TV movie based on the the story of the kid who divorced his parents. Gregory has lived a rough life. His father abuses him and his two brothers. The boys are placed with the mother. Gregory... See full summary »
Chris is a once promising high school athlete whose life is turned upside down following a tragic accident. As he tries to maintain a normal life, he takes a job as a janitor at a bank, where he ultimately finds himself caught up in a planned heist.
Penny and Sam work for a notoriously mean spirited, selfish, and somewhat abusive big fish Hollywood producer, MJ Siegel. They run a day's worth of outrageous and demoralizing errands for ... See full summary »
A serpentine day in the life of ten seemingly disparate women: a porn star, a flight attendant, a psychiatrist, a masseuse, a bartender, a pair of call girls, etc. All of them with one crucial thing in common. Trouble.
Beautiful Carmen Colson and her ironworker husband Wayne are placed in the Federal Witness Protection program after witnessing an "incident". Thinking they are at last safe, they are targeted by an experienced hit man and a psychopathic young upstart killer. The ensuing struggle will test Carmen to the limit.
[about going back to the hospital]
I'm gonna die in there! Don't make die in there! I want to die with you!
What? C'mon why? Huh? Why?
'Cause I love you.
You don't even know me. How can you love me?
I don't know. I love you.
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Maybe it's just that it was made in 1997, or maybe whoever managed to get this up to a 7 has a soft spot for kids with AIDS. But really people, the maniacal laughter & mayhem during the withdrawal scene? Did you not see that coming? I'm surprised there was no baby crawling across the ceiling and sickboy addressing the camera. The acting was fine, sure. But to me this is just one example of a movie from a time when situations and subject matter could pass for cinematic language. Things happen, but that's it. There's no glue or motive that can be detected on screen, allowing the subject matter to use pre-existing emotional connections to furthur the plot, without the script doing it like it's supposed to.
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