7.7/10
18,294
143 user 82 critic

Marty (1955)

Not Rated | | Drama , Romance | 10 June 1955 (Belgium)
Trailer
1:21 | Trailer

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ON DISC
A middle-aged butcher and a school teacher who have given up on the idea of love meet at a dance and fall for each other.

Director:

Delbert Mann

Writers:

Paddy Chayefsky (story), Paddy Chayefsky (screenplay)
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Won 4 Oscars. Another 15 wins & 5 nominations. See more awards »

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Cast

Complete credited cast:
Ernest Borgnine ... Marty Piletti
Betsy Blair ... Clara Snyder
Esther Minciotti Esther Minciotti ... Mrs. Teresa Piletti
Augusta Ciolli Augusta Ciolli ... Aunt Catherine
Joe Mantell ... Angie
Karen Steele ... Virginia
Jerry Paris ... Tommy
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Storyline

Stuck as the last of six children at home with an overbearing Italian mother, the only child still unmarried, 34 year old socially awkward Bronx butcher Marty faces middle age with no prospects of marriage, and he faces permanent bachelorhood. But when he is goaded by his mother into going to the Stardust Ballroom one Saturday night, Marty unexpectedly meets Clara, a lonely teacher. Suddenly, Marty's future seems bright. Written by trivwhiz

Plot Summary | Add Synopsis

Taglines:

It's the love story of an unsung hero! See more »

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

10 June 1955 (Belgium) See more »

Also Known As:

Марти See more »

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Box Office

Budget:

$343,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (alternate)

Sound Mix:

Mono (Western Electric Recording)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

United Artists was willing to burn the film off as a second feature, but Paddy Chayefsky insisted it have some kind of first-run engagement, so it premiered at the Sutton Theatre in New York, normally a venue for art films. Hecht-Lancaster's New York publicity chief, Bernie Kamber, conducted a personal campaign for the film, setting up private screenings and convincing major press outlets to feature it positively. His biggest coup was getting influential columnist Walter Winchell to hail the film as one of the biggest sleepers in Hollywood history. The slow build in viewership began with strong reviews. Then the film won the Grand Prix at Cannes, generating more press and more box office. As a result, it played 39 weeks at the Sutton to mostly packed houses. For subsequent openings, United Artist scheduled two weeks of screenings in various markets for community leaders to generate positive word of mouth. The move paid off, for though the film could not compete with the major studios' big blockbusters, it made a small profit in its initial release. That was helped by its success at the Academy Awards®, which led United Artists to reissue it to 5,000 theatres. See more »

Goofs

When Virginia and her husband are arguing about her mother-in-law, her hair is extremely disheveled and sweat-matted. After she puts her baby in the crib, she is shown to have perfectly styled and dry hair moments later. See more »

Quotes

Marty Pilletti: [to Clara] See, dogs like us, we ain't such dogs as we think we are.
See more »

Connections

Referenced in Richard Roeper & the Movies: Jack Goes Boating (2010) See more »

Soundtracks

Marty
Music by Harry Warren
Lyrics by Paddy Chayefsky (uncredited)
Played during the opening credits and throughout the picture
Sung by male voices during the closing cast credits
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Frequently Asked Questions

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User Reviews

 
It ended too soon!
9 February 2009 | by jerryunderwood1962See all my reviews

The only reason I gave this movie nine stars instead of ten is that it ended too soon!

It is hard to find a single thing wrong with this film. Stretching the imagination, one could call some of the attitudes "dated". (For example, the mothers think college girls are "one step from the street", during an era in which wives were still expected to be stay-at-home moms.) But still, this remains almost the perfect film for the group of viewers who appreciate heart- warming stories. (It will probably leave the "Rambo" crowd cold.)

I usually judge the success of a film by the "squirm factor"; if I am sorry to see the film end, I know I've watched a good film. By this standard, Marty is a superb film in every way. We really do care what happens after the credits roll.

See this film!


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