Clockwise from top left: This Is Me... Now: A Love Story (Prime Video), Red Rocket (A24), Teenage Mutant Ninja Turtles: Mutant Mayhem (Paramount)Image: The A.V. Club
Amazon’s Prime Video kicks off February with a summer blockbuster, a new “narrative-driven cinematic odyssey” from Jennifer Lopez, and a bunch of...
Amazon’s Prime Video kicks off February with a summer blockbuster, a new “narrative-driven cinematic odyssey” from Jennifer Lopez, and a bunch of...
- 2/3/2024
- by Robert DeSalvo
- avclub.com
“Is that an Oz narrative?” asks director Rodney Ascher in the second chapter of Alexandre O. Philippe’s trippy, tricky, and obsessive cine-essay Lynch/Oz. Ascher is clearly being a touch dishonest with the question because he’s at that moment referring to Beverly Hills Cop. He follows up that query by wondering in tongue-in-cheek fashion, “Is everything?”
Even though Philippe’s film is ostensibly about the many ways that The Wizard of Oz permeates the work of David Lynch, Ascher’s half-serious digression into the expansively universal nature of Victor Fleming’s Technicolor musical fantasy, calling its fish-out-water plot a “sturdy template” for just about any kind of film you could imagine, is typical of the filmed essays collected by Philippe. It’s both dead-serious about its subjects and playfully exploratory.
That dual nature is present in Lynch/Oz from the start. In the first chapter, film critic Amy Nicholson,...
Even though Philippe’s film is ostensibly about the many ways that The Wizard of Oz permeates the work of David Lynch, Ascher’s half-serious digression into the expansively universal nature of Victor Fleming’s Technicolor musical fantasy, calling its fish-out-water plot a “sturdy template” for just about any kind of film you could imagine, is typical of the filmed essays collected by Philippe. It’s both dead-serious about its subjects and playfully exploratory.
That dual nature is present in Lynch/Oz from the start. In the first chapter, film critic Amy Nicholson,...
- 5/26/2023
- by Chris Barsanti
- Slant Magazine
With over 100 acting credits to his name, many of which are bonafide legendary performances, Anthony Hopkins has proven himself time and again as one of the best actors of his generation, and possibly of all time. After graduating from London's famed Royal Academy of Dramatic in 1963, Hopkins began his career on the stage, tackling the bard, as well as classic and modern plays at the Royal Court Theatre and The Old Vic. He also regularly appeared on British television, taking on episodic guest roles in shows like "The Man in Room 17" and "Department S."
In 1968's "The Lion in Winter, " Hopkins had his cinematic breakout role as Richard the Lionheart. Often remembered for the best actress tie between Katharine Hepburn (as Eleanor of Aquitaine) and Barbra Streisand (for "Funny Girl") at the Academy Awards, "The Lion in Winter" saw Hopkins more than hold his own against stalwarts Hepburn and Peter O'Toole.
In 1968's "The Lion in Winter, " Hopkins had his cinematic breakout role as Richard the Lionheart. Often remembered for the best actress tie between Katharine Hepburn (as Eleanor of Aquitaine) and Barbra Streisand (for "Funny Girl") at the Academy Awards, "The Lion in Winter" saw Hopkins more than hold his own against stalwarts Hepburn and Peter O'Toole.
- 5/14/2023
- by Rachel Ho
- Slash Film
As a fan of Frank Herbert's sci-fi novel "Dune," I've always been perplexed by the hostility to David Lynch's 1984 filmed adaptation. It is a wildly truncated take on the book, one that makes a couple of key alterations to the text, but I don't go to movies for slavish takes on great novels. I've already had that experience.
Stanley Kubrick's "The Shining," Curtis Hanson's "L.A. Confidential" and George Stevens' "A Place in the Sun" (based on Theodore Dreiser's "An American Tragedy") are distinctly different from their source material, and, thus, illuminating and thrilling in exciting new ways. It's akin to listening to the Cowboy Junkies' cover of the Velvet Underground's "Sweet Jane" -- I'm hearing a brilliant song for the first time.
While Lynch was able to place his singularly perverse stamp on Herbert's universe -- he was, unsurprisingly, quite fond of the twisted...
Stanley Kubrick's "The Shining," Curtis Hanson's "L.A. Confidential" and George Stevens' "A Place in the Sun" (based on Theodore Dreiser's "An American Tragedy") are distinctly different from their source material, and, thus, illuminating and thrilling in exciting new ways. It's akin to listening to the Cowboy Junkies' cover of the Velvet Underground's "Sweet Jane" -- I'm hearing a brilliant song for the first time.
While Lynch was able to place his singularly perverse stamp on Herbert's universe -- he was, unsurprisingly, quite fond of the twisted...
- 4/16/2023
- by Jeremy Smith
- Slash Film
No, no, no, you’re not in some fugue state where you’ve turned into a younger, tanner man while rotting in a jail cell for murder, you read that right: master director/nightmare creator David Lynch is finally getting an Oscar!
While he was nominated four times prior for his work on The Elephant Man, Blue Velvet and Mulholland Drive (where he 100% should have won…maybe), Lynch has never actually held the statuette in his hand. Thankfully, the Academy of Motion Pictures Arts and Sciences has seen the error of their ways.
The world-famous Lost Highway director will be joined by fellow filmmaker Lina Wertmüller and venerable actors Gina Davis and Wes Studi to round out the four recipients for the year. The Governor’s Award, as this honorary Oscar is officially called, is given to “individuals who have devoted themselves to a lifetime of artistic accomplishment and brought outstanding contributions to our industry,...
While he was nominated four times prior for his work on The Elephant Man, Blue Velvet and Mulholland Drive (where he 100% should have won…maybe), Lynch has never actually held the statuette in his hand. Thankfully, the Academy of Motion Pictures Arts and Sciences has seen the error of their ways.
The world-famous Lost Highway director will be joined by fellow filmmaker Lina Wertmüller and venerable actors Gina Davis and Wes Studi to round out the four recipients for the year. The Governor’s Award, as this honorary Oscar is officially called, is given to “individuals who have devoted themselves to a lifetime of artistic accomplishment and brought outstanding contributions to our industry,...
- 6/3/2019
- by Josh Heath
- We Got This Covered
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