Woodshock, the debut film from fashion designers-turned-directors Kate and Laura Mulleavy, takes one on a hallucinatory journey into the mind of Theresa (Kirsten Dunst) a young woman battling depression after the death of her mother. With the film arriving on Blu-ray today, we’re pleased to present an exclusive featurette featuring the directors discussing why Dunst was the perfect choice, plus a Blu-ray giveaway.
“The universe the film takes place in seems straight out of Steve Klein photography, and Lars von Trier’s cinema with some dashes of Hitchcock thrown in for good measure, a gothic neon playground in which Theresa’s fears are manifested through the threatening indifference of nature,” Jose Solis said. “Dunst gives a marvelous performance and considering she’s featured in almost every scene, she’s the Alice guiding us in this wonderland.”
Check out the exclusive featurette below and we’re also giving away two Blu-rays.
“The universe the film takes place in seems straight out of Steve Klein photography, and Lars von Trier’s cinema with some dashes of Hitchcock thrown in for good measure, a gothic neon playground in which Theresa’s fears are manifested through the threatening indifference of nature,” Jose Solis said. “Dunst gives a marvelous performance and considering she’s featured in almost every scene, she’s the Alice guiding us in this wonderland.”
Check out the exclusive featurette below and we’re also giving away two Blu-rays.
- 11/28/2017
- by Jordan Raup
- The Film Stage
by Jose Solis
Jose here. Perhaps more than any other year, I'm grateful for the fact that we made it. We survived! Despite of the government, natural disasters, the news, and especially the white patriarchy, we are still around. So this year I won't take the turkey and trimmings for granted. Every bite of pumpkin pie will feel like a blessing.
So this year I'd like to give thanks for the following:...
Jose here. Perhaps more than any other year, I'm grateful for the fact that we made it. We survived! Despite of the government, natural disasters, the news, and especially the white patriarchy, we are still around. So this year I won't take the turkey and trimmings for granted. Every bite of pumpkin pie will feel like a blessing.
So this year I'd like to give thanks for the following:...
- 11/22/2017
- by Jose
- FilmExperience
by Jose Solis
My first attempts at watching Get Out were not the best of moviegoing experiences. I'm someone who is not into crowds and the first time I walked into a theater that was so packed there wasn’t even a seat for me. Theater management couldn’t figure out what was up, so they gave me a refund and their apologies. Needless to say so, I was relieved and took it as a sign that I should go see it at “off hours.” I showed up on a Saturday morning to an AMC theater that according to the kiosk was empty and when I showed up that wasn’t the case. Although it was less packed than my first try, the crowd at this screening was rowdier than any other I’ve sat with. Three young men lit up a joint, two white men got into a fight with a young black woman,...
My first attempts at watching Get Out were not the best of moviegoing experiences. I'm someone who is not into crowds and the first time I walked into a theater that was so packed there wasn’t even a seat for me. Theater management couldn’t figure out what was up, so they gave me a refund and their apologies. Needless to say so, I was relieved and took it as a sign that I should go see it at “off hours.” I showed up on a Saturday morning to an AMC theater that according to the kiosk was empty and when I showed up that wasn’t the case. Although it was less packed than my first try, the crowd at this screening was rowdier than any other I’ve sat with. Three young men lit up a joint, two white men got into a fight with a young black woman,...
- 11/18/2017
- by Jose
- FilmExperience
Nathaniel welcomes Nyff buddies and regular Tfe voices Jose Solis and Murtada Elfadl to talk highlights from the fest, some of which are in theaters now!
Index (43 minutes)
00:01 Intro, Nyff, and The Mountain Between Us tangent
02:50 Steve Carell and Bryan Cranston in Last Flag Flying
07:00 Mixed feelings on Wonderstruck
14:30 Woody Allen's Wonder Wheel starring Kate Winslet and Justin Timberlake
22:10 The Rider, Western, Lady Bird - a year of great female directors
30:00 France's Bpm (Beats Per Minute)
34:21 Thelma, Faces Places
41:00 Wrapping up
You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? ...
