A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century."
Jean François Heckel,
A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
Alice Howland is a renowned linguistics professor happily married with three grown children. All that begins to change when she strangely starts to forget words and then more. When her doctor diagnoses her with Early-onset Alzheimer's Disease, Alice and her family's lives face a harrowing challenge as this terminal degenerative neurological ailment slowly progresses to an inevitable conclusion they all dread. Along the way, Alice struggles to not only to fight the inner decay, but to make the most of her remaining time to find the love and peace to make simply living worthwhile. Written by
Kenneth Chisholm (email@example.com)
Early in the movie Alice is seen running up the steep hill from Morningside Park, which lies just to the east of Columbia University. She then runs into the campus from the west. That is the moment when she first becomes disorientated - hardly surprising. See more »
Dr. Alice Howland:
I used to be someone who knew a lot. No one asks for my opinion or advice anymore. I miss that. I used to be curious and independent and confident. I miss being sure of things. There's no peace in being unsure of everything all the time. I miss doing everything easily. I miss being a part of what's happening. I miss feeling wanted. I miss my life and my family.
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I didn't want to see this film, but I'm glad I did
I had already marked this movie down as a "no" when the cinema preview club we attend showed it this morning. And I'm very glad they did.
Few movies about Alzheimer's show things almost entirely from the perspective of the victim, and even fewer try to grapple with her internal thoughts and feelings as the disease progresses. Still Alice does just that.
Taking an exceptionally verbal and smart person and giving her early onset Alzheimer's and watching how she deals with it and how she feels about it made this an exceptional film. So does the always-excellent Julianne Moore, who outdoes herself in an Oscar-worthy performance.
The movie's full of highlights: the Skypeing between mom and daughter Kristin Stewart, the relatively healthy Julianne leaving a video for her much sicker self to discover; the question only one person asks: "How does it make you feel?" And extra credit for the double use of Lyle Lovett's "If I Had a Boat."
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