Marty (1955)

A middle-aged butcher and a school teacher who have given up on the idea of love meet at a dance and fall for each other.

Director:

Delbert Mann

Writers:

Paddy Chayefsky (story), Paddy Chayefsky (screenplay)

Stars:

Ernest Borgnine, Betsy Blair, Esther Minciotti

Won 4 Oscars. Another 15 wins & 5 nominations.

Cast

Complete credited cast:
Ernest Borgnine	...	Marty Piletti
Betsy Blair	...	Clara Snyder
Esther Minciotti	...	Mrs. Teresa Piletti
Augusta Ciolli	...	Aunt Catherine
Joe Mantell	...	Angie
Karen Steele	...	Virginia
Jerry Paris	...	Tommy

Storyline

Stuck as the last of six children at home with an overbearing Italian mother, the only child still unmarried, 34 year old socially awkward Bronx butcher Marty faces middle age with no prospects of marriage, and he faces permanent bachelorhood. But when he is goaded by his mother into going to the Stardust Ballroom one Saturday night, Marty unexpectedly meets Clara, a lonely teacher. Suddenly, Marty's future seems bright.

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Plot Keywords:

dance hall | love | butcher | teacher | overbearing mother | 

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Taglines:

It's the love story of an unsung hero!

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Genres:

Drama | Romance

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Certificate:

Not Rated

Details

Country:

USA

Language:

English

Release Date:

10 June 1955 (Belgium)

Also Known As:

Марти

Filming Locations:

The Grand Councourse, The Bronx, New York City, New York, USA

Box Office

Budget:

$343,000 (estimated)

Company Credits

Production Co:

Hecht-Lancaster Productions

Technical Specs

Runtime:

90 min 94 min (alternate)

Sound Mix:

Mono (Western Electric Recording)

Color:

Black and White

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Paddy Chayefsky wrote the play (which originally appeared on television) as a starring vehicle for his friend, actor/director Martin Ritt, even naming the lead character after him. But Ritt had been blacklisted during the McCarthy "Red Scare" era and the network wouldn't allow him to be hired, and the role eventually went to Rod Steiger.

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Goofs

When Virginia and her husband are arguing about her mother-in-law, her hair is extremely disheveled and sweat-matted. After she puts her baby in the crib, she is shown to have perfectly styled and dry hair moments later.

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Quotes

Angie: What do you wanna do tonight?
Marty Pilletti: I dunno, Angie. What do you wanna do?

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Connections

Referenced in The 50th Annual Academy Awards (1978)

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Soundtracks

Marty
Music by Harry Warren
Lyrics by Paddy Chayefsky (uncredited)
Played during the opening credits and throughout the picture
Sung by male voices during the closing cast credits

User Reviews

One of my all-time favorites

I think of this is a great rainy afternoon movie. You're flipping through the channels on one of those great lazy Saturdays...it's summer but it's raining outdoors and you're stuck inside. You come across a classic movie channel (AMC, TCM--take your pick) and pause. What's this? Ernest Borgnine? You always like him, why not stop for a moment and watch. It looks like it's just beginning. "Marty"? Yeah, you've heard of it, vaguely. Won the Oscar or something, but it's been kind of forgotten. So you start watching and before long you're totally enchanted, completely charmed, by the simple story and realistic characters. Who can't sympathize with Borgnine's sensitive butcher, hanging out with his Italian friends and their goofy conversations about Mickey Spillane, all the while pining away with his heart of gold for a girl that his buddies call a "dog"? The conversations have the kind of natural humor and warmth that remind you of the old days hanging out with your pals. As you watch the movie, you find yourself enthralled and you never change the channel, watching it till the end, realizing that you've seen this plot riffed on and spoofed on various TV shows, films, and cartoons over the years. When the movie's done, you're really excited--this is one of those films you discovered on your own and nothing can beat that thrill. Now, this isn't the way I saw "Marty"--I rented it and now own it on DVD--but it's the spirit I get from it. I love the conversation between Marty and his best friend, its street poetry that's entertaining without being false, in the diner as their Friday night lays out ahead of them. I love Marty and Clara's walk, their honesty and his enthusiasm; you worry is he going to far, being too gregarious for the shy Clara? Will it work? I love the preparations for Sunday Mass, the fight between the married couple, and Marty agonizing over standing up his girl while his friends have an amusingly banal and silly conversation in which they keep repeating themselves. It's really just a charming and wonderful film, joyful even in its sad moments. If you don't enjoy it, what can I say, but my recommendation comes completely honest and from the heart. This is one of those personal favorites that also happens to be an underrated classic--but just underrated enough so that the joy of discovering it on a rainy Saturday afternoon remains undiluted.