Norman is a curmudgeon with an estranged relationship with his daughter Chelsea. At Golden Pond, he and his wife nevertheless agree to care for Billy, the son of Chelsea's new boyfriend, and a most unexpected relationship blooms.
An impassive young girl is taken from her suicidal London life, back to her home in North England on a bizarre bus trip. Seen through the poetic eye of the camera, this is a commentary of doomed British morbidity. In HD.
Nicol Williamson takes the lead role in this star-studded 1969 version of William Shakespeare's tragedy. Prince Hamlet mourns both his father's death and his mother's remarriage to Claudius... See full summary »
It's Christmas 1183, and King Henry II is planning to announce his successor to the throne. The jockeying for the crown, though, is complex. Henry has three sons and wants his boy Prince John to take over. Henry's wife, Queen Eleanor, has other ideas. She believes their son Prince Richard should be king. As the family and various schemers gather for the holiday, each tries to make the indecisive king choose their option. Written by
Although Peter O'Toole plays the father of Anthony Hopkins, John Castle and Nigel Terry, he is only five, seven and thirteen years older than them respectively. Moreover, O'Toole is twenty-five years Katharine Hepburn's junior but plays her husband. It should be noted, however, that there was quite a substantial age gap between Henry II and Eleanor of Aquitaine - she was approximately eleven years his senior. At the time frame set for this film, Christmas 1183, Eleanor of Aquitaine, born 1122, would have been 61 years old, as played by Katherine Hepburn, who was born May 12, 1907, also 61 years old at the time of production (1968). Henry II, born March 5, 1133 was 50 years old during Christmas 1183, as played by Peter O'Toole, born August 2, 1932, only 35-36 at the time of production, approximately 15 years younger than the character he was playing. See more »
During a scene in the dining hall, Henry is watching his jesters perform. At one point, he throws his head back with his mouth open as he roars with laughter. Metal fillings are clearly visible in his upper molars. See more »
The great film critic, Pauline Kael, chastised Hepburn in this film version of James Goldman's historical cat fight for exploiting the audience's emotional connection to her; for playing on her frailty. Further proof, that artistry is in the eye of the beholder. Ironically, years later, Hepburn, according to biographer Scott Berg, would criticize Meryl Streep for being too mannered. Of course, neither are the worse for the wear. Hepburn actually emerges triumphant in her portrayal of Eleonor of Acquitane and not least of which because we know the woman behind the artist; and know her to be a royal survivor in her own right.
Other criticism that has dogged this work is that James Goldman's dark satire is muddied by the layer of emotion and even sentiment that the movie develops. But as with the film version of Who's Afraid of Virginia Woolf?, the enhanced emotional core of the story is a strong plus. To this end John Barry's forceful score lends great credibility as does Anthony Harvey's non stop strategic direction. Casting this powerful, writing this intelligent in the hands of a smart director makes this Lion unsurpassable to a stage production and certainly the unfortunate recent remake.
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