Loretta Castorini, a book keeper from Brooklyn, New York, finds herself in a difficult situation when she falls for the brother of the man she agreed to marry (the best friend of her late husband who died seven years previously).
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Tess McGill is a frustrated secretary, struggling to forge ahead in the world of big business in New York. She gets her chance when her boss breaks her leg on a skiing holiday. McGill takes advantage of her absence to push ahead with her career. She teams up with investment broker Jack Trainer to work on a big deal. The situation is complicated after the return of her boss. Written by
Sami Al-Taher <firstname.lastname@example.org>
In the opening shot, the Staten Island Ferry is clearly the "Gov. Herbert H. Lehman". When Tess and Cyn disembark from the same Ferry at the South Ferry Terminal it shows them getting off a different Staten Island Ferry, "The American Legion". See more »
Look, you, maybe you've got everyone around here fooled with this saint act you have going, but do not ever speak to me again like we don't know what really happened, you got me?
Tess, this is business. Let's just bury the hatchet, okay?
You know where you can bury your hatchet? Now get your bony ass outta my sight!
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A pure fantasy served up by Mike Nichols, but a vastly entertaining one.
Melanie Griffith is the secretary with massive hair who pretends to be a corporate business woman when her boss is layed up with a broken leg. The catch is, she finds out she's pretty good at it, and things get complicated when she ends up spearheading a business deal and falling in love with her key partner (Harrison Ford), all the while trying to keep what she's doing from her boss (Sigourney Weaver). It's the kind of movie that could just as easily have been made as a screwball comedy in the 1940s, perhaps with Barbara Stanwyck in the lead role.
The film is a classic in its own small way, one of the best comedies to emerge from the 1980s. Griffith is matched well with her role, so her limitations as an actress don't draw too much attention to themselves. But it's Weaver who steals the show as Griffith's imperious boss. She's a riot as a confident and powerful career woman from hell. And Joan Cusack steals a few scenes of her own as Griffith's best friend and fellow secretary, who sports hair as big as Griffith's and a Joisy accent to boot.
Nichols knows how to direct a comedy so that the funny bits speak for themselves.
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