Index (43 minutes)
00:01 Intro, Nyff, and The Mountain Between Us tangent
02:50 Steve Carell and Bryan Cranston in Last Flag Flying
07:00 Mixed feelings on Wonderstruck
14:30 Woody Allen's Wonder Wheel starring Kate Winslet and Justin Timberlake
22:10 The Rider, Western, Lady Bird - a year of great female directors
30:00 France's Bpm (Beats Per Minute)
34:21 Thelma, Faces Places
41:00 Wrapping up
You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? ...
- 10/29/2017
- by NATHANIEL R
- FilmExperience
Left to Right: Chris Feil, Murtada Elfadl, Nathaniel R, Jose Solis
The Film Experience is mostly an online party, but on very rare occasions small portions of us have the opportunity to see each other off line. So from this brief weekend get together... happy Monday to all of you!
What's On Your Cinematic Mind?...
The Film Experience is mostly an online party, but on very rare occasions small portions of us have the opportunity to see each other off line. So from this brief weekend get together... happy Monday to all of you!
What's On Your Cinematic Mind?...
- 7/24/2017
- by NATHANIEL R
- FilmExperience
Nathaniel here since our fashion expert Jose Solis is unavailable to share his red carpet expertise. Argh! Unlike Jose I cannot tell you who these actresses are wearing -- my gawking is strictly actress-focused. But have I ever told you about my favorite "category" on red carpets? It's "Actresses Who Show up in Costumes as Fictional Characters Nobody Has Invented Yet" which is just what Noomi Rapace and Anya Taylor Joy did at this weekend's BAFTAs!
Boldest: Noomi & Anya
What kind of fictional characters are these? Please help me write those character profiles in the comments won't you? More gowns from superstars like Emma Stone, Penélope Cruz, and Nicole Kidman follow after the jump...
Boldest: Noomi & Anya
What kind of fictional characters are these? Please help me write those character profiles in the comments won't you? More gowns from superstars like Emma Stone, Penélope Cruz, and Nicole Kidman follow after the jump...
- 2/14/2017
- by NATHANIEL R
- FilmExperience
By Jose Solis.
Belgium’s Oscar submission The Ardennes feels like Drive by way of Fargo and Bullhead, i.e. it’s a gritty neo-noir that thrills and disturbs in equal measures. The quasi-Biblical (or Greek) plot follows two brothers who are like night and day, Dave (Jeroen Perceval who wrote the play the film is based on) is a kind soul who works in a carwash and is trying to set up a home with his girlfriend Sylvie (Veerle Baetens), the problem is she was his brother Kenneth’s (Kevin Janssens) girl before he went away to prison. His release brings the family happiness and pain, as they try to help him adapt to the new situation. First time director Robin Pront crafts a smart thriller with colorful characters and testosterone to spare. I sat down with the director and leading man Janssens to discuss the film’s themes,...
Belgium’s Oscar submission The Ardennes feels like Drive by way of Fargo and Bullhead, i.e. it’s a gritty neo-noir that thrills and disturbs in equal measures. The quasi-Biblical (or Greek) plot follows two brothers who are like night and day, Dave (Jeroen Perceval who wrote the play the film is based on) is a kind soul who works in a carwash and is trying to set up a home with his girlfriend Sylvie (Veerle Baetens), the problem is she was his brother Kenneth’s (Kevin Janssens) girl before he went away to prison. His release brings the family happiness and pain, as they try to help him adapt to the new situation. First time director Robin Pront crafts a smart thriller with colorful characters and testosterone to spare. I sat down with the director and leading man Janssens to discuss the film’s themes,...
- 12/13/2016
- by Jose
- FilmExperience
By Jose Solis.
