The story follows a married couple, apart for a night while the husband takes a business trip with a colleague to whom he's attracted. While he's resisting temptation, his wife encounters her past love.
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
Smart-but-ineffectual journalist Dan "We use euphemisms!" cannot decide between his girlfriend, loving-but-clingy waitress Alice, or his lover cold-but-intellectual photographer Anna; herself indecisive between Dan and honest-but-thuggish "You're bloody gorgeous!" doctor Larry. The film, as Tarantino might put it, puts the four leading characters in a box and strips them apart. Written by
The original Broadway production of "Closer" by Patrick Marber opened at the Music Box Theater in New York on March 15, 1999. Cast was: Anna Friel as Alice, Rupert Graves as Dan, Ciarán Hinds as Larry, and Natasha Richardson as Anna. This ran for 172 performances and was nominated for the 1999 Tony Award for the Best Play. Marber also wrote the screenplay for this filmed production. See more »
When Dan and Anna are at the opera (the English National Opera in London), the soundtrack is playing a recording of Mozart's "Cosi Fan Tutte" in the original Italian. All productions at the ENO are always sung in English. See more »
The strength of Closer, both as a play and a motion picture, is the flawless, mature and beautifully crafted dialogue. Patrick Marber's screenplay is a testament to his truly great writing ability, as not much of the original text needed to be adapted in order to work appropriately and effectively on screen.
The raw emotion and base convictions of these four tragic characters (all acted exquisitly) is given to us primarily through their words and those words are all we need.
If you need more than words and are looking for a feel good love story, steer clear, you will only be disappointed.
However, if you are looking for a piece that will intrigue your senses, causing you to examine your own soul, your own convictions, then I highly recommend Closer.
Like Shakespeare, Williams, and O'Neil, whose words are a testament to the condition of their lives and times, Marber, through his language and presentation of these four exquisite lost souls, forces the mind to acknowledge and deal with the most base of our natural tendencies, painting a brutally honest portriat of the human condition in the 21st century.
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