Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
Loretta Castorini, a book keeper from Brooklyn, New York, finds herself in a difficult situation when she falls for the brother of the man she agreed to marry (the best friend of her late husband who died seven years previously).
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Tess McGill is a frustrated secretary, struggling to forge ahead in the world of big business in New York. She gets her chance when her boss breaks her leg on a skiing holiday. McGill takes advantage of her absence to push ahead with her career. She teams up with investment broker Jack Trainer to work on a big deal. The situation is complicated after the return of her boss. Written by
Sami Al-Taher <email@example.com>
The Petty Marsh (where Melanie and Sigourney worked) lobby scenes were filmed in the lobby of 7 World Trade Center, which was destroyed in the terrorist attacks on the USA of 11 September 2001. See more »
In the closing scene, as Tess is on the phone in her office in the morning, the shadows are falling eastward on the southern facade of the One Chase Manhattan Plaza, which means that it is sunset time. See more »
I'm not a notable Melanie Griffith fan by any means but it must be said that she is brilliantly cast in the role of the small time heroine in the Big Apple. Harrison Ford is surprisingly effective as the hunk-on-a-stick; it is not surprising in the slightest bit that Sigourney Weaver is an effectively insidious megalomaniac bitch. This is also the first in a slew of flicks for Joan Cusack's long line of effective supporting girlfriends.
Mike Nicholls is a sharp director and succeeds in not only capturing the look of the trapping and tawdriness of the free market explosion but also its unutterably tedious underbelly. Kevin Wade's script is the snappy dramatic and satirical motor at the film's heart to which Nicholls defers. A unimpeachable feelgood movie - although I can't help feeling a sorrow from Nicholls on behalf of his characters who, as in Billy Wilder's The Apartment remain trapped even after the happy ending. 7/10
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