannes Film Festival coming up next month in France, playing in the "Special Screenings" section. The anthology, or omnibus film, features seven segments made by a roster of incredibly talented international filmmakers. Jafar Panahi, Anthony Chen, Malik Vitthal, Laura Poitras, Dominga Sotomayor, Apichatpong Weerasethakul, David Lowery each shot personal segments during the pandemic. "The film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers." I'm not the biggest fan of this,...
- 6/3/2021
- by Alex Billington
- firstshowing.net
Memoria won’t be the only Apichatpong Weerasethakul film at Cannes Film Festival. Along with that highly-anticipated Tilda Swinton-led project, the Thai master has contributed to an omnibus film that will also premiere at the festival and will also arrive courtesy of Neon.
Featuring seven stories from seven auteurs from around the world, The Year of the Everlasting Storm chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.
Ahead of the premiere, the first trailer and poster have now arrived. With a few other omnibus films made during this time, Homemade and Erēmīta (Anthologies), we’re curious to see these auteurs provide their personal experience.
Watch below.
The Year of the Everlasting Storm premieres at Cannes.
The post The Year of the Everlasting Storm Trailer: Apichatpong Weerasethakul, David Lowery, Jafar Panahi & More Capture the Pandemic first appeared on The Film Stage.
Featuring seven stories from seven auteurs from around the world, The Year of the Everlasting Storm chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.
Ahead of the premiere, the first trailer and poster have now arrived. With a few other omnibus films made during this time, Homemade and Erēmīta (Anthologies), we’re curious to see these auteurs provide their personal experience.
Watch below.
The Year of the Everlasting Storm premieres at Cannes.
The post The Year of the Everlasting Storm Trailer: Apichatpong Weerasethakul, David Lowery, Jafar Panahi & More Capture the Pandemic first appeared on The Film Stage.
- 6/3/2021
- by Jordan Raup
- The Film Stage
A sweeping and melancholic first trailer has arrived for Neon’s secret omnibus film project, “The Year of the Everlasting Storm.” Featuring seven stories from seven auteurs from around the world, the film chronicles an unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers. The seven-segment film is set to debut at the Cannes Film Festival this year (re-opening its doors for an in-person event after last year’s cancelled one), alongside two other Neon titles, “Memoria,” directed by Apichatpong Weerasethakul (who has a segment in “Everlasting Storm”) and “Titane,” directed by Julia Ducournau.
“The Year of the Everlasting Storm” has been slotted as Special Screening at the Cannes Film Festival this year. (The full lineup for the French festival was just announced on Thursday.) The film features contributions from seven major award-winning directors: Weerasethakul, David Lowery, Laura Poitras, Jafar Panahi,...
“The Year of the Everlasting Storm” has been slotted as Special Screening at the Cannes Film Festival this year. (The full lineup for the French festival was just announced on Thursday.) The film features contributions from seven major award-winning directors: Weerasethakul, David Lowery, Laura Poitras, Jafar Panahi,...
- 6/3/2021
- by Ryan Lattanzio
- Indiewire
Another Cannes Film Festival line-up announcement, another new round of trailers. Now, we’ve got the first look at Neon’s “The Year of the Everlasting Storm,” an anthology feature featuring seven stories told by an internationally acclaimed roster: filmmakers Jafar Panâhi, Anthony Chen, Malik Vitthal, Laura Poitras, Dominga Sotomayor, David Lowery, and Apichatpong Weerasethakul.
Read More: Sean Baker, Andrea Arnold, Mia Hanson-Love, Asghar Farhadi New Films Announced For 2021 Cannes Film Festival
No real word on who stars in what short, other from what you can glean in the trailer, but here’s the official synopsis:
Read More: Summer 2021 Preview: Over 50 Movies To
Watch
Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time and is a true love letter to the power of cinema and its storytellers.
Continue reading ‘The Year Of The Everlasting Storm’ Trailer: Cannes-Bound Anthology Features 7 Stories Told By Jafar Panahi,...
