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The Lion in Winter (1968)

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1183 AD: King Henry II's three sons all want to inherit the throne, but he won't commit to a choice. They and his wife variously plot to force him.

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(screenplay), (play)
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Won 3 Oscars. Another 12 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Kenneth Ives ...
Queen Eleanor's Guard
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Fran Stafford ...
Lady in Waiting
Ella More ...
Lady in Waiting
Kenneth Griffith ...
Strolling Player
Henry Woolf ...
Strolling Player
Karol Hagar ...
Strolling Player
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Storyline

It's Christmas 1183, and King Henry II is planning to announce his successor to the throne. The jockeying for the crown, though, is complex. Henry has three sons and wants his boy Prince John to take over. Henry's wife, Queen Eleanor, has other ideas. She believes their son Prince Richard should be king. As the family and various schemers gather for the holiday, each tries to make the indecisive king choose their option. Written by Jwelch5742

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The most significant reserved seat attraction of the year!


Certificate:

PG | See all certifications »

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Details

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Release Date:

30 October 1968 (USA)  »

Also Known As:

El león en invierno  »

Company Credits

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Technical Specs

Runtime:

| (70 mm)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Eastmancolor) (uncredited)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Katharine Hepburn is the only movie star to win four Academy Awards (2009) for her leading roles in Morning Glory (1933), Guess Who's Coming to Dinner (1967), The Lion in Winter (1968), and On Golden Pond (1981). See more »

Goofs

At the beginning of the film, Henry compares his situation to that of King Lear. Although Shakespeare wrote King Lear more than 400 years after the death of Henry II, it was based on a legend of Leir of Britain as recounted by Geoffrey of Monmouth, who was alive in Henry II's day. See more »

Quotes

[first lines]
Henry II: Come for me!
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Frequently Asked Questions

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User Reviews

 
More TRUE than a factual documentary could accomplish

It's been eight years since I first saw this movie, and it is still my personal live-action gold standard (Lilo & Stitch being my animated film gold-standard). It combines drama, tragedy, razor-sharp comedy, great performances, and the best dialogue that has ever been spoken on film, period.

I found this movie quite by accident--I was a sixteen-year-old with a Katharine Hepburn fixation. She mesmerized me; I wanted to BE her--smart, beautiful, sexy, and unwilling and unable to take anything off of anybody (except for Spencer Tracy, but that's another story). Honestly, I had no idea that there really had been such a person as Eleanor until I saw this movie. After watching my heroine portray her, I was determined to find out, though...so I have Katharine Hepburn to thank for my discovery of a new personal hero, and for my passion for medieval history.

It is true that this movie is not 100% factually accurate, not only because movie making dictates tinkering with history to create an interesting film, but also because, unfortunately, not too much is known about Eleanor herself. In the middle ages, women, even powerful, intriguing women like Eleanor, were not considered "important" enough to merit full biographical treatment. Most of Eleanor's history is recorded in the context of her sons and husbands. A good deal of this history was written by her detractors--people who disliked or disapproved of her for one reason or another. The simple explanation is that they felt that as a woman, she overstepped the bounds of what was considered "acceptable behavior" for a woman of the period.

That being said, this movie is 100% spiritually accurate. It perfectly captures the intrigue, the complexity of emotions and relationships, and tone of the age and the situation at hand. Though the sharp and witty dialogue is often considered a historical anachronism, this is not strictly true. Contrary to popular belief, people WERE educated in the middle ages, even women, if they were fortunate enough to be brought up in noble households, as Eleanor was. She was a brilliant woman, raised in a household where poetry and intelligent conversation were staples (her grandfather, after all, was one of the first troubadours). Henry was an intellectual powerhouse as well--he was a voracious reader who was often caught reading in church instead of paying attention to the sermons! It is unthinkable that these two minds would have produced stupid children, and the notion that the entire family should have only spoken in grunts and simple phrases is equally ludicrous.

Though not historically accurate, as other reviewers have noted, the strength of this movie lies in it's perfect portrayal of some of the most fascinating and complex personalities in recorded history. Henry, Eleanor, Richard, et al., make today's political and royal figures seem like low-rent bumbling hucksters.


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