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The Lion in Winter (1968)

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1183 AD: King Henry II's three sons all want to inherit the throne, but he won't commit to a choice. They and his wife variously plot to force him.

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(screenplay), (play)
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Won 3 Oscars. Another 12 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
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Richard
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...
...
...
...
Kenneth Ives ...
Queen Eleanor's Guard
...
Fran Stafford ...
Lady in Waiting
Ella More ...
Lady in Waiting
Kenneth Griffith ...
Strolling Player
Henry Woolf ...
Strolling Player
Karol Hagar ...
Strolling Player
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Storyline

It's Christmas 1183, and King Henry II is planning to announce his successor to the throne. The jockeying for the crown, though, is complex. Henry has three sons and wants his boy Prince John to take over. Henry's wife, Queen Eleanor, has other ideas. She believes their son Prince Richard should be king. As the family and various schemers gather for the holiday, each tries to make the indecisive king choose their option. Written by Jwelch5742

Plot Summary | Add Synopsis

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The most significant reserved seat attraction of the year!


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

30 October 1968 (USA)  »

Also Known As:

El león en invierno  »

Box Office

Opening Weekend:

$5,339 (USA) (16 December 2016)

Gross:

$18,177 (USA) (20 January 2017)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (70 mm)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Eastmancolor) (uncredited)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Timothy Dalton's first film role. See more »

Goofs

Wake from the boat carrying the camera and crew visible when Eleanor is being ferried to Henry's castle. See more »

Quotes

[first lines]
Henry II: Come for me!
See more »

Connections

Featured in Katharine Hepburn: All About Me (1993) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
They Might Be Giants
21 December 2004 | by (Santa Monica, CA) – See all my reviews

The great film critic, Pauline Kael, chastised Hepburn in this film version of James Goldman's historical cat fight for exploiting the audience's emotional connection to her; for playing on her frailty. Further proof, that artistry is in the eye of the beholder. Ironically, years later, Hepburn, according to biographer Scott Berg, would criticize Meryl Streep for being too mannered. Of course, neither are the worse for the wear. Hepburn actually emerges triumphant in her portrayal of Eleonor of Acquitane and not least of which because we know the woman behind the artist; and know her to be a royal survivor in her own right.

Other criticism that has dogged this work is that James Goldman's dark satire is muddied by the layer of emotion and even sentiment that the movie develops. But as with the film version of Who's Afraid of Virginia Woolf?, the enhanced emotional core of the story is a strong plus. To this end John Barry's forceful score lends great credibility as does Anthony Harvey's non stop strategic direction. Casting this powerful, writing this intelligent in the hands of a smart director makes this Lion unsurpassable to a stage production and certainly the unfortunate recent remake.


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