Cuba’s Oscar entry The Companion, will surely be seen with new eyes with the recent death of Fidel Castro, as more stories about his decades long regime will come to the surface. Directed by Pavel Giroud, the film is set in a sanatorium in the outskirts of Havana, where HIV positive people were sent to live in the 1980s in an effort of the government to try and contain the epidemic. Each of the patients was assigned a companion, who would report on their behaviors and habits (no smoking or drinking allowed!), one of them is former boxer Horacio (Latin Grammy winner Yotuel Romero) who seeks another chance at glory, while he has to look after the rebellious Daniel (Armando Miguel). The two men develop an unlikely friendship which helps as the channel through which we see other subplots unfold, all of which contribute to helping...
Cuba’s Oscar entry The Companion, will surely be seen with new eyes with the recent death of Fidel Castro, as more stories about his decades long regime will come to the surface. Directed by Pavel Giroud, the film is set in a sanatorium in the outskirts of Havana, where HIV positive people were sent to live in the 1980s in an effort of the government to try and contain the epidemic. Each of the patients was assigned a companion, who would report on their behaviors and habits (no smoking or drinking allowed!), one of them is former boxer Horacio (Latin Grammy winner Yotuel Romero) who seeks another chance at glory, while he has to look after the rebellious Daniel (Armando Miguel). The two men develop an unlikely friendship which helps as the channel through which we see other subplots unfold, all of which contribute to helping...
- 12/3/2016
- by Jose
- FilmExperience
By Jose Solis
Two years after The Grand Budapest Hotel put Stefan Zweig’s writing at the center of the Oscar race, the author himself now is the protagonist of Austria’s submission Stefan Zweig: Farewell to Europe. Directed by Maria Schrader, the film focuses on Zweig’s exile in South America after fleeing Nazi Germany in the mid-1930s, played with gravitas by Josef Hader, Zweig becomes one of the most powerful male characters of the year, in a performance that works on an intellectual as well as visceral level. Audiences who only know Schrader from her acting work, in films like Aimee & Jaguar, will be caught off guard by her elegant sense of framing, her impeccable pacing and the way she engages the viewer by avoiding going into any biopic stereotypes. I spoke to her about making the film, working with Hader, and what an Oscar nomination could mean for the film.
Two years after The Grand Budapest Hotel put Stefan Zweig’s writing at the center of the Oscar race, the author himself now is the protagonist of Austria’s submission Stefan Zweig: Farewell to Europe. Directed by Maria Schrader, the film focuses on Zweig’s exile in South America after fleeing Nazi Germany in the mid-1930s, played with gravitas by Josef Hader, Zweig becomes one of the most powerful male characters of the year, in a performance that works on an intellectual as well as visceral level. Audiences who only know Schrader from her acting work, in films like Aimee & Jaguar, will be caught off guard by her elegant sense of framing, her impeccable pacing and the way she engages the viewer by avoiding going into any biopic stereotypes. I spoke to her about making the film, working with Hader, and what an Oscar nomination could mean for the film.
- 11/30/2016
- by Jose
- FilmExperience
by Jose Solis
Audiences fell in love with Paulina García as the romantic heroine in Gloria, the Chilean sensation that won her the Best Actress award at the 2013 Berlin Film Festival and other honors along the way (including a nomination here). In that film she gave a delightful performance as a woman ready to find purpose in a life that others thought had lost all meaning. Where in Gloria she exuded a sincere need of approval and warmth, Leonor, her character in Ira Sachs’ Little Men is just the opposite. She’s a woman in full control of her emotions and moods, she seems a little bit too calculating to Brian (Greg Kinnear) who has just inherited a house from his late father Max, from whom Leonor rented a commercial space, and finds himself in the position of having to raise her rent. She’s also intimidating to her son...
