Quid Pro Quo (2008/I)

User Rating:

6.2/10   

Director:

Carlos Brooks

Writer (WGA):

Carlos Brooks (written by)

Genre:

Drama | Thriller

Tagline:

A strange new American dream.

Plot:

A semi-paralyzed radio reporter is sent out to investigate a story that leads him into an odd subculture and on a journey of disturbing self-realization.

Plot Keywords:

Wheelchair | Reporter | Quid Pro Quo | Wannabe | Radio Reporter

Cast

Nick Stahl	...	Isaac Knott
Rachel Black	...	Janice Musslewhite
Jessica Hecht	...	Edie
Jacob Pitts	...	Hugh
Ashlie Atkinson	...	Candy
Jamie McShane	...	Man on Sidewalk
Pablo Schreiber	...	Brooster
Jeane Fournier	...	Charlene Coke
Carmela Marner	...	A Female Wannabe
Phil LaMarr	...	Wannabe Group Leader
Matthew Carey	...	A Male Wannabe
Ben Siegler	...	Man with Trachea Tube
Michal Sinnott	...	Isaac's Mom
Joshua Leonard	...	Isaac's Dad
Vera Farmiga	...	Fiona

Runtime:

USA:82 min

Country:

USA

Language:

English

Color:

Color

Sound Mix:

Dolby Digital

Certification:

Australia:M | USA:R

Filming Locations:

La Conner, Washington, USA

Company:

HDNet Films

Quotes:

[first lines]
Isaac: I don't remember *any* of what I'm about to tell you. I only know what the police and coroner's report said. But on the morning of April 5th, 1989, a high-speed car crash occurred, on a rural highway in upstate New York. There were 2 fatalities: my mother died on impact...

Movie Connections:

References Frankenstein (1931)

Glad I saw it

I saw this film on the closing night of Sundance, mostly because all the other films I wanted to see were sold out. I'm glad I went. Nick Stahl and Vera Farmiga dance adeptly around and through the film's premise, which is coaxed pleasantly out of a screenplay that writer-director Carlos Brooks has polished over seven years.

Stahl plays a public radio reporter confined to a wheelchair since a childhood accident. While following a lead in a bizarre story, he meets Fiona (Farmiga), a mysterious woman who leads him into a reclusive subculture. At first, microphone in hand, he wants the story. But then a trip to a second-hand store for some shoes convinces him the story isn't what he thought it was.

The Sundance catalogue billed it as a "psychological thriller," but in my opinion that misses the mark. Yes, we're introduced to some oddly quirky characters along the way. But Brooks bills is as a detective story, and that's how I think it's best approached. It's an exercise in restrained exposition that keeps the viewer guessing right up until the film's final scenes.

As with most independent films, this one makes good use of small-scale locations and intimate moments. Even the Manhattan exteriors favor enclosed sidewalks and narrow passages. The cinematography, done on high-definition video, is crisply executed and richly textured with subtle but effective details. (The lustrous wallpaper in Fiona's apartment actually has its own screen credit.) The camera spends a great deal of time at the eye level of a wheelchair occupant, emphasizing the point of view and expanding the small spaces in which many of the film's scenes take place.

Stahl and Farmiga drive a substantial portion of the film by themselves. Brooks admits that the their story took over the film as he shot and edited it. As a result the supporting ensemble retreats to the distance, a position from which performances from James Frain (as Stahl's mentor) and Michal Leamer (Fiona's mother) can give brief but memorable performances.

Vera Farmiga creates a complex character whom you can't help loving, hating, and fearing all at the same time. Nick Stahl's performance stays even and understated until his veneer breaks apart and the detective story comes full circle.

The only negative aspect to the film is the frank treatment of the subculture that frames the principal characters, not because the treatment is unfair or poorly executed, but because it's likely to take the average viewer by surprise. Look for wide release in May 2008.