Funny Girl (1968)

The life of comedienne Fannie Brice, from her early days in the Jewish slums of the Lower East Side, to the height of her career with the Ziegfeld Follies, including her marriage to and ... See full summary »

Director:

William Wyler

Writers:

Isobel Lennart (book), Isobel Lennart (from the original story by: based on the play with),

Stars:

Barbra Streisand, Omar Sharif, Kay Medford

Won 1 Oscar. Another 6 wins & 16 nominations.

Cast

Cast overview, first billed only:
Barbra Streisand	...	Fanny Brice
Omar Sharif	...	Nick Arnstein
Kay Medford	...	Rose Brice
Anne Francis	...	Georgia James
Walter Pidgeon	...	Florenz Ziegfeld
Lee Allen	...	Eddie Ryan
Mae Questel	...	Mrs. Strakosh
Gerald Mohr	...	Branca
Frank Faylen	...	Keeney
Mittie Lawrence	...	Emma
Gertrude Flynn	...	Mrs. O'Malley
Penny Santon	...	Mrs. Meeker
John Harmon	...	Company Manager
Thordis Brandt	...	Ziegfeld Girl
Bettina Brenna	...	Ziegfeld Girl

Storyline

The life of comedienne Fannie Brice, from her early days in the Jewish slums of the Lower East Side, to the height of her career with the Ziegfeld Follies, including her marriage to and eventual divorce from her first husband, Nick Arnstein.

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Plot Keywords:

divorce | comedienne | jewish | ziegfeld follies | marriage | 

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Taglines:

People who see FUNNY GIRL are the luckiest people in the world!

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Genres:

Biography | Comedy | Drama | Musical | Romance

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Certificate:

G

Details

Country:

USA

Language:

English

Release Date:

19 September 1968 (USA)

Also Known As:

Funny Girl (Una chica divertida)

Filming Locations:

Stage 4, Columbia/Sunset Gower Studios - 1438 N. Gower Street, Hollywood, Los Angeles, California, USA

Box Office

Budget:

$14,100,000 (estimated)

Opening Weekend:

$65,560 (USA) (31 August 2001)

Gross:

$223,306 (USA) (5 October 2001)

Company Credits

Production Co:

Columbia Pictures Corporation, Rastar Productions

Technical Specs

Runtime:

151 min 155 min (roadshow)

Sound Mix:

70 mm 6-Track (70 mm prints) 4-Track Stereo (35 mm magnetic prints) Dolby SR (35mm restored version) Dolby Digital (35mm restored version) SDDS (35mm restored version) DTS (35mm restored version)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Barbra Streisand biographer Anne Edwards co-wrote the first draft of the screenplay (uncredited).

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Goofs

When walking out after Frances is born, chairs in the background are close, then spread out, then close again.

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Quotes

[first lines]
Fanny Brice: [looking in the mirror] Hello, gorgeous.

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Connections

Featured in Broadway: The American Musical (2004)

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Soundtracks

"Sadie, Sadie"
(uncredited)
Music by Jule Styne
Lyrics by Bob Merrill
Performed by Barbra Streisand and Omar Sharif

User Reviews

Great early Streisand...a reminder of how Babs was before egomania set in...

Mention the name BARBRA STREISAND to me today and I can only think of the insane utterances she's made about President Bush and all Republicans and the war in Iraq and her stance as a Democratic activist. But back in '68, I was justly impressed with her work under William Wyler's firm direction in FUNNY GIRL.

Watching it again, I haven't changed my opinion. Her Fanny Brice is indeed as perfectly in character as any musical star performer in memory and she carries the film to heights it never would have reached with a less gifted actress/singer. Sad to say, this can't be said of her later characterizations.

I don't understand criticism leveled at OMAR SHARIF as Nicky Arnstein. He looks magnificent, even if his singing voice leaves something to be desired, and plays his role extremely well. The chemistry between him and Streisand is evident, giving credence to the rumor of an affair while filming. Their duet in "You Are Woman, I Am Man" is deliciously staged in a fancy restaurant setting. In fact, all of the settings glow under the technicolor lights.

The score is riddled with fascinating show tunes, all of them sung and staged in the best manner possible. I particularly enjoyed the early Roller Skate Rag where Streisand's comic abilities are shown off to such advantage. The supporting players do outstanding jobs, including Kay Medford as her Jewish mother and Walter Pigeon as Flo Ziegfeld whose first encounter with Streisand is played for laughs while establishing the boundaries between them. Poor Anne Francis is given only limited screen time, but even she is worth watching in a role that must have suffered from too much editing. And Streisand's first big scene in a Ziegfeld musical is hilarious, hiding a pillow beneath her wedding gown to the extreme shock of Mr. Ziegfeld while the chorus girls can hardly stifle their laughter.

Highly recommended as a film musical that put Streisand on the map. She even looks beautiful in certain close-ups and camera angles, glowing under the artistry of cameramen skilled in photographing her imperfect face in the most flattering manner. As noted by others, the hairdos and styling do not always suggest the 1920s period, but in a musical where so much talent is on display, it hardly matters.

What is really striking is that Streisand is so confident and assured in every phase of her performance that it is hard to believe this was her first chore before the cameras. How much of this is due to the craftsmanship of William Wyler, I don't know. Her work here has to be ranked as one of the greatest acting "firsts" ever for a musical star performer. Streisand fully deserved the Oscar and should not have been in a tie with the much over awarded Katharine Hepburn's LION IN WINTER--as annoyingly false as any of Hepburn's later performances were bound to be.