Many young women rely on dating apps to enjoy the finer things in life. But they rarely consider the negative consequences that can arise from embracing their lavish new social lives. Actress Vanessa Zima’s character of Kimberly is one such woman who doesn’t realize that her life may actually be in danger until the last […]
The post Vanessa Zima Falls Victim to Andy Davoli During a Killer Weekend in Thriller’s Exclusive Clip appeared first on Shockya.com.
The post Vanessa Zima Falls Victim to Andy Davoli During a Killer Weekend in Thriller’s Exclusive Clip appeared first on Shockya.com.
- 10/12/2020
- by Karen Benardello
- ShockYa
A woman uses a dating app to enjoy the finer things in life, until the app leads her into the clutches of a sadistic serial killer in the new horror film Killer Weekend. Ahead of the movie's release this fall from Blanc-Biehn Productions, we've been provided with the exclusive teaser trailer for Killer Weekend, co-starring Michael Biehn and Jennifer Blanc.
You can watch the first teaser trailer for Killer Weekend below, and stay tuned to Daily Dead for future updates on the new horror film from director Jamielyn Lippman.
Press Release: June 6th, 2019 (Los Angeles): Blanc-Biehn, the production company by famed actors Michael Biehn and Jennifer Blanc-Biehn has released the teaser trailer for their new film, Killer Weekend, directed by Jamielyn Lippman (3 Years in Pakistan: The Erik Aude Story; When the Bough Breaks). The film will be released this fall.
The film stars Andy Davoli, Vanessa Zima (Manson Girls,...
You can watch the first teaser trailer for Killer Weekend below, and stay tuned to Daily Dead for future updates on the new horror film from director Jamielyn Lippman.
Press Release: June 6th, 2019 (Los Angeles): Blanc-Biehn, the production company by famed actors Michael Biehn and Jennifer Blanc-Biehn has released the teaser trailer for their new film, Killer Weekend, directed by Jamielyn Lippman (3 Years in Pakistan: The Erik Aude Story; When the Bough Breaks). The film will be released this fall.
The film stars Andy Davoli, Vanessa Zima (Manson Girls,...
- 6/6/2019
- by Derek Anderson
- DailyDead
This weekend is going to be so killer, dude! The poster for Jamielyn Lippman's Killer Weekend, produced by Blanc-Biehn Productions, has arrived. Also in today's Horror Highlights: Fantaspoa 2019 award winners, Celebrity Crush trailer and Dances With Films premiere details, as well as a concept trailer and poster for The Last Blockbuster.
Killer Weekend Release Details and Poster: "Blanc-Biehn, the production company by famed actors Michael Biehn and Jennifer Blanc-Biehn just released the poster for their new film, Killer Weekend, directed by Jamielyn Lippman (3 Years in Pakistan: The Erik Aude Story; When the Bough Breaks). The film will be released this fall.
The film stars Andy Davoli Vanessa Zima, Alex Urbom, Michael Biehn and features Jennifer Blanc.
Killer Weekend is a thriller about a young La girl named Kimberly (Zima) who’s enjoyed a lavish lifestyle thanks to a "dating app". With the help from a lowlife insurance agent, Fred...
Killer Weekend Release Details and Poster: "Blanc-Biehn, the production company by famed actors Michael Biehn and Jennifer Blanc-Biehn just released the poster for their new film, Killer Weekend, directed by Jamielyn Lippman (3 Years in Pakistan: The Erik Aude Story; When the Bough Breaks). The film will be released this fall.
The film stars Andy Davoli Vanessa Zima, Alex Urbom, Michael Biehn and features Jennifer Blanc.
Killer Weekend is a thriller about a young La girl named Kimberly (Zima) who’s enjoyed a lavish lifestyle thanks to a "dating app". With the help from a lowlife insurance agent, Fred...
- 6/5/2019
- by Tamika Jones
- DailyDead
Kimberly, a black widow type, meets her match in Jamielyn Lippman's Killer Weekend. Filming has begun on the Blanc/Biehn Productions project, and we have some photos from the set to share with Daily Dead readers.