Audiences fell in love with Paulina García as the romantic heroine in Gloria, the Chilean sensation that won her the Best Actress award at the 2013 Berlin Film Festival and other honors along the way (including a nomination here). In that film she gave a delightful performance as a woman ready to find purpose in a life that others thought had lost all meaning. Where in Gloria she exuded a sincere need of approval and warmth, Leonor, her character in Ira Sachs’ Little Men is just the opposite. She’s a woman in full control of her emotions and moods, she seems a little bit too calculating to Brian (Greg Kinnear) who has just inherited a house from his late father Max, from whom Leonor rented a commercial space, and finds himself in the position of having to raise her rent. She’s also intimidating to her son...
- 8/12/2016
- by Jose
- FilmExperience
We're mixing up the month-end Icymi post to hopefully make it more enticing/interesting with random awards and different categories like so...
5 Most Discussed Posts
Current Stars Who Deserve an Oscar Nod - they've earned momentum
Q&A -Animals & late 80s/early 90s films
Posterized: Tom Hiddleston - where to post-Loki?
Posterized: Melissa McCarthy - she's having quite a career
Pfeiffer & Aronofsky - yup, they'll be working together
5 Favorite Posts
Bob's Burgers & The Birds - Hitchcock references for the win
The Furniture: The Force Awakens - that myth-making forest!
Witness - So pleasurable to revisit this for the Best Shot roundup
Please Switch Off Your Phone - the actresses are actressing, for chrissakes
April Showers Blue Valentine - oh I need to see this again
Best of Nathaniel's Random April Watching
Best Old Thing: Akira Kurosawa's Throne of Blood (1957)
Best New Thing: The Fits (2016)
Best Actor: Ben Whishaw in...
5 Most Discussed Posts
Current Stars Who Deserve an Oscar Nod - they've earned momentum
Q&A -Animals & late 80s/early 90s films
Posterized: Tom Hiddleston - where to post-Loki?
Posterized: Melissa McCarthy - she's having quite a career
Pfeiffer & Aronofsky - yup, they'll be working together
5 Favorite Posts
Bob's Burgers & The Birds - Hitchcock references for the win
The Furniture: The Force Awakens - that myth-making forest!
Witness - So pleasurable to revisit this for the Best Shot roundup
Please Switch Off Your Phone - the actresses are actressing, for chrissakes
April Showers Blue Valentine - oh I need to see this again
Best of Nathaniel's Random April Watching
Best Old Thing: Akira Kurosawa's Throne of Blood (1957)
Best New Thing: The Fits (2016)
Best Actor: Ben Whishaw in...
- 4/30/2016
- by NATHANIEL R
- FilmExperience
Jose here. The very first time I went behind the scenes at The Metropolitan Museum of Art, there was an image that immediately caught my attention. A big, bright yellow sign commanding walkers to yield to the works of art in transit. It didn’t only make me wonder how many pieces by Da Vinci, Rodin, Renoir, Van Gogh, Warhol, Kahlo and many other established legends had travelled through the corridors I was walking in, it also made me wonder how many Alexander McQueen and John Galliano gowns had followed them. If the idea of fashion as art remains to some a topic of debate, it has never been so at the Met where it plays an essential part in raising awareness of the Museum’s outreach through the Costume Institute.
A photo posted by Jose Solis (@josesolismayen) on Jan 19, 2016 at 8:20am Pst
For decades, the Costume Institute has...
A photo posted by Jose Solis (@josesolismayen) on Jan 19, 2016 at 8:20am Pst
For decades, the Costume Institute has...
- 4/13/2016
- by Jose
- FilmExperience
I keep trying to get Team Experience to tell you what they're watching but they're weirdly shy about the small screen. But with the lines continually more blurred between screens we're trying to give television more room here. Nevertheless most of us do watch TV when we can squeeze it in between movies.
Here's a few of our favorite things from the past week's viewing...
