Two sisters both fight for women's rights. Juliane is a journalist and Marianne a terrorist. When Marianne is jailed, Juliane feels obligated to help her despite their differing views on how to live.
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Title: Marianne & Juliane (1981)
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13 wins & 3 nominations.
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Cast
| Cast overview, first billed only: | |||
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Jutta Lampe | ... | Juliane |
| Barbara Sukowa | ... | Marianne | |
| Rüdiger Vogler | ... | Wolfgang | |
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Doris Schade | ... | The mother |
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Vérénice Rudolph | ... | Sabine |
| Luc Bondy | ... | Werner | |
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Franz Rudnick | ... | The father |
| Julia Biedermann | |||
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Ina Robinski | ||
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Patrick Estrada-Pox | ||
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Samir Jawad | ||
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Barbara Paepcke | ||
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Rebecca Paepcke | ||
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Margit Czenki | ||
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Carola Hembus | ||
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Plot Summary
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Plot Synopsis
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Storyline
Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's committed as a reporter, her sister joins a terroristic organization. After she's caught by the police and put into isolation jail, Juliane remains as her last connection to the rest of the world. Although she doesn't accept her sister's arguments and her boyfriend Wolfgang doesn't want her to, Juliane keeps on helping her sister. She begins to question the way her sister is treated. Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
Plot Keywords:
new german cinema | sister sister relationship | red army faction | female terrorist | federal republic of germany |Genres:
DramaCertificate:
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Details
Country:
West GermanyLanguage:
GermanRelease Date:
25 September 1981 (West Germany) See more »Also Known As:
Marianne & Juliane See more »Company Credits
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IMDbPro »
Technical Specs
Runtime:
Sound Mix:
MonoColor:
Color (Fujicolor)Aspect Ratio:
1.66 : 1
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Trivia
Ingmar Bergman has listed "Marianne and Juliane" as one of 11 of his favorite films. See more »Frequently Asked Questions
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Politics at the core of this intense and emotional depiction of fraternal love, support and the search for 'the' truth...
And sometimes dismantling the intricate apparatus of power is of not use, perhaps a depressing view but an accurate one, as Marianne's dubious dead hints.
Apart from the dark glimpse on systems of power in modern society that the film shows, it was such a delight to enjoy the astonishing performances of these two women, the casting of their younger selves (as teenagers and little girls) was spot on. I could relate better with Juliane's approach to women's right conviction, but something tells me that perhaps to achieve greater advances Marianne's fire for the cause is what is needed at times. For me, Marianne's conviction as an adult, and cheeky behavior as a young woman was enticing and contagious, but Juliane's gentle soul was lovely and engaging, the cause for her is built from woman to woman, with sorority at the center, supporting each other, establishing strong bonds, and for that same reason I think her role is even a little more hopeful.