Press Release: (Los Angeles, CA / January 12, 2016) -- Blanc/Biehn Productions (Bbp), the powerhouse indie film studio founded by actors/filmmakers Michael Biehn and Jennifer Blanc-Biehn, announces that principal shooting for Killer Weekend has begun in Los Angeles.
Jamielyn Lippman (When the Bough Breaks) will direct the thriller, with an original screenplay by Travis Romero, who wrote the story with Lony Ruhmann; Romero and Ruhmann have also collaborated on behalf of Bbp in the 2013 release Treachery and the upcoming Altered Perception.
Killer Weekend follows Kimberly (Vanessa Zima), a sexy young coed who’s enjoyed a lavish lifestyle thanks to rich Sugar Daddies, but quickly realizes she could access their money far more easily… by killing them.
Press Release: (Los Angeles, CA / January 12, 2016) -- Blanc/Biehn Productions (Bbp), the powerhouse indie film studio founded by actors/filmmakers Michael Biehn and Jennifer Blanc-Biehn, announces that principal shooting for Killer Weekend has begun in Los Angeles.
Jamielyn Lippman (When the Bough Breaks) will direct the thriller, with an original screenplay by Travis Romero, who wrote the story with Lony Ruhmann; Romero and Ruhmann have also collaborated on behalf of Bbp in the 2013 release Treachery and the upcoming Altered Perception.
Killer Weekend follows Kimberly (Vanessa Zima), a sexy young coed who’s enjoyed a lavish lifestyle thanks to rich Sugar Daddies, but quickly realizes she could access their money far more easily… by killing them.
- 1/12/2017
- by Tamika Jones
- DailyDead
South by Southwest, the multi-faceted film, music and technology festival held annually in Austin, TX will feature such upcoming films as Paul Feig’s Spy, David Gordon Green’s Manglehorn, Alex Gibney’s documentary Steve Jobs: The Man in the Machine, and Ondi Timoner’s Russell Brand profile Brand: A Second Coming as headliners in this year’s film festival lineup.
SXSW runs from March 13 to 21 in Austin and is now in its 22nd year. Variety has details of the 145 films and 100 world premieres bowing at this year’s festival. Brand, as previously reported, will be the festival’s opening night film.
Other notable titles on the list are the Will Ferrell/Kevin Hart comedy Get Hard, a rough cut of Judd Apatow’s Trainwreck, the directorial debut of 28 Days Later screenwriter Alex Garland, Ex Machina, and a new comedy by Michael Showalter, Hello, My Name is Doris.
On the small screen,...
SXSW runs from March 13 to 21 in Austin and is now in its 22nd year. Variety has details of the 145 films and 100 world premieres bowing at this year’s festival. Brand, as previously reported, will be the festival’s opening night film.
Other notable titles on the list are the Will Ferrell/Kevin Hart comedy Get Hard, a rough cut of Judd Apatow’s Trainwreck, the directorial debut of 28 Days Later screenwriter Alex Garland, Ex Machina, and a new comedy by Michael Showalter, Hello, My Name is Doris.
On the small screen,...
- 2/3/2015
- by Brian Welk
- SoundOnSight
2011 - 80 mins. - Not Rated
D: Sage Bannick
C: Bryan Kirkwood, Yvonne Zima, Samuel Ball, Vanessa Zima, Denny Kirkwood
The students at a local high school are falling victim to their science teacher's evil twin brother who is trying to cover up his brother's affair with a missing student.
This slasher manages to juggle many plot threads including a slasher storyline, a tale of a stepfather abusing his young stepson, a missing person's procedural, a teen drama, and a play on duality with twins representing good & evil. Only problem, as soon as any of these story threads start to engage the viewer, once they start to become involving, they are abruptly over with. There's some interesting ideas, but with a brief running time of only 80 minutes, this is one of those rare films that should've been longer so that the material could've been better fleshed out and that the characterizations...
