The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
The young and poor George Eastman (Montgomery Clift) leaves his religious mother and Chicago and arrives in California expecting to find a better job in the business of his wealthy uncle Charles Eastman. His cousin Earl Eastman advises him that there are many women in the factory and the basic rule is that he must not hang around with any of them. George meets the worker of the assembly line, Alice Tripp, in the movie theater and they date. Meanwhile, the outcast George is promoted and he meets the gorgeous Angela Vickers at a party thrown at his uncle's house. Angela introduces him to the local high society and they fall in love with each other. However, Alice is pregnant and she wants to get married with George. During a dinner party at Angela's lake house with parents, relatives, and friends, Alice calls George from the bus station and gives him thirty minutes to meet her; otherwise she will crash the party and tell what has happened. George is pressed by the situation which ends ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the event somebody looks at the stunts section for this film and sees that both Helen Thurston and Polly Burson doubled for Shelly Winters, rest assured that both women did. In the drowning scene Helen started out when Mongomery Clift pushed her into the lake. She fell ill and Polly Burson was called in to finish the scene. Helen came back later and completed the long-shot sequences of the scene. See more »
Alice Tripp is wearing different shoes when she starts walking home from the movie with George Eastman than she is when they are close to where she lives. When Winters pointed out to director Stevens that the brown and white shoes she was wearing turned to black when she walked around the corner, the director refused to reshoot the scene. According to Winters he said, "If they're looking at her feet I can go home." See more »
Prisoner in George's cell block:
[Said to George as he walks to the electric chair]
Prisoner in George's cell block:
Good-bye, George. I'll be seeing you.
See more »
Clift, Taylor, Stevens and a spellbinding American tragedy
Time does extraordinary things with greatness. If nothing else it confirms it. "A Place in the Sun" is a remarkable example of that theory. I rushed to buy a DVD after watching a BBC documentary on ELizabeth Taylor to celebrate her 75th birthday! In "A Place on the Sun" an Elizabeth Taylor barely out of her teens is paired with Montgomery Clift. She had been raised at MGM and groomed for movie stardom from day one. He was a method actor, complex, introspective and their coupling produced something that I'm tempted to call, unrepeatable. The actors own personal stories, their friendship, mutual love and respect made it possible for their communion to be so transcendental. To make things even more perfect, the film seems a love letter from director George Stevens to his stars and vice versa. Look at the opening credits and tell me if you've ever seen a more startling introduction to a character/star. The story of doomed love and descend into darkness is, without question, one of the best ever made.
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