Read More: Sean Baker, Andrea Arnold, Mia Hanson-Love, Asghar Farhadi New Films Announced For 2021 Cannes Film Festival
No real word on who stars in what short, other from what you can glean in the trailer, but here’s the official synopsis:
Read More: Summer 2021 Preview: Over 50 Movies To
Watch
Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time and is a true love letter to the power of cinema and its storytellers.
Continue reading ‘The Year Of The Everlasting Storm’ Trailer: Cannes-Bound Anthology Features 7 Stories Told By Jafar Panahi,...
- 6/3/2021
- by Edward Davis
- The Playlist
The Cannes Film Festival’s 2021 Competition lineup is a mix of established international filmmakers (many of them French) and some newer faces, and on the whole looks promising with something for all tastes.
This is a selection that was about a year and a half in the making given the havoc wrought by the pandemic and includes such previous Palme d’Or winners as Jacques Audiard, Nanni Moretti and Apitchapong Weerasethakul. Among other Cannes veterans are François Ozon and Asghar Farhadi.
Representing the U.S. studios so far is Wes Anderson’s anticipated The French Dispatch (Searchlight) in Competition, and Tom McCarthy with Matt Damon-starrer Stillwater (Focus) running out of competition. (AppleTV+ is bringing Todd Haynes’ out of competition doc The Velvet Underground.)
General Delegate Thierry Frémaux has promised another studio title will be announced, though it is not expected to...
This is a selection that was about a year and a half in the making given the havoc wrought by the pandemic and includes such previous Palme d’Or winners as Jacques Audiard, Nanni Moretti and Apitchapong Weerasethakul. Among other Cannes veterans are François Ozon and Asghar Farhadi.
Representing the U.S. studios so far is Wes Anderson’s anticipated The French Dispatch (Searchlight) in Competition, and Tom McCarthy with Matt Damon-starrer Stillwater (Focus) running out of competition. (AppleTV+ is bringing Todd Haynes’ out of competition doc The Velvet Underground.)
General Delegate Thierry Frémaux has promised another studio title will be announced, though it is not expected to...
- 6/3/2021
- by Nancy Tartaglione
- Deadline Film + TV
Update: The Cannes Film Festival has unveiled its Official Selection lineup for the 2021 event which will run from July 6-17 on the Riviera. Fest President Pierre Lescure and General Delegate Thierry Frémaux made the presentation of 61 titles this morning in Paris, 24 of which are in Competition (four of those are directed by women). Many of the names are familiar including Jacques Audiard, François Ozon, Asghar Farhadi and Nanni Moretti.
Among U.S. filmmakers, we’ll find Wes Anderson and The French Dispatch as expected, along with Sean Penn whose drama Flag Day stars Dylan Penn, Katheryn Winnick, Josh Brolin and Eddie Marsan. There’s also an as-yet unrevealed U.S. studio movie to be screened on the beach while a new section, Cannes Premières, has been created and will feature new works from Andrea Arnold, Hong Sang-soo and Arnaud Desplechin.
As is usual practice, further films will be added in the coming days and weeks.
Among U.S. filmmakers, we’ll find Wes Anderson and The French Dispatch as expected, along with Sean Penn whose drama Flag Day stars Dylan Penn, Katheryn Winnick, Josh Brolin and Eddie Marsan. There’s also an as-yet unrevealed U.S. studio movie to be screened on the beach while a new section, Cannes Premières, has been created and will feature new works from Andrea Arnold, Hong Sang-soo and Arnaud Desplechin.
As is usual practice, further films will be added in the coming days and weeks.
- 6/3/2021
- by Nancy Tartaglione
- Deadline Film + TV
Competition line-up includes films by Ozon, Farhadi, Ducournau, Weerasethakul, Kurzel, Moretti, Audiard and Hansen-Love.
The Official Selection of the 2021 Cannes Film Festival has been announced.
Scroll down for full line-up
Festival president Pierre Lescure and general delegate Thierry Frémaux revealed the line-up at a press conference at the Normandie Cinema in Paris.
The selection includes films by Nanni Moretti, Julia Ducournau, Asghar Farhadi, François Ozon, Justin Kurzel, Apichatpong Weerasethakul, Mia Hansen-Love and Sean Penn. Four of the 24 Competition titles are directed by women.
