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The Immigrant (2013)

R  |   |  Drama, Romance  |  23 May 2014 (USA)
6.6
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Ratings: 6.6/10 from 15,436 users   Metascore: 77/100
Reviews: 61 user | 216 critic | 34 from Metacritic.com

An innocent immigrant woman is tricked into a life of burlesque and vaudeville until a dazzling magician tries to save her and reunite her with her sister who is being held in the confines of Ellis Island.

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, (as Richard Menello)
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Cast

Cast overview, first billed only:
...
...
...
...
Belva
...
Clara
Elena Solovey ...
Rosie Hertz (as Yelena Solovey)
...
Edyta Bistricky
...
Wojtek Bistricky
...
...
Customs Officer Thomas MacNally
...
Priest
Patrick Holden O'Neill ...
Leo Straub (as Patrick O'Neill)
Sam Tsoutsouvas ...
Oskar Straub
...
Immigration Official
...
Officer DeKeiffer
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Storyline

1921. In search of a new start and the American dream, Ewa Cybulska and her sister Magda sail to New York from their native Poland. When they reach Ellis Island, doctors discover that Magda is ill, and the two women are separated. Ewa is released onto the mean streets of Manhattan while her sister is quarantined. Alone, with nowhere to turn and desperate to reunite with Magda, she quickly falls prey to Bruno, a charming but wicked man who takes her in and forces her into prostitution. And then one day, Ewa encounters Bruno's cousin, the debonair magician Orlando. He sweeps Ewa off her feet and quickly becomes her only chance to escape the nightmare in which she finds herself. Written by Wild Bunch

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content, nudity and some language | See all certifications »

Parents Guide:

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Details

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Release Date:

23 May 2014 (USA)  »

Also Known As:

Nightingale  »

Box Office

Budget:

$16,000,000 (estimated)

Opening Weekend:

$44,064 (USA) (16 May 2014)

Gross:

$1,984,743 (USA) (27 June 2014)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Jeremy Renner learned how to spit fire for his role as a street magician. See more »

Goofs

When at the church, Ewa makes the "sign of the cross" with the left hand several times. See more »

Quotes

Bruno Weiss: If you could lick my heart, you'd taste nothing but poison. See, you think there's goodness in everybody, but there isn't. So you go and forget about me, and forget about this place. And you forget the things that I made you do. Because I took everything I had from you and I gave you nothing. Nothing. 'Cause I'm nothing. You... are not nothing.
See more »


Soundtracks

Accordion Polka
Written by Dory Bavarsky
Performed by Josh Winget
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User Reviews

 
Should have gotten Oscar contention..and Jeremy Renner just kills it!
23 March 2014 | by (United States) – See all my reviews

"The Immigrant", James Gray's newest film, while retaining some of the gritty dark-crime dramatics of his previous work, feels like a radical departure. Mainly because its an Ellis Island-era period movie set 100 years ago, and because its observed through the eyes of a female protagonist and her struggle against permanent blight and the inherent depression of the situational times.

Fleeing the brutalities of Trotsky's Red Army, Polish Ewa (Marion Cotillard) and her sickly sister arrive in New York cira 1920. When her sister is quarantined and both are threatened with deportation, Ewa is taken notice and saved by the faux-sensitive brothell pimp Bruno (Joaquin Phoenix) and blackmailed into prostitution. Just when Ewa may succumb to the sort of drab, bleak life that she was trying to allude, Bruno's cousin Orlando the Magician (Jeremy Renner) shows up and both men via their own quirky methods try to light a fire in the heart of the pretty foreigner.

In her best part since "Rust and Bone", Cotillard is Oscar worthy in a showy albeit poetic performance (made all the more impressive that she speaks Polish throughout most of it). Phoenix is superb as usual, as the repressed and impotent man who wants to think he's in charge. But Renner steals the show. Right when you think the movie is going to slide under the weight of the misery of its subject, his Orlando appears like a glowing gaslight of fun amongst the dim rooms and crowded corridors. Like his work in "American Hustle", its criminal that his spritely performance here will go unrewarded and under the radar.

Although the universal tale of Gray's film isn't exactly something we haven't seen before (from Kazan's bold "America, America" to Ron Howard's putrid "Far and Away") "The Immigrant" presents a rare and thoughtful experience, one in which we can learn something about the lives of long ago as well as our own.


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