After the bankruptcy of their father's stonemasonry firm, brothers Nicola and Andrea emigrate to America to restore their fortunes. After many adventures and near-disasters, they end up in ... See full summary »
Joaquim de Almeida,
An American businessman's family convinces him to buy a Scottish castle and disassemble it to ship it to America brick by brick, where it will be put it back together. The castle though is ... See full summary »
Colonel Chabert has been severely wounded in the French-Russian Napoleonic war to the point that the medical examiner has signed his death certificate. When he regains his health and memory... See full summary »
Joachim, a former Parisian television producer had left everything behind - his children, friends, enemies, lovers and regrets - to start a new life in America. He comes back with a team of... See full summary »
Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's ... See full summary »
Margarethe von Trotta
An ex-convict struggles to survive by brute force alone in a turn-of-the-century slum in Braila. Codine (Alexandre Virgil Platon) is the thug who served 10 years for murdering a friend. He ... See full summary »
Alexandru Virgil Platon,
Smart-but-ineffectual journalist Dan "We use euphemisms!" cannot decide between his girlfriend, loving-but-clingy waitress Alice, or his lover cold-but-intellectual photographer Anna; herself indecisive between Dan and honest-but-thuggish "You're bloody gorgeous!" doctor Larry. The film, as Tarantino might put it, puts the four leading characters in a box and strips them apart. Written by
The strength of Closer, both as a play and a motion picture, is the flawless, mature and beautifully crafted dialogue. Patrick Marber's screenplay is a testament to his truly great writing ability, as not much of the original text needed to be adapted in order to work appropriately and effectively on screen.
The raw emotion and base convictions of these four tragic characters (all acted exquisitly) is given to us primarily through their words and those words are all we need.
If you need more than words and are looking for a feel good love story, steer clear, you will only be disappointed.
However, if you are looking for a piece that will intrigue your senses, causing you to examine your own soul, your own convictions, then I highly recommend Closer.
Like Shakespeare, Williams, and O'Neil, whose words are a testament to the condition of their lives and times, Marber, through his language and presentation of these four exquisite lost souls, forces the mind to acknowledge and deal with the most base of our natural tendencies, painting a brutally honest portriat of the human condition in the 21st century.
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