Patricia Field & Jacqueline Demetrio, Costume Design of Younger
Not since the glory days of Sex and the City has a show relied so beautifully on costumes (Ok maybe Gossip Girl is up there, too) but in Younger they serve a purpose beyond aesthetics. Take for example the warrior-like costumes Miriam Shor's character wears, glittery armors, oversized jewelry and in one case a McQueen scarf that seemed to have the skulls of all her victims. That the very scarf was used by another character to...
Here's a few of our favorite things from the past week's viewing...
Patricia Field & Jacqueline Demetrio, Costume Design of Younger
Not since the glory days of Sex and the City has a show relied so beautifully on costumes (Ok maybe Gossip Girl is up there, too) but in Younger they serve a purpose beyond aesthetics. Take for example the warrior-like costumes Miriam Shor's character wears, glittery armors, oversized jewelry and in one case a McQueen scarf that seemed to have the skulls of all her victims. That the very scarf was used by another character to...
- 2/17/2016
- by NATHANIEL R
- FilmExperience
Team Experience is revisiting 1991's Best Picture winner for its 25th Anniversary...
Previously... We learned about the case and met Clarice as she went on "an errand," Buffalo Bill caught his next victim, and Starling & Lecter played a game of Quid Pro Quo.
an Fyc ad from the time
Pt. 4 by Jose Solis
When Nathaniel left us, Dr. Lecter was Scheherezade-ing the crap out of Clarice by telling her about Baltimore. Do you ever get a sense that just like the King from Arabian Nights, Agent Starling craves to return for more?
01:08:18 “Everything you need to find him is right there in those pages...” he says about the case files. As Clarice paces left to right, Dr. Lecter decides it’s time for another lesson by quoting Marcus Aurelius. He suggests Clarice decipher what is the nature of the killer. As she lists every reason why serial killers kill in lesser thrillers,...
Previously... We learned about the case and met Clarice as she went on "an errand," Buffalo Bill caught his next victim, and Starling & Lecter played a game of Quid Pro Quo.
an Fyc ad from the time
Pt. 4 by Jose Solis
When Nathaniel left us, Dr. Lecter was Scheherezade-ing the crap out of Clarice by telling her about Baltimore. Do you ever get a sense that just like the King from Arabian Nights, Agent Starling craves to return for more?
01:08:18 “Everything you need to find him is right there in those pages...” he says about the case files. As Clarice paces left to right, Dr. Lecter decides it’s time for another lesson by quoting Marcus Aurelius. He suggests Clarice decipher what is the nature of the killer. As she lists every reason why serial killers kill in lesser thrillers,...
- 2/11/2016
- by Jose
- FilmExperience
This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor discuss Eclipse Series 27: Rafaello Matarazzo’s Runaway Melodramas.
About the films:
In the late 1940s and early 1950s, film critics, international festivalgoers, and other studious viewers were swept up by the tide of Italian neorealism. Meanwhile, mainstream Italian audiences were indulging in a different kind of cinema experience: the sensational, extravagant melodramas of director Raffaello Matarazzo. Though turning to neorealism for character types and settings, these haywire hits about splintered love affairs and broken homes, all starring mustachioed matinee idol Amedeo Nazzari and icon of feminine purity Yvonne Sanson, luxuriate in delirious plot twists and overheated religious symbolism. Four of them are collected here, chronicles of men and women on...
About the films:
In the late 1940s and early 1950s, film critics, international festivalgoers, and other studious viewers were swept up by the tide of Italian neorealism. Meanwhile, mainstream Italian audiences were indulging in a different kind of cinema experience: the sensational, extravagant melodramas of director Raffaello Matarazzo. Though turning to neorealism for character types and settings, these haywire hits about splintered love affairs and broken homes, all starring mustachioed matinee idol Amedeo Nazzari and icon of feminine purity Yvonne Sanson, luxuriate in delirious plot twists and overheated religious symbolism. Four of them are collected here, chronicles of men and women on...
- 2/1/2016
- by David Blakeslee
- CriterionCast
This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor discuss Eclipse Series 29: Aki Kaurismäki’s Leningrad Cowboys.
