7.7/10
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Marty (1955)

Not Rated | | Drama, Romance | 10 June 1955 (Belgium)
Trailer
1:21 | Trailer

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ON DISC
A middle-aged butcher and a school teacher who have given up on the idea of love meet at a dance and fall for each other.

Director:

Delbert Mann

Writers:

Paddy Chayefsky (story), Paddy Chayefsky (screenplay)
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Won 4 Oscars. Another 15 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
Ernest Borgnine ... Marty Piletti
Betsy Blair ... Clara Snyder
Esther Minciotti Esther Minciotti ... Mrs. Teresa Piletti
Augusta Ciolli Augusta Ciolli ... Aunt Catherine
Joe Mantell ... Angie
Karen Steele ... Virginia
Jerry Paris ... Tommy
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Storyline

Stuck as the last of six children at home with an overbearing Italian mother, the only child still unmarried, 34 year old socially awkward Bronx butcher Marty faces middle age with no prospects of marriage, and he faces permanent bachelorhood. But when he is goaded by his mother into going to the Stardust Ballroom one Saturday night, Marty unexpectedly meets Clara, a lonely teacher. Suddenly, Marty's future seems bright. Written by trivwhiz

Plot Summary | Add Synopsis

Taglines:

EVERYBODY'S RAVING ABOUT "MARTY" . . . The year's BIG entertainment surprise a warm and human story with characters you'll love and remember! See more »

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

10 June 1955 (Belgium) See more »

Also Known As:

Марти See more »

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Box Office

Budget:

$343,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (alternate)

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The first American film to win the Palme d'Or at the Cannes Film Festival. However it was not the first American film to win the Cannes Film Festival's award for the festival's best picture. Since its inception, the film festival called its highest prize the "Grand Prix du Festival International du Film." However, following the 1954 ceremony, the festival's board of directors voted to change the award's name and design to a golden palm, the Palme d'Or. Previous American-produced films had won the festival's highest honor, but this film was the first American film, and indeed the first film ever, to win the newly conceived Palme d'Or at the 1955 festival. See more »

Goofs

When Marty and Clara step onto the bus, the shadow of the boom mic is visible on the bus as it pulls away. See more »

Quotes

Marty Pilletti: All my brothers and brothers-in-laws tell me what a good-hearted guy I am. You don't get to be good-hearted by accident. You get kicked around long enough, you become a professor of pain.
See more »

Alternate Versions

When Marty drops off Clara at her home after their evening out, there is an additional 5-minute sequence where she visits her parents in their bedroom and discusses her date with Marty (included in the CBS FOX VHS and the 2014 Kino Lorber releases, but deleted from the MGM Vintage Classics VHS and DVD). See more »

Connections

Featured in The Oscars (2018) See more »

Soundtracks

Marty
Music by Harry Warren
Lyrics by Paddy Chayefsky (uncredited)
Played during the opening credits and throughout the picture
Sung by male voices during the closing cast credits
See more »

Frequently Asked Questions

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User Reviews

Out on its own .................
30 October 2004 | by nicholas.rhodesSee all my reviews

I have known, loved and seen this film many times in the past fifteen years and finally bought it recently on DVD in the UK. The story is timeless and I am very surprised that no-one has yet attempted a plausible re-make of it. Stangely made in black and white ( for economic reasons I suppose, as color was widespread enough in 1954 ), the film depicts the horrors of trying to find a soul-mate with family pressures on hand to boot. No doubt italo-Americans will appreciate even more. I found Betsy Blair extremely attractive although she is supposed to be portraying someone "ugly" - the subject is fascinating and endlessly complex as beauty is in the eye of the beholder. The general impression given was one of a depiction of a real-life situation, which is of course to the credit of the film !! I remained hungry at the end and would have liked the film to continue just a little more to show the genesis of their amorous relationship !! But some would argue that at the end of a film you should be left wanting for more .......... I also loved the theme music which is actually sung at the end over the credits where they show the name of the actor plus a view of the actor from the film - this is a technique used all too little nowadays - and this absence is most regrettable as it enabled you to put a face to a name !! I was both surprised and amused that in the 1950's, ugly people were referred to as "dogs" - sounds so funny now - but I think the word "squares" or "cornballs" was also used disparagingly !! Definitely a most original film and which (exceptionally) seems to have attracted a unanimity of positive reviews on IMDb !!


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