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The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
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Tess McGill is a frustrated secretary, struggling to forge ahead in the world of big business in New York. She gets her chance when her boss breaks her leg on a skiing holiday. McGill takes advantage of her absence to push ahead with her career. She teams up with investment broker Jack Trainer to work on a big deal. The situation is complicated after the return of her boss. Written by
Sami Al-Taher <firstname.lastname@example.org>
Something else that did not make the theatrical cut: in the restroom scene between Tess and Jack during the wedding reception, one can see a woman in white shoes in the stall next to the one Jack uses. That woman overhears the conversation between Tess and Jack about having crashed the wedding. That woman must be the one telling the bride afterwards which is why she tries to confront Tess and Jack while their are dancing. See more »
When Catherine is getting off of the helicopter, she first is waving from it and the blades are still spinning. Then when Tess goes to help her out of the helicopter the blades have stopped spinning. (There is no way that they would have stopped so fast.) See more »
A pure fantasy served up by Mike Nichols, but a vastly entertaining one.
Melanie Griffith is the secretary with massive hair who pretends to be a corporate business woman when her boss is layed up with a broken leg. The catch is, she finds out she's pretty good at it, and things get complicated when she ends up spearheading a business deal and falling in love with her key partner (Harrison Ford), all the while trying to keep what she's doing from her boss (Sigourney Weaver). It's the kind of movie that could just as easily have been made as a screwball comedy in the 1940s, perhaps with Barbara Stanwyck in the lead role.
The film is a classic in its own small way, one of the best comedies to emerge from the 1980s. Griffith is matched well with her role, so her limitations as an actress don't draw too much attention to themselves. But it's Weaver who steals the show as Griffith's imperious boss. She's a riot as a confident and powerful career woman from hell. And Joan Cusack steals a few scenes of her own as Griffith's best friend and fellow secretary, who sports hair as big as Griffith's and a Joisy accent to boot.
Nichols knows how to direct a comedy so that the funny bits speak for themselves.
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