Loretta Castorini, a book keeper from Brooklyn, New York, finds herself in a difficult situation when she falls for the brother of the man she agreed to marry (the best friend of her late husband who died seven years previously).
Tess McGill is a frustrated secretary, struggling to forge ahead in the world of big business in New York. She gets her chance when her boss breaks her leg on a skiing holiday. McGill takes advantage of her absence to push ahead with her career. She teams up with investment broker Jack Trainer to work on a big deal. The situation is complicated after the return of her boss. Written by
Sami Al-Taher <firstname.lastname@example.org>
Kevin Spacey was brought in as a last-minute replacement for another actor in the part of Bob Speck. On the day the scene was shot, Mike Nichols, who had previously directed Spacey in Heartburn (1986), sent a car to Spacey's New York apartment, with a copy of the script in the back seat. Spacey learned his lines while on the way to the shoot. Nichols was under pressure to finish the scene so he wouldn't have to postpone his wedding to Diane Sawyer two days later. Years later, when Spacey became a producer on the film The Social Network (2010), he gave a part to Dakota Johnson, who is the real-life daughter of his co-star Melanie Griffith. See more »
In the opening shot, the Staten Island Ferry is clearly the "Gov. Herbert H. Lehman". When Tess and Cyn disembark from the same Ferry at the South Ferry Terminal it shows them getting off a different Staten Island Ferry, "The American Legion". See more »
Look, you, maybe you've got everyone around here fooled with this saint act you have going, but do not ever speak to me again like we don't know what really happened, you got me?
Tess, this is business. Let's just bury the hatchet, okay?
You know where you can bury your hatchet? Now get your bony ass outta my sight!
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It's up there with any of screwball comedies of the 30s... Carole Lombard, Jean Arthur, Margaret Sullivan. a modern classic...and that's not hyperbole!
I've been watching this movie every now and again for almost 20 years (ye gads!), and it's always entertaining. Tonight, I noticed how effective and subtle an actress Melanie Griffith can be when she's directed well. She's a real jewel in this film. Sweet, sexy, smart with a "brain for business and a bod for sin". Mike Nichols clearly loved filming her. Her expressions are priceless. Watch for the wonderful scene when Harrison Ford and she are walking to the elevator and he's asking her out. That face of hers as the elevator doors close is just heavenly. That's Mike Nichols craft/artistry.
Sigourney Weaver also does a masterful job as a two-faced shark business woman. What's so wonderful about her character, the writing, is that Katherine doesn't have a conscience. She's crafty and slick and manipulative, but she's not out to hurt anyone, just put herself first. It's too bad if anyone get's in her way. She's not nasty, but there is no question that she is the most important person in the universe. It's interesting, too, how her duplicity is reflected in her wardrobe. Most of the professional women in the movie are dressed in ultra-conservative boxy business attire, but Katherine/Sigourney dresses sophisticatedly and elegantly. She knows how to play both sides, the professional yet still sexy professional. She's so powerful in herself that she doesn't feel like she has to dress like a man just because she's in a male- dominated career (mergers/acquisitions). yes, she's a monster/ogre, but as she states, "This is BUSINESS".
Harrison Ford is his usual witty, slightly befuddled nice guy. He's the James Stewart of the baby boomer generation.
Joan Cusack is a phenomenon with her iridescent eye-shadow and Bozo hairdo. I think has the funniest line in the movie-a warning to Tess: "You know, sometimes I sing and dance around the apartment in my underwear. Doesn't make me Madonna....never will". that's rich.
Look for Ricki Lake at the wedding.
I put this movie in the same category as Moonstruck, Educating Rita, Shirley Valentine. Transformation movies. I suppose you could call them modern day Cinderella Stories, but it's more about the women saving themselves as opposed to waiting for Prince Charming.
It's a pleasure to see this movie. I hope you enjoy it as much as I do.
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