The loons are back again on Golden Pond and so are Norman Thayer, a retired professor, and Ethel who have had a summer cottage there since early in their marriage. This summer their ... See full summary »
A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other somewhat-more respectable members of their family plot to steal the estate from him. Murder and mayhem ensues.
Christmas 1183--an aging and conniving King Henry II plans a reunion where he hopes to name his successor. He summons the following people for the holiday: his scheming but imprisoned wife, Queen Eleanor of Aquitaine; his mistress, Princess Alais, whom he wishes to marry; his three sons (Richard, Geoffrey, and John), all of whom desire the throne; and the young but crafty King Philip of France (who is also Alais' brother). With the fate of Henry's empire at stake, everybody engages in their own brand of deception and treachery to stake their claim. Written by
Although Peter O'Toole plays the father of Anthony Hopkins, John Castle and Nigel Terry, he is only five, seven and thirteen years older than them respectively. Moreover, O'Toole is twenty-five years Katharine Hepburn's junior but plays her husband. It should be noted, however, that there was quite a substantial age gap between Henry II and Eleanor of Aquitaine - she was approximately eleven years his senior. At the time frame set for this film, Christmas 1183, Eleanor of Aquitaine, born 1122, would have been 61 years old, as played by Katherine Hepburn, who was born May 12, 1907, also 61 years old at the time of production (1968). Henry II, born March 5, 1133 was 50 years old during Christmas 1183, as played by Peter O'Toole, born August 2, 1932, only 35-36 at the time of production, approximately 15 years younger than the character he was playing. See more »
For a moment Eleanor appears in front of Henry and Alais. Then she puts her hands one on the other, about her breast, and says to Henry she wants to watch him to kiss Alais. In the following shot her hands had changed position. See more »
What were those Academy fools thinking?! They ignore a powerhouse performance by Peter O'Toole and trounce Anthony Harvey's inspiring direction! But the final indignity was in giving the best picture award to an over-praised, undeserving, insignificant musical called OLIVER! If they had a least half a brain in their heads they could've given to FUNNY GIRL but they only shoot themselves in the foot when the deserving go unrecognized. It only goes to show the Academy's just jealous. The script and Kate's performance at least were given the royal treatment but it still leaves bitter resentment when Cliff Roberston, one of Hollywood's most less-than-adequate actors cops the best actor away from O'Toole... possibly Hollywood's most underrated, not to mention unrecognized actors of the highest caliber. Hepburn's Eleanor of Aquitaine had witty lines, quiet but still present anger and fire underneath the surface but O'Toole as Henry II gave the more powerful performance... an aesthetic that echoed Taylor and Burton for WHO'S AFRAID OF VIRGINIA WOOLF? only Taylor was the gutsy performer and Burton doled out the cut-lows and the intellect. To coin a phrase from the British... "he (O'Toole) was bloody robbed!"
The story is set in Britain, 1183. Henry II is on the throne and has ten years earlier imprisoned his wife Eleanor of Acquitaine after co-conspirating a civil war against him. She and their three sons (Richard, the eldest, a brave warrior on the battlefield, whom Eleanor wants to succeed Henry as king; Geoffrey, the quietly vicious, unappreciated middle son of whom neither of them love with a plot for every occurrence and John, the piggish, dirty, thieving brat is their youngest whom Henry for some unknown reason wants on the throne) are all requested to appear at their palace of Chinon for the Christmas holidays. Also invited is young King Philip II of France whose elder sister Alais is the treasured and much-loved mistress to Henry. Philip wishes to have Alais mearried off to one of Henry's sons (preferably Richard) in order to form an alliance between England and France made between Henry and Philip's father, the late King Louis. But meanwhile, Philip is also plotting with all three boys and Eleanor to tear Henry's kingdom apart. Eleanor is merely in on it to get back at Henry for loving Alais (whom she had raised as a surrogate daughter) and the late Rosmund, an old rival of Eleanor's whom Henry replaced her with.
This film has it all: infidelity, betrayal, family dysfunction and a script that crackles with venom, wit and plot-twisting motivation. See it if only for O'Toole and Hepburn's first-rate performances.
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