A Victorian surgeon rescues a heavily disfigured man who is mistreated while scraping a living as a side-show freak. Behind his monstrous facade, there is revealed a person of intelligence and sensitivity.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality.
John Merrick (whose real name was Joseph, as this is based on a true story) is an intelligent and friendly man, but he is hated by his Victorian-era English society because he is severely deformed. Once he is discovered by a doctor, however, he is saved from his life in a freak show and he is treated like the human being that he really is. Written by
David Lynch narrowed his choices for the film's cinematographer down to two names; Christopher Challis, who was considered a safe pair of hands, or Freddie Francis, who Lynch considered to be a much more talented cinematographer, but hadn't worked in that role since 1964. Lynch decided to go with his gut instinct and hire Francis after producer Stuart Cornfeld told him that "no-one ever made it big by being a pussy." See more »
When Carr Gomm first meets John Merrick, he walks close up to him. In the next shot he is way back from him, then close again. See more »
Get rid of them! I don't want to see them!
Darling, don't be difficult! Let's take our sweet lovely children on an outing.
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Closing disclaimer: This has been based upon the true life story of John Merrick, known as The Elephant Man, and not upon the Broadway play of the same title or any other fictional account. See more »
There have been many films made dealing with an individual who's outer appearance is completely at odds with their inner character. Some of these films are quite good but this is by far and away the very best. This is probably one of the most perfect films ever made. It succeeds on every level. Visually it transports one into a dark, grey, industrial nightmare of a world. It's within this world that we come to discover true beauty. It lies within one hideously deformed, abused and unfortunate soul who is being kicked around in this hellish existence. The screenplay, acting, direction all come together to create this extraordinary viewing experience. You really feel like you get inside this man and his tortured existence. The ending is one of the most effective and completely engrossing I've ever seen. Rarely does a film find a way to leave us with such a sense of closure and lingering fascination. The thing that really makes this film truly great is it changes the way people see themselves, other people and the world. I can still remember the palpable air of silence and awe over the audience when leaving the theater both times I saw it on the big screen. There's a transforming quality about it. You only need to read the many other user comments to see how people were moved and changed by this film. If you haven't seen it, it's a must!
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