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A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other somewhat-more respectable members of their family plot to steal the estate from him. Murder and mayhem ensues.
Christmas 1183--an aging and conniving King Henry II plans a reunion where he hopes to name his successor. He summons the following people for the holiday: his scheming but imprisoned wife, Queen Eleanor of Aquitaine; his mistress, Princess Alais, whom he wishes to marry; his three sons (Richard, Geoffrey, and John), all of whom desire the throne; and the young but crafty King Philip of France (who is also Alais' brother). With the fate of Henry's empire at stake, everybody engages in their own brand of deception and treachery to stake their claim. Written by
During a scene in the dining hall, Henry is watching his jesters perform. At one point, he throws his head back with his mouth open as he roars with laughter. Metal fillings are clearly visible in his upper molars. See more »
Possibly the best dialogue ever written for a film... ever.
I love this film. I love this film. I am not sure that I can say that phrase enough when describing this movie. Lion in Winter is quite simply one of the strangest and most beautiful movies that I have ever seen. It is some wierd amalgam of a 'home for the hollidays' type family drama, and Machiavellian political intrigue.
The essential plot is that it is 1183 and Henry II must declare his successor to the Plantagenet throne. He invites his wife, Eleanor of Aquitaine (played by Katherine Hepburn), who is in exile, and his sons to along with king of France, to Christmas dinner. Over the course of the evening truths are told and arguments are had, the film rolls over all of the conventions of the many genres that it plays with and turns them into something new and beautiful.
The film could have been written by Machiavelli himself, and often smacks of the Mandragola. The film demonstrates family disfunction within a very interesting, medieval paradigm. While the film is about issues such as family, loyalty and love, ultimately is most gratifying as a vehicle for O'Toole and Hepburn to chew the scenery and dig into a few truly juicy roles.
It is fantastic film that any lover of dialogue driven drama-comedy should rent and watch over and over again.
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