Henry is a lawyer who survives a shooting only to find he cannot remember anything. If that weren't enough, Henry also has to recover his speech and mobility, in a life he no longer fits ... See full summary »
The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her... See full summary »
Dr Jake Terrell, who has been training a pair of dolphins for many years, has had a breakthrough. He has taught his dolphins to speak and understand English, although they do have a limited... See full summary »
George C. Scott,
Trish Van Devere,
An autobiographical look at the breakup of Ephron's marriage to Carl "All the President's Men" Bernstein that was also a best-selling novel. The Ephron character, Rachel is a food writer at... See full summary »
Tess McGill is a frustrated secretary, struggling to forge ahead in the world of big business in New York. She gets her chance when her boss breaks her leg on a skiing holiday. McGill takes advantage of her absence to push ahead with her career. She teams up with investment broker Jack Trainer to work on a big deal. The situation is complicated after the return of her boss. Written by
Sami Al-Taher <firstname.lastname@example.org>
Kevin Spacey was brought in as a last-minute replacement for another actor in the part of Bob Speck. On the day the scene was shot, Mike Nichols, who had previously directed Spacey in Heartburn (1986), sent a car to Spacey's New York apartment, with a copy of the script in the back seat. Spacey learned his lines while on the way to the shoot. Nichols was under pressure to finish the scene so he wouldn't have to postpone his wedding to Diane Sawyer two days later. Years later, when Spacey became a producer on the film The Social Network (2010), he gave a part to Dakota Johnson, who is the real-life daughter of his co-star Melanie Griffith. See more »
When Catherine is getting off of the helicopter, she first is waving from it and the blades are still spinning. Then when Tess goes to help her out of the helicopter the blades have stopped spinning. (There is no way that they would have stopped so fast.) See more »
You're the first woman I've seen at one of these things that dresses like a woman, not like a woman thinks a man would dress if he was a woman.
Thank you I guess.
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It's up there with any of screwball comedies of the 30s... Carole Lombard, Jean Arthur, Margaret Sullivan. a modern classic...and that's not hyperbole!
I've been watching this movie every now and again for almost 20 years (ye gads!), and it's always entertaining. Tonight, I noticed how effective and subtle an actress Melanie Griffith can be when she's directed well. She's a real jewel in this film. Sweet, sexy, smart with a "brain for business and a bod for sin". Mike Nichols clearly loved filming her. Her expressions are priceless. Watch for the wonderful scene when Harrison Ford and she are walking to the elevator and he's asking her out. That face of hers as the elevator doors close is just heavenly. That's Mike Nichols craft/artistry.
Sigourney Weaver also does a masterful job as a two-faced shark business woman. What's so wonderful about her character, the writing, is that Katherine doesn't have a conscience. She's crafty and slick and manipulative, but she's not out to hurt anyone, just put herself first. It's too bad if anyone get's in her way. She's not nasty, but there is no question that she is the most important person in the universe. It's interesting, too, how her duplicity is reflected in her wardrobe. Most of the professional women in the movie are dressed in ultra-conservative boxy business attire, but Katherine/Sigourney dresses sophisticatedly and elegantly. She knows how to play both sides, the professional yet still sexy professional. She's so powerful in herself that she doesn't feel like she has to dress like a man just because she's in a male- dominated career (mergers/acquisitions). yes, she's a monster/ogre, but as she states, "This is BUSINESS".
Harrison Ford is his usual witty, slightly befuddled nice guy. He's the James Stewart of the baby boomer generation.
Joan Cusack is a phenomenon with her iridescent eye-shadow and Bozo hairdo. I think has the funniest line in the movie-a warning to Tess: "You know, sometimes I sing and dance around the apartment in my underwear. Doesn't make me Madonna....never will". that's rich.
Look for Ricki Lake at the wedding.
I put this movie in the same category as Moonstruck, Educating Rita, Shirley Valentine. Transformation movies. I suppose you could call them modern day Cinderella Stories, but it's more about the women saving themselves as opposed to waiting for Prince Charming.
It's a pleasure to see this movie. I hope you enjoy it as much as I do.
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