After a bizarre encounter at a party, a jazz saxophonist is framed for the murder of his wife and sent to prison, where he inexplicably morphs into a young mechanic and begins leading a new life.
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A young FBI agent disappears while investigating a murder miles from Twin Peaks that may be related to the future murder of Laura Palmer; the last week of the life of Laura Palmer is chronicled.
A thirty-something secretary steals $40,000 from her employer's client, and subsequently encounters a young motel proprietor too long under the domination of his mother.
A married couple grieving the recent death of their little daughter are in Venice when they encounter two elderly sisters, one of whom is psychic and brings a warning from beyond.
Director:
Nicolas Roeg
Stars:
Julie Christie,
Donald Sutherland,
Hilary Mason
A brilliant surgeon, Dr. Génessier, helped by his assistant Louise, kidnaps nice young women. He removes their faces and tries to graft them onto the head on his beloved daughter Christiane... See full summary »
Director:
Georges Franju
Stars:
Pierre Brasseur,
Alida Valli,
Juliette Mayniel
Psychological horror about a lonely young woman traumatized by a difficult childhood, and her increasingly desperate attempts to connect with the people around her.
A widower takes an offer to screen girls at a special audition, arranged for him by a friend to find him a new wife. The one he fancies is not who she appears to be after all.
A reporter is drawn to a small West Virginia town to investigate a series of strange events, including psychic visions and the appearance of bizarre entities.
Four teenagers at a British private school secretly uncover and explore the depths of a sealed underground hole created decades ago as a possible bomb shelter.
Director:
Nick Hamm
Stars:
Thora Birch,
Desmond Harrington,
Daniel Brocklebank
Fred Madison, a saxophonist, is accused under mysterious circumstances of murdering his wife Renee. On death row, he inexplicably morphs into a young man named Pete Dayton, leading a completely different life. When Pete is released, his and Fred's paths begin to cross in a surreal, suspenseful web of intrigue, orchestrated by a shady gangster boss named Dick Laurent. Written by
<jdean@gslink.net>
In an interview with star Robert Loggia he said in his opinion the film very aptly titled, referring to how bizarre the story of Lost Highway is. See more »
Quotes
David Bowie:
[singing]
Funny how secrets travel...
See more »
"Song To The Siren"
Written by Larry Beckett and Tim Buckley
Courtesy of Third Story Music Inc. (BMI)
Performed by This Mortal Coil
Courtesy of 4 A.D. by arrangement with Warner Special Products See more »
Lighting. That's the thing I remembered most from the first time I saw this film. Amazing lighting. Certain directors, Lynch included, are able to tell the story using camera movement, what's seen/not seen. Lynch, however, has taken that a step further with the way he chooses to light his scenes - he sculpts his shots in a manner that seems almost more like a theatrical lighting designer's work. The use of shadows within the home, the stark colors that accompany certain scenes, even the car lighting in the titles - all of this is used to draw the audience's attention to a certain point, and all of it thrills. With the terse, "European art-film" dialogue style (at first the most distancing thing I found in Lynch's work, it is now one of my favorite elements), sharp sound work, a strong cast, and the marvelous, spiralling structure of the film only reinforcing it's strongest feature - its atmosphere - this is a work that will be discussed long after the credits fade. In my short 22 years, the best film I've seen, bar none.
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Lighting. That's the thing I remembered most from the first time I saw this film. Amazing lighting. Certain directors, Lynch included, are able to tell the story using camera movement, what's seen/not seen. Lynch, however, has taken that a step further with the way he chooses to light his scenes - he sculpts his shots in a manner that seems almost more like a theatrical lighting designer's work. The use of shadows within the home, the stark colors that accompany certain scenes, even the car lighting in the titles - all of this is used to draw the audience's attention to a certain point, and all of it thrills. With the terse, "European art-film" dialogue style (at first the most distancing thing I found in Lynch's work, it is now one of my favorite elements), sharp sound work, a strong cast, and the marvelous, spiralling structure of the film only reinforcing it's strongest feature - its atmosphere - this is a work that will be discussed long after the credits fade. In my short 22 years, the best film I've seen, bar none.