An elder ronin samurai arrives at a feudal lord's home and requests an honorable place to commit suicide. But when the ronin inquires about a younger samurai who arrived before him things take an unexpected turn.
The mother of a feudal lord's only heir is kidnapped away from her husband by the lord. The husband and his samurai father must decide whether to accept the unjust decision, or risk death to get her back.
Apu is a jobless former student dreaming vaguely of a future as a writer. An old college friend talks him into a visit up-country to a village wedding. This changes his life, for when the ... See full summary »
A transposition of Shakespeare's 'Macbeth' to medieval Japan. After a great military victory, Lords Washizu and Miki are lost in the dense Cobweb Forest, where they meet a mysterious old woman who predicts great things for Washizu and even greater things for Miki's descendants. Once out of the forest, Washizu and Miki are immediately promoted by the Emperor. Washizu, encouraged by his ambitious wife, plots to make even more of the prophecy come true, even if it means killing the Emperor... Written by
Michael Brooke <firstname.lastname@example.org>
'Throne of Blood' was shown in London as the inaugural film show of the National Film Theater. See more »
After Macbeth and Banquo come to the forest clearing where the spirit dwells, as they get down from their horses, all of Macbeth's arrows fall out of his quiver. In the next shot however, the quiver is full of arrows again. See more »
Kurosawa's masterful retelling of Shakespeare's Macbeth
Akira Kurosawa would end up using Shakespearean influence on two of his films. Throne of Blood is Kurosawa's adaptation of Shakespeare's play, Macbeth, but in a feudal Japanese setting.
The film begins with Taketoki Washizu (Toshiro Mifune) and Yoshaki Miki (Minoru Chiaki) winning a fierce battle for their lord. Afterwards, they are invited to the lord's castle. On their way there, they come across a spirit in the forest. the spirit tells Washizu that he will soon become in command of a castle but that he will not rule long, and Yoshaki's son will soon takeover. Washizu is soon convinced that these predictions will come true, and becomes consumed with greed and evil in order to make sure that they do indeed come true.
In this film Kurosawa uses a more still and quiet filming style than was used in his previous films (with the exception of Ikiru). A style that he continued to use for the rest of his career. The Shakespearean influence is obviously there, not only in story, but the film itself has a very theatre-esque feeling to it.
14 of 19 people found this review helpful.
Was this review helpful to you?