About the films:
In the late eighties, Aki Kaurismäki, a master of the deadpan, fashioned a waggish fish-out-of-water tale about a U.S. tour by “the worst rock-and-roll band in the world.” Leningrad Cowboys Go America’s posse of fur-coated, outrageously pompadoured hipsters struck such a chord with international audiences that the fictional band became a genuine attraction, touring the world. Later, Kaurismäki created a sequel, Leningrad Cowboys Meet Moses,and filmed a gigantic outdoor concert that the band put on in Helsinki, for the rollicking documentary Total Balalaika Show. With this Eclipse series, we present all three crackpot musical and comic odysseys,...
About the films:
In the late eighties, Aki Kaurismäki, a master of the deadpan, fashioned a waggish fish-out-of-water tale about a U.S. tour by “the worst rock-and-roll band in the world.” Leningrad Cowboys Go America’s posse of fur-coated, outrageously pompadoured hipsters struck such a chord with international audiences that the fictional band became a genuine attraction, touring the world. Later, Kaurismäki created a sequel, Leningrad Cowboys Meet Moses,and filmed a gigantic outdoor concert that the band put on in Helsinki, for the rollicking documentary Total Balalaika Show. With this Eclipse series, we present all three crackpot musical and comic odysseys,...
- 10/22/2015
- by David Blakeslee
- CriterionCast
Jose here. Why do I keep forgetting how funny Julianne Moore is? Perhaps because not counting 30 Rock and Maps to the Stars (yes, that is a funny performance) the movies always give us tragic, sad Juli.
Photo credit: Jose Solis
She is the one actress who has perfected the act of onscreen suffering, if you only knew how many times I’ve played that scene with the late night phone call in Far From Heaven to help me cleanse my soul...anyway, once you think of it, outside the movies she always seems to have a huge smile on her face and emanates ginger joy wherever she goes, which wasn’t the exception at a Still Alice press conference I attended yesterday, where she along with Kristen Stewart, Kate Bosworth, author Lisa Genova and co-director Wash Westmoreland discussed the film.
Not one to keep my obsessive fan questions to myself,...
Photo credit: Jose Solis
She is the one actress who has perfected the act of onscreen suffering, if you only knew how many times I’ve played that scene with the late night phone call in Far From Heaven to help me cleanse my soul...anyway, once you think of it, outside the movies she always seems to have a huge smile on her face and emanates ginger joy wherever she goes, which wasn’t the exception at a Still Alice press conference I attended yesterday, where she along with Kristen Stewart, Kate Bosworth, author Lisa Genova and co-director Wash Westmoreland discussed the film.
Not one to keep my obsessive fan questions to myself,...
- 1/15/2015
- by Jose
- FilmExperience
Amir here. Mike Nichols was a true giant of show business, with a career that lasted more than six decades and sprawled across many different media and genres. Nathaniel's heartfelt eulogy already highlighted the dreamy number of classics he directed and the collaborations with Meryl Streep that resulted in some of her most memorable roles; but Meryl wasn't the only performer whom Nichols guided to career-best work.
Team Experience decided to make a list of ten great performances from Mike Nichols' films; we were truly spoilt for choice. If you want a testament to the man's sheer brilliance and chemistry with his actors, look no further than the missing names from our list. An equally long, equally illustrious alternative list can be made of the likes of Dustin Hoffman in The Graduate, Melanie Griffith in Working Girl, Philip Seymour Hoffman in Charlie Wilson's War, Jude Law and Natalie Portman in Closer,...
Team Experience decided to make a list of ten great performances from Mike Nichols' films; we were truly spoilt for choice. If you want a testament to the man's sheer brilliance and chemistry with his actors, look no further than the missing names from our list. An equally long, equally illustrious alternative list can be made of the likes of Dustin Hoffman in The Graduate, Melanie Griffith in Working Girl, Philip Seymour Hoffman in Charlie Wilson's War, Jude Law and Natalie Portman in Closer,...
