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Fred Madison, a saxophonist, is accused under mysterious circumstances of murdering his wife Renee. On death row, he inexplicably morphs into a young man named Pete Dayton, leading a completely different life. When Pete is released, his and Fred's paths begin to cross in a surreal, suspenseful web of intrigue, orchestrated by a shady gangster boss named Dick Laurent. Written by
This was Jack Nance's final acting role before his death on December 30, 1996 at the age of 53. The film was released one month later. See more »
How you doin' Pete?
I'm sure you noticed that girl that was with me the other day, good lookin' blonde? She stayed in the car? Her name is Alice. I swear I love that girl to death. If I ever find out that somebody was making out with her, I'd take this...
[pulls out a .357 pistol]
...and shove it so far up his ass it would come out of his mouth. Then you know what I'd do?
I'd blow his fuckin' brains out.
[Mr. Eddy puts his gun away]
Hey, you're looking good. What you been up to?
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I believe it was the legendary Homer Simpson who once gave the ideal description on David Lynch productions. During watching a Twin Peaks'-episode he said, `Brilliant but I don't get it'. Too true you love what you're seeing and you want to be a part of the mysterious Lynch universe! You actually feel the urge to search for solutions, you want to solve the riddle that is Lost Highway and you desperately try to do so until you realize it's in fact a puzzle that cannot be solved. Therefore, my advice would be: Don't try to be Einstein and develop too many theories' just get overwhelmed by Lost Highway and enjoy the mixture of weirdness, violence and erotica you get to see. It's amazing what David Lynch pulls off here! He serves an absurd and impossible structure that involves an inexplicable metamorphosis of the protagonist and he actually gets away with it!! Meanwhile, he introduces a bunch of bizarre but extremely fascinating characters of which you don't know they're real or just creations of a mentally ill mind. Lynch in top-condition, in other words you almost start to suspect he's laughing with his audience. The quality of Lost Highway is brought up to an even higher level by the terrific musical score (Angelo Badalamenti), a blasting soundtrack (Rammstein!) and sublime acting. Bill Pullman and Balthazar Ghetty supply each other terrifically, even though they don't have ONE scene together. And Patricia Arquette either blond or brunette looks gorgeous. No wonder men in this film fall into madness over her.
Lost Highway comes with my highest possible recommendation, yet I still prefer the David Lynch of the lat 70's and 80's. Can't really give a reasonable explanation for this Films like Blue Velvet and Eraserhead had something extra.
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