2011 - 80 mins. - Not Rated
D: Sage Bannick
C: Bryan Kirkwood, Yvonne Zima, Samuel Ball, Vanessa Zima, Denny Kirkwood
The students at a local high school are falling victim to their science teacher's evil twin brother who is trying to cover up his brother's affair with a missing student.
This slasher manages to juggle many plot threads including a slasher storyline, a tale of a stepfather abusing his young stepson, a missing person's procedural, a teen drama, and a play on duality with twins representing good & evil. Only problem, as soon as any of these story threads start to engage the viewer, once they start to become involving, they are abruptly over with. There's some interesting ideas, but with a brief running time of only 80 minutes, this is one of those rare films that should've been longer so that the material could've been better fleshed out and that the characterizations...
- 3/15/2011
- by Big Daddy aka Brandon Sites
- Big Daddy Horror Reviews - Interviews
It's a very mixed bag this week for horror title releases. We're not sure how Dread-worthy the supernatural drama Hereafter (directed by Clint Eastwood and starring Matt Damon, Bryce Dallas Howard and Jay Mohr) is but have included it because of its afterlife aspects.
On the list you'll also find a couple of schlocky monster movies, one a double-feature of classic Gamera entries and the other from the Syfy channel featuring Sharktopus (a sea creature that is both a shark and an octopus) with an over-acting Eric Roberts. In addition Syfy is releasing its mockbuster Battle of Los Angeles to take advantage of the current Aliens-Invading-Los-Angeles craze.
Hereafter
Directed by Clint Eastwood
Starring Matt Damon, Bryce Dallas Howard, Jay Mohr, Cécile de France, Frankie McLaren, George McLaren
George is a blue-collar American with a special connection to the afterlife dating from his childhood. French journalist Marie has a near-death experience that shakes her reality.
On the list you'll also find a couple of schlocky monster movies, one a double-feature of classic Gamera entries and the other from the Syfy channel featuring Sharktopus (a sea creature that is both a shark and an octopus) with an over-acting Eric Roberts. In addition Syfy is releasing its mockbuster Battle of Los Angeles to take advantage of the current Aliens-Invading-Los-Angeles craze.
Hereafter
Directed by Clint Eastwood
Starring Matt Damon, Bryce Dallas Howard, Jay Mohr, Cécile de France, Frankie McLaren, George McLaren
George is a blue-collar American with a special connection to the afterlife dating from his childhood. French journalist Marie has a near-death experience that shakes her reality.
- 3/15/2011
- by kwlow
- DreadCentral.com
*Full disclosure: a screener of this film was provided by Sage Bannick.
Director: Sage Bannick.
Writers: Ari Bernstein, Damon Abdallah, and Sage Bannick.
The Absent is 4/10 high school drama, 4/10 slasher and 1/10 psychological thriller. Releasing on DVD March 15th through Passion River, The Absent is an eighty minute challenge upon the attention, with some tension coming from a teacher/student interplay. You see, Vincent is a science teacher with a crush on a young student, named Katie. Soon, characters are dying and motivations are not fully realized. An indie film with passion and ambition, The Absent just never becomes compelling.
Director Sage Bannick has stated that this film was shot in ten days: "on a shoestring budget." So right out of the starting block, this film is rushed. Most films require at least two weeks, excluding re-shoots. A film just cannot rise to any excellent quality, with such a short shooting schedule.
Director: Sage Bannick.
Writers: Ari Bernstein, Damon Abdallah, and Sage Bannick.
The Absent is 4/10 high school drama, 4/10 slasher and 1/10 psychological thriller. Releasing on DVD March 15th through Passion River, The Absent is an eighty minute challenge upon the attention, with some tension coming from a teacher/student interplay. You see, Vincent is a science teacher with a crush on a young student, named Katie. Soon, characters are dying and motivations are not fully realized. An indie film with passion and ambition, The Absent just never becomes compelling.
Director Sage Bannick has stated that this film was shot in ten days: "on a shoestring budget." So right out of the starting block, this film is rushed. Most films require at least two weeks, excluding re-shoots. A film just cannot rise to any excellent quality, with such a short shooting schedule.