- 11/22/2014
- by Amir S.
- FilmExperience
Amir here, with this month’s edition of team top ten. As the art of acting and our interpretation of it evolve, definitions of what we consider a good performance change. It’s become an annual tradition to discuss whether a motion capture performance or some “alternative” form of acting deserves to be in the awards race. Last year’s topic of conversation was Scarlatt Johansson’s voice work in Her and that's the topic we’ve turned our attention to. (Thanks to Michael Cusumano for his suggestion!)
Voice acting has existed since cinema found sound and it has contributed to the medium in more memorable ways than a list of ten entries can represent. We were not limited in our option to animated films or any genre. So long as the voice performance was not accompanied by visual aids from the same performer (e.g. Andy Serkis’s work...
Voice acting has existed since cinema found sound and it has contributed to the medium in more memorable ways than a list of ten entries can represent. We were not limited in our option to animated films or any genre. So long as the voice performance was not accompanied by visual aids from the same performer (e.g. Andy Serkis’s work...
- 9/11/2014
- by Amir S.
- FilmExperience
Before we hit the Emmy Awards one last group poll. I asked friends which Emmy nominated TV characters mix and matched from different series would they love to see paired up?
True Sherlock: His Last Vow
Michael: I would mash up Benedict Cumberbatch's Sherlock with McConaughey's Rust. Sherlock would've knocked out that Yellow King business out in 20 minutes leaving the rest of the season for them to get drunk and philosophize.
Denny: Sheldon Cooper (Jim Parsons on The Big Bang Theory) and Crazy Eyes (Uzo Aduba on Orange is the New Black) are served a pie. Hilarity ensues. Or: Queen Cersei (Lena Headey) gets sent to Litchfield prison and insults Red's (Kate Mulgrew) cooking on her first day. Delicious scheming and sassy put-downs ensue. And I really want to see Allison Janney and Julie Bowen's characters from Mom and Modern Family get drinks together, just because.
Andrew:...
True Sherlock: His Last Vow
Michael: I would mash up Benedict Cumberbatch's Sherlock with McConaughey's Rust. Sherlock would've knocked out that Yellow King business out in 20 minutes leaving the rest of the season for them to get drunk and philosophize.
Denny: Sheldon Cooper (Jim Parsons on The Big Bang Theory) and Crazy Eyes (Uzo Aduba on Orange is the New Black) are served a pie. Hilarity ensues. Or: Queen Cersei (Lena Headey) gets sent to Litchfield prison and insults Red's (Kate Mulgrew) cooking on her first day. Delicious scheming and sassy put-downs ensue. And I really want to see Allison Janney and Julie Bowen's characters from Mom and Modern Family get drinks together, just because.
Andrew:...
- 8/23/2014
- by NATHANIEL R
- FilmExperience
It's my blog and I'll play favorites if I want to. Though I'm rooting hardest for Mad Men on Emmy night (mostly because I think it needs all the goodwill it can get at this point) my actual two favorite shows of the 13/14 television season were Orange is the New Black and Masters of Sex, both competing in various categories, though not enough of them in the latter case, for their stellar debut seasons. So for this round of group question festivities, posed to friends of Tfe and contributors, I have two questions regarding my two favorites.
Answer them yourself in the comments.
1. Which Orange is the New Black character would you most want to bunk with if you were so unfortunate as to land in that prison?
Matthew Rettenmund: Sophia Burset would be a great bunkmate. She could do my hair so it wouldn't look bald on top.
Jose Solis: Not a character,...
Answer them yourself in the comments.
1. Which Orange is the New Black character would you most want to bunk with if you were so unfortunate as to land in that prison?
Matthew Rettenmund: Sophia Burset would be a great bunkmate. She could do my hair so it wouldn't look bald on top.
Jose Solis: Not a character,...