Frémaux announced a new section for established filmmakers titled Cannes Premieres, which will see the titles get...
The Official Selection of the 2021 Cannes Film Festival has been announced.
Scroll down for full line-up
Festival president Pierre Lescure and general delegate Thierry Frémaux revealed the line-up at a press conference at the Normandie Cinema in Paris.
The selection includes films by Nanni Moretti, Julia Ducournau, Asghar Farhadi, François Ozon, Justin Kurzel, Apichatpong Weerasethakul, Mia Hansen-Love and Sean Penn. Four of the 24 Competition titles are directed by women.
Frémaux announced a new section for established filmmakers titled Cannes Premieres, which will see the titles get...
- 6/3/2021
- by Orlando Parfitt
- ScreenDaily
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSWe announced today in IndieWire the upcoming launch of our new original podcast! Hosted by arts and travel reporter Rico Gagliano, the first season of the Mubi Podcast will focus on films that have great importance in their home country, but are lesser known by international audiences and critics. We begin with Paul Verhoeven's second feature Turkish Delight and its unique significance during the counterculture movement in 1970s Holland. The episode feaures exclusive interviews with Paul Verhoeven, Monique van de Ven, and Jan de Bont. Check out the trailer above and subscribe wherever you listen to podcasts here.Filmmaker Milton Moses Ginsberg, best known for his debut feature Coming Apart (1969) and the horror comedy film The Werewolf of Washington (1973), has died. The Tribeca Film Festival has announced that Steven Soderbergh's latest, the...
- 5/26/2021
- MUBI
With the pandemic forcing filmmakers into quarantine it meant many productions and premieres were delayed, leaving creative minds to explore other outlets to produce. We’ve already seen a few results of this with the omnibus films Homemade and Erēmīta (Anthologies)–-both featuring a collection of shorts from world-renowned talent as they were stuck at home––and now another intriguing one has been unveiled.
Screen Daily reports that Apichatpong Weerasethakul, David Lowery, Jafar Panahi, Laura Poitras, Dominga Sotomayor, Anthony Chen, and Malik Vitthal have contributed “personal segments” to the new secretly-shot new feature The Year Of The Everlasting Storm. Produced and financed by Neon, the film is “a love letter to cinemas, and its storytellers.”
Set for a Tba 2021 release, Neon shared the first footage at The Big Screen Is Back event in LA yesterday. With a number of the filmmakers also having their own new features this year––Apichatpong...
Screen Daily reports that Apichatpong Weerasethakul, David Lowery, Jafar Panahi, Laura Poitras, Dominga Sotomayor, Anthony Chen, and Malik Vitthal have contributed “personal segments” to the new secretly-shot new feature The Year Of The Everlasting Storm. Produced and financed by Neon, the film is “a love letter to cinemas, and its storytellers.”
Set for a Tba 2021 release, Neon shared the first footage at The Big Screen Is Back event in LA yesterday. With a number of the filmmakers also having their own new features this year––Apichatpong...
- 5/20/2021
- by Jordan Raup
- The Film Stage
After nearly 15 long and bleak months for the movie theater industry, a consortium of the major and independent studios gathered inside an AMC theater in Century City on Wednesday to celebrate — and cheerlead — the return of theatrical exhibition. Part of the industry-wide campaign called “The Big Screen Is Back,” the event showcased over 30 feature films — from massive tentpoles like “Black Widow” and “F9” to indies like Janicza Bravo’s “Zola” and Questlove’s “Summer of Soul” — set to debut in movie theaters through the rest of the year, as introduced by a parade of filmmakers, actors, and executives. Some — including executives from every major studio, as well as filmmakers like Bravo, J.J. Abrams, and Jason Blum — appeared in person; others appeared via pre-recorded messages.
The event started with an in-person speech by one of the industry’s elder statesmen, Arnold Schwarzenegger, about the power and importance of the moviegoing experience.
The event started with an in-person speech by one of the industry’s elder statesmen, Arnold Schwarzenegger, about the power and importance of the moviegoing experience.
- 5/19/2021
- by Adam B. Vary
- Variety Film + TV
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.