The story follows a married couple, apart for a night while the husband takes a business trip with a colleague to whom he's attracted. While he's resisting temptation, his wife encounters her past love.
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
Smart-but-ineffectual journalist Dan "We use euphemisms!" cannot decide between his girlfriend, loving-but-clingy waitress Alice, or his lover cold-but-intellectual photographer Anna; herself indecisive between Dan and honest-but-thuggish "You're bloody gorgeous!" doctor Larry. The film, as Tarantino might put it, puts the four leading characters in a box and strips them apart. Written by
Damien Rice, who sings the song "Blower's Daughter" on the film's soundtrack, Recorded a song for the movie also called "Closer" - but the song wasn't finished in time for the movies release. Another Rice song "Cold Water" can be heard in the film when Alice and Dan are walking around London after leaving the hospital. See more »
Alice's arm changes position when Larry pays a tip to her. See more »
Written by Andre Cunha, Bebel Gilberto and Agenor de Miranda Araugo Neto
Performed by Bebel Gilberto
Courtesy of Ziriguiboom/Six Degrees Records
Under license from Crammed Discs
By Arrangement with Ocean Park Music Group See more »
What a treat. Most of the people who came with me, left, half way through the film. I stayed to the end and I loved it. It moved me. A rarity this days. The face of Jude Law is, still, so full of possibilities. He seems unafraid of darkness. Strong. This is his most grown up performance. I can't wait to see what he'll become. (If he stays away from Hollywood as much as temptations permit, and keeps that purity, that makes his darkness so powerful, as intact as humanly possible). Julia Roberts is wonderful in a performance part Margaret Sullavan, part Jeanne Moreau but all her own. Clive Owen is a force of nature. Dangerous, compelling, human to the hilt. And what about Natalie Portman? Wow. No surprise here. But what a surprise. I'm sure she is going to amaze us for years and years to come. I'm really glad I stayed to the end.
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