Stuck as the last of six children at home with an overbearing Italian mother, the only child still unmarried, 34 year old socially awkward Bronx butcher Marty faces middle age with no prospects of marriage, and he faces permanent bachelorhood. But when he is goaded by his mother into going to the Stardust Ballroom one Saturday night, Marty unexpectedly meets Clara, a lonely teacher. Suddenly, Marty's future seems bright.Written by
The first American film to win the Palme d'Or at the Cannes Film Festival. However it was not the first American film to win the Cannes Film Festival's award for the festival's best picture. Since its inception, the film festival called its highest prize the "Grand Prix du Festival International du Film." However, following the 1954 ceremony, the festival's board of directors voted to change the award's name and design to a golden palm, the Palme d'Or. Previous American-produced films had won the festival's highest honor, but this film was the first American film, and indeed the first film ever, to win the newly conceived Palme d'Or at the 1955 festival. See more »
When Marty and Clara step onto the bus, the shadow of the boom mic is visible on the bus as it pulls away. See more »
All my brothers and brothers-in-laws tell me what a good-hearted guy I am. You don't get to be good-hearted by accident. You get kicked around long enough, you become a professor of pain.
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When Marty drops off Clara at her home after their evening out, there is an additional 5-minute sequence where she visits her parents in their bedroom and discusses her date with Marty (included in the CBS FOX VHS and the 2014 Kino Lorber releases, but deleted from the MGM Vintage Classics VHS and DVD). See more »
I have known, loved and seen this film many times in the past fifteen years and finally bought it recently on DVD in the UK. The story is timeless and I am very surprised that no-one has yet attempted a plausible re-make of it. Stangely made in black and white ( for economic reasons I suppose, as color was widespread enough in 1954 ), the film depicts the horrors of trying to find a soul-mate with family pressures on hand to boot. No doubt italo-Americans will appreciate even more. I found Betsy Blair extremely attractive although she is supposed to be portraying someone "ugly" - the subject is fascinating and endlessly complex as beauty is in the eye of the beholder. The general impression given was one of a depiction of a real-life situation, which is of course to the credit of the film !! I remained hungry at the end and would have liked the film to continue just a little more to show the genesis of their amorous relationship !! But some would argue that at the end of a film you should be left wanting for more .......... I also loved the theme music which is actually sung at the end over the credits where they show the name of the actor plus a view of the actor from the film - this is a technique used all too little nowadays - and this absence is most regrettable as it enabled you to put a face to a name !! I was both surprised and amused that in the 1950's, ugly people were referred to as "dogs" - sounds so funny now - but I think the word "squares" or "cornballs" was also used disparagingly !! Definitely a most original film and which (exceptionally) seems to have attracted a unanimity of positive reviews on IMDb !!
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