- 3/12/2011
- by Remove28DaysLaterAnalysisThis@gmail.com (Michael Allen)
- 28 Days Later Analysis
Julie Christie in Alan Rudolph's Afterglow (top); Judi Dench in John Madden's Mrs. Brown (middle); Vanessa Zima, Peter Fonda in Victor Nunez's Ulee's Gold (bottom) Lynn Redgrave, James Coburn, Fernanda Montenegro: Oscar Veterans 1998 Julie Christie Julie Christie was nominated as Best Actress for Alan Rudolph's Afterglow. She lost to Helen Hunt in James L. Brooks' As Good As It Gets. Christie had two previous Best Actress nominations: for John Schlesinger's Darling (1965), for which she won, and Robert Altman's McCabe and Mrs. Miller (1971). Following Altman's "anti-Western," Christie had to wait 26 years for another Oscar nod. Judi Dench Judi Dench was nominated as Best Actress for John Madden's Mrs. Brown. That was Dench's first nomination. She lost to Helen Hunt in As Good As It Gets. On the other side of the Atlantic, Dench had already won three British Academy Awards for her film work,...
- 2/18/2011
- by Andre Soares
- Alt Film Guide
The Absent is an independently shot and financed thriller from the westcoast of North America (Washington). The Absent was written and directed by Sage Bannick (Just Hustle) and the story involves a Cain and Abel styled plotline. One brother is released from prison and returns home, while a series of murders take place upon his return. Is he the culprit, or his vengeful twin brother?
The cast for this feature includes Bryan Kirkwood (Hellbent), Yvonne Zima (Long Kiss Goodnight), Vanessa Zima (Wicked), Denny Kirkwood (Never Been Kissed) and others. This film will have a limited theatrical release beginning in January, with a follow up on DVD March 15th. Check out the first exciting trailer for The Absent inside. More details are also below (theatre dates).
The film's synopsis is here:
“The Absent centers on Vincent, a high school teacher forced to choose between career and a love affair with Katie,...
The cast for this feature includes Bryan Kirkwood (Hellbent), Yvonne Zima (Long Kiss Goodnight), Vanessa Zima (Wicked), Denny Kirkwood (Never Been Kissed) and others. This film will have a limited theatrical release beginning in January, with a follow up on DVD March 15th. Check out the first exciting trailer for The Absent inside. More details are also below (theatre dates).
The film's synopsis is here:
“The Absent centers on Vincent, a high school teacher forced to choose between career and a love affair with Katie,...
- 12/30/2010
- by 28DaysLaterAnalysis@gmail.com (Michael Allen)
- 28 Days Later Analysis
A teenage girl's journey of passage in the vein of Allison Anders' early works, "Zoe" was hatched at a hotel poolside during the Nortel Palm Springs International Film Festival several years ago -- when first-time filmmaker Deborah Attoinese connected with co-writer Amy Dawes (a former journalist and L.A. film critic, including a short stint at The Hollywood Reporter).
Picturesque origins aside, the film is an upbeat affair about three rebellious high schoolers who run away from unhappy homes somewhere in the hinterlands and head for Hollywood. They don't get very far, and not much bad happens to them. And the movie is not so bad either, but neither is it distinguished enough to hitch its way into many theaters. The presence of Jenny Seagrove ("Local Hero") and lead Vanessa Zima ("Ulee's Gold") might help in ancillary excursions.
An affair appealing mostly to women from start to finish, "Zoe" is a meandering saga that at times awkwardly loses focus but never strays too far from its path. The subjects of spousal abuse, delinquency and Native American spiritualism are handled believably, but the central plot of Zoe's quest for roots and guidance is conveniently shouldered by a stranger whom the lead and her friends Sarah (Stephi Lineburg) and Ally (Victoria Davis) hijack at gunpoint.
This unbelievable, quickly forgotten development occurs early on when the three runaways can't quite get out of a diner without a policeman giving them a fright. The stranger in question is English shrink Cecilia (Seagrove), on