Alan Ruck draws connections between his breakout role in Ferris Bueller's Day Off and his recent work on the Emmy-nominated "Succession."
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Title: Rojo (2018)
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| Cast overview, first billed only: | |||
| Darío Grandinetti | ... | Claudio | |
| Andrea Frigerio | ... | Susana | |
| Alfredo Castro | ... | Detective Sinclair | |
| Diego Cremonesi | ... | Dieguito / El hippie | |
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Laura Grandinetti | ... | Paula |
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Claudio Martínez Bel | ... | Vivas |
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Susana Pampín | ... | Profesora |
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Rafael Federman | ... | Santiago |
| Rudy Chernicoff | ... | Mago | |
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Mara Bestelli | ... | Mabel |
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Pierre Marquille | ... | Amigo de Claudio |
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Fabiana Uria | ... | Helena |
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Lola Banfi | ... | Chica truco magia |
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Myriam Henne-Adda | ... | Locutora desfile (as Myriam Hanne Adda) |
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Martina Mainz | ... | Estrellita |
Argentina, 1976. Claudio Morán is a successful and respected lawyer of an Argentinian town that suffers an incident with another client in the restaurant where he awaits for his wife Susana to dinner, who reclaims his table to seat and eat. Mocking him about the stranger's bad manners and poor education, Claudio's words make that the stranger suddenly explodes in rage against everybody, being forced by the staff to leave the local just when Susana arrives. When they two are in the car to back home, the stranger appears again hitting the car and running away. Leaving the car behind the stranger to stop him, this one intercepts Claudio and both have a fight. Trying to calm him, Claudio see as the stranger hits himself and takes a gun pointing Claudio and Susana, who followed his husband, but instead to kill them the stranger shoots himself in the face. Seriously injured, Claudio takes the stranger into the car and leaves Susana in home saying her that he will moves the stranger to the ... Written by Chockys
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Yesterday evening, I took advantage of a French premiere within UGC Les Halles, in Paris, in the presence of the Argentine director Benjamín Naishtat who fluently spoke French with an almost-irreproachable accent. He confided us he was inspired by the detective movies (« polar » in French) of the 70's.
The film generally seems to be the mixture of two films from two distinct directors. The duels (all those involving Darío Grandinetti and / or Alfredo Castro) highlight an obvious cinematographic maturity based on an irreproachable photography and well-built dialogues. These scenes remind me of the excellent film El Clan (2015) which takes place a few years later, at the beginning of the 80's. Conversely, others scenes such as the rehearsal of the dance show are almost annoying and weirdly seem to come from another movie and from another director.
In summary, I'm rather disappointed with this slightly-muddleheaded movie, despite some excellent scenes. I'm nevertheless convinced that the next movie realized by Benjamín Naishtat will be better built. 4/5 of 10.