Throne of Blood
(1957)
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Throne of Blood
(1957)
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| Cast overview, first billed only: | |||
| Toshirô Mifune | ... | ||
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Isuzu Yamada | ... | |
| Takashi Shimura | ... | ||
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Akira Kubo | ... | |
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Hiroshi Tachikawa | ... |
Kunimaru Tsuzuki
(as Yôichi Tachikawa)
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Minoru Chiaki | ... | |
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Takamaru Sasaki | ... |
Kuniharu Tsuzuki
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Gen Shimizu |
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Kokuten Kôdô | ... |
Military Commander
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Kichijirô Ueda | ... |
Washizu's workman
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Eiko Miyoshi | ... |
Old Woman at castle
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Chieko Naniwa | ... | |
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Nakajirô Tomita | ... |
Second Military Commander
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Yû Fujiki | ... |
Washizu samurai
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Sachio Sakai | ... |
Washizu samurai
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A transposition of Shakespeare's 'Macbeth' to medieval Japan. After a great military victory, Lords Washizu and Miki are lost in the dense Cobweb Forest, where they meet a mysterious old woman who predicts great things for Washizu and even greater things for Miki's descendants. Once out of the forest, Washizu and Miki are immediately promoted by the Emperor. Washizu, encouraged by his ambitious wife, plots to make even more of the prophecy come true, even if it means killing the Emperor... Written by Michael Brooke <michael@everyman.demon.co.uk>
Akira Kurosawa would end up using Shakespearean influence on two of his films. Throne of Blood is Kurosawa's adaptation of Shakespeare's play, Macbeth, but in a feudal Japanese setting.
The film begins with Taketoki Washizu (Toshiro Mifune) and Yoshaki Miki (Minoru Chiaki) winning a fierce battle for their lord. Afterwards, they are invited to the lord's castle. On their way there, they come across a spirit in the forest. the spirit tells Washizu that he will soon become in command of a castle but that he will not rule long, and Yoshaki's son will soon takeover. Washizu is soon convinced that these predictions will come true, and becomes consumed with greed and evil in order to make sure that they do indeed come true.
In this film Kurosawa uses a more still and quiet filming style than was used in his previous films (with the exception of Ikiru). A style that he continued to use for the rest of his career. The Shakespearean influence is obviously there, not only in story, but the film itself has a very theatre-esque feeling to it.