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Maps to the Stars (2014)

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A tour into the heart of a Hollywood family chasing celebrity, one another and the relentless ghosts of their pasts.



3,523 ( 427)
Nominated for 1 Golden Globe. Another 10 wins & 19 nominations. See more awards »



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Cast overview, first billed only:
Dawn Greenhalgh ...
Sterl Carruth
Starla Gent
Damien Javitz
Gretchen Voss


The Weiss family is the archetypical Hollywood dynasty: father Stafford is an analyst and coach, who has made a fortune with his self-help manuals; mother Cristina mostly looks after the career of their son Benjie, 13, a child star. One of Stafford's clients, Havana, is an actress who dreams of shooting a remake of the movie that made her mother, Clarice, a star in the 60s. Clarice is dead now and visions of her come to haunt Havana at night... Adding to the toxic mix, Benjie has just come off a rehab program he joined when he was 9 and his sister, Agatha, has recently been released from a sanatorium where she was treated for criminal pyromania and befriended a limo driver Jerome who is also an aspiring actor. Written by New_Rodro

Plot Summary | Plot Synopsis


Eventually stars burn out.


Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for strong disturbing violence and sexual content, graphic nudity, language and some drug material | See all certifications »

Parents Guide:



Official Sites:


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Release Date:

27 February 2015 (USA)  »

Also Known As:

Bailey's Quest  »

Filming Locations:


Box Office


$15,000,000 (estimated)

Opening Weekend:

$143,422 (USA) (27 February 2015)


$347,648 (USA) (27 March 2015)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
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Did You Know?


In an almost 50-year career, this was the very first time that David Cronenberg ever filmed anything in the United States (his previous movies were mostly shot in Canada or the UK). The film shot for 5 days in Los Angeles and Beverly Hills (location manager Scott Trimble) and 24 days in Cronenberg's native Toronto (location manager Marty Dejczak). See more »


At the courtyard restaurant, the shadows formed by the retaining wall move around between shots. In Christina's shots it's clear the sun is over her left shoulder, with the wall in shadow and the shots completed, perhaps, in the morning. In Harriet's, the shadow of the railing is on the ground, it must be around noon. In Stafford's the wall is lit up, so maybe it's the afternoon. Everyone's going to know the truth now. See more »


Agatha Weiss: Hey, Benjie.
Benjie Weiss: Fuck! You! Get out!
Agatha Weiss: Hey, it's okay. I'm here to make amends.
Benjie Weiss: How did you get on the lot?
Agatha Weiss: I work for somebody who's doing a film here. Havana Segrand?
Benjie Weiss: Are you gonna hurt me, Agatha?
Agatha Weiss: No, I'm not going to hurt you. You're my little brother.
Benjie Weiss: You try and hurt me, I'll fucking kill you! Understood?
Agatha Weiss: Mm.
Benjie Weiss: You hungry? Want a breakfast burrito?
See more »


References Cosmopolis (2012) See more »


Na Na Hey Hey Kiss Him Goodbye
Written by Gary DeCarlo,Paul Leka and Dale Frashuer
Performed by Julianne Moore and Mia Wasikowska
See more »

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User Reviews

By Hollywood, for Hollywood, chasing its own tail.
23 October 2014 | by (Turkey) – See all my reviews

Scarred bodies and minds are recurring elements in Cronenberg's filmography. Not that I care much; they do not dominate those of his films that I like. Unfortunately for me, that trend persists, as I didn't get my fix of either spooks, wows, wits or laughs from Maps to the Stars.

I felt detached all along. I didn't feel anything, apart from being annoyed by a few characters and a slapping desire. Here are a few reasons for this disconnection: .

* It's all about Hollywood celebrities. One of the most exposed, yet least interesting microcosms on the planet. Meh.

* There are a lot of useless scenes, usually dragging out vapid conversations.

* Meanwhile, central characters are kept in the background. They may later become tragically pivotal, but we don't care by then; we don't even know them. Was that bad editing or just bad scripting ? .

* Creepiness never takes. That's embarrassing because Mr Cronenberg had always excelled at this. Here, his ghosts and hallucinations have no impact. They may even be a tad ridiculous.

Basically, the story doesn't flow and the emotions don't cross the screen. The cast is mostly fine. J. Moore has demonstrated time and again that she embodies the definition of an actress, i.e., an exhibitionist. No doubt her farting on a crapper will be praised by European critics.

Best are the two kids, but in fairness they have more material to work with. The boy has a face that screams "slap me!", and the urge becomes irrepressible as soon as he opens his mouth, but thanks to some serious scenes and an adequate delivery, my nerves are later soothed in his presence. Almost.

The girl, I had already seen elsewhere, in different registers. Here she is both spirited and delicate. Her character is out of a mental institute, yet she is the sanest of the lot. I suspect she was supposed to bring a subtle aura of menace, but I'm not sure. I bet Cronenberg isn't sure either. He got lost between his story and his private jokes.

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