- 8/20/2014
- by NATHANIEL R
- FilmExperience
Watch the beautiful new trailer for The Immigrant.
In James Gray’s The Immigrant, Ewa Cybulski (Marion Cotillard) and her sister sail to New York from their native Poland in search of a new start and the American dream. When they reach Ellis Island, doctors discover that Magda (Angela Sarafyan) is ill, and the two women are separated. Ewa is released onto the mean streets of Manhattan while her sister is quarantined.
Alone, with nowhere to turn and desperate to reunite with Magda, Ewa quickly falls prey to Bruno (Joaquin Phoenix), a charming but wicked man who takes her in and forces her into prostitution. The arrival of Orlando (Jeremy Renner) – a dashing stage magician who is also Bruno’s cousin – restores her self-belief and hopes for a brighter future, becoming her only chance to escape the nightmare in which she finds herself.
The Immigrant debuted at the 2013 Cannes Film...
In James Gray’s The Immigrant, Ewa Cybulski (Marion Cotillard) and her sister sail to New York from their native Poland in search of a new start and the American dream. When they reach Ellis Island, doctors discover that Magda (Angela Sarafyan) is ill, and the two women are separated. Ewa is released onto the mean streets of Manhattan while her sister is quarantined.
Alone, with nowhere to turn and desperate to reunite with Magda, Ewa quickly falls prey to Bruno (Joaquin Phoenix), a charming but wicked man who takes her in and forces her into prostitution. The arrival of Orlando (Jeremy Renner) – a dashing stage magician who is also Bruno’s cousin – restores her self-belief and hopes for a brighter future, becoming her only chance to escape the nightmare in which she finds herself.
The Immigrant debuted at the 2013 Cannes Film...
- 4/18/2014
- by Michelle McCue
- WeAreMovieGeeks.com
In this series our contributors sound off on their favorite fringe contenders. Here's Jose Solis on "Stories We Tell" It's winning Best Documentary critics prizes but let's talk another category.
Sarah Polley’s brilliant Stories We Tell isn’t as much a “documentary” as it is a psychological thriller. As the film begins she teases you suggesting this will be a simple case of “let’s find the truth about my mother” kind of film, only to then pull the rug from under your feet and reveal that she’s not exactly interested in delivering a beautiful conclusion tied up with a pretty ribbon. Delivering more twists and turns than any other film this year, Stories We Tell owes much of its success to its byzantine editing (by Mike Munn), which takes us on what feels like an emotional roller coaster ride.
Earlier this year, I spoke to Polley who...
Sarah Polley’s brilliant Stories We Tell isn’t as much a “documentary” as it is a psychological thriller. As the film begins she teases you suggesting this will be a simple case of “let’s find the truth about my mother” kind of film, only to then pull the rug from under your feet and reveal that she’s not exactly interested in delivering a beautiful conclusion tied up with a pretty ribbon. Delivering more twists and turns than any other film this year, Stories We Tell owes much of its success to its byzantine editing (by Mike Munn), which takes us on what feels like an emotional roller coaster ride.
Earlier this year, I spoke to Polley who...
- 12/5/2013
- by Jose
- FilmExperience
Growing up gay as a suburban teenager in the mid 90s, my access to queer culture was severely limited (ie nonexistent). Before the proliferation of the internet, one relied on the “gay” section in bookstores and video stores, if there even was one, to seek out examples of visible representation in the media throughout the years. I remember one day as a high school junior skipping class to go see The Object of My Affection at the local mall, a Jennifer Aniston rom-com in which Paul Rudd plays a gay character. I knew nothing about the movie or Paul Rudd (odds are that in 1998 if he were famous he wouldn’t have been playing gay), but the fact that there was a movie playing at the local multiplex with a gay character in it was enough to drive identification-starved me to ditch school. It was a formative experience at the time,...
- 6/11/2013
- by John Oursler
- SoundOnSight
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