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Throne of Blood (1957)
"Kumonosu-jô" (original title)

 -  Action | Drama  -  22 November 1961 (USA)
8.2
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Ratings: 8.2/10 from 21,663 users  
Reviews: 96 user | 102 critic

A war-hardened general, egged on by his ambitious wife, works to fulfill a prophecy that he would become lord of Spider's Web Castle.

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(screenplay), (screenplay), 3 more credits »
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Cast

Cast overview, first billed only:
...
Isuzu Yamada ...
...
Akira Kubo ...
Hiroshi Tachikawa ...
Kunimaru Tsuzuki (as Yôichi Tachikawa)
Minoru Chiaki ...
Takamaru Sasaki ...
Kuniharu Tsuzuki
Gen Shimizu
Kokuten Kôdô ...
Military Commander
Kichijirô Ueda ...
Washizu's workman
Eiko Miyoshi ...
Old Woman at castle
Chieko Naniwa ...
Nakajirô Tomita ...
Second Military Commander
Yû Fujiki ...
Washizu samurai
Sachio Sakai ...
Washizu samurai
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Storyline

A transposition of Shakespeare's 'Macbeth' to medieval Japan. After a great military victory, Lords Washizu and Miki are lost in the dense Cobweb Forest, where they meet a mysterious old woman who predicts great things for Washizu and even greater things for Miki's descendants. Once out of the forest, Washizu and Miki are immediately promoted by the Emperor. Washizu, encouraged by his ambitious wife, plots to make even more of the prophecy come true, even if it means killing the Emperor... Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Plot Synopsis

Genres:

Action | Drama

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 November 1961 (USA)  »

Also Known As:

Throne of Blood  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)| (Perspecta Sound encoding)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Three great Shigenki theater actors had begged Akira Kurosawa for roles in the film. The director obliged and Isao Kimura, Seiji Miyaguchi and Nobuo Nakamura appear as samurai ghosts in the second scene featuring the witch. See more »

Goofs

When the witch runs in the forest she can briefly be seen wearing sneakers. See more »

Quotes

Lady Asaji Washizu: I am... with child.
See more »

Connections

Referenced in Millennium Actress (2001) See more »

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User Reviews

 
Best Shakespeare on Film
22 January 2004 | by (Cyberia) – See all my reviews

As most people know, this is Shakespeare's Macbeth rendered by Kurosawa into Noh format for cinema. Not for nothing is Akira Kurosawa regarded as Japan's greatest director, for this is the best cinematic version of any Shakespeare play (and also one of Kurosawa's best films). Kurosawa had the advantage of working in a different language (Japanese), so he didn't have to agonize over the usual dilemma - whether to use Shakespeare's rotund oratory and blank verse (which is glorious, but goes badly on screen). Kurosawa essentially translates Shakespeare's poetry into visual images, while keeping dialogue to a minimum. He also had the good fortune of accessing two great cultures - European literature and Japanese visual art (he was originally a painter before entering cinema as a set-designer). There are many painterly images reminiscent of Ukiyo-e (e.g. Washizu full of arrows).

The Noh style of acting (like Kabuki, but more refined) seems stilted and exaggerated for the first few minutes; then you realize that is ideally suited to a story like this - more natural acting would seem out of place, as other Macbeth-movies go to prove.

The Japanese title of this film translates as "Cobweb Castle" (or Spider City) and this really should have been the title in English. The film is full of the notion of spiders spinning webs (and plots) in secret. It is worth noting that the witch (or "monster") is first seen with a ghostly spinning-wheel. This symbolizes the thread of fate, but also reflects the cobweb theme.

The story is sometimes slow-moving, but you have to realize that this is a story of insidious slow rot (hence the references to spiders and cobwebs). The decay is punctured by occasional bursts of violent action, as befits the story. The black-and-white picture adds to the creepiness, and the atmosphere is so thick that the movie works more effectively than "Ran" (Kurosawa's more polished Shakespeare-adaptation).

Macbeth is the great-granddaddy of the entire horror genre, and Kurosawa is a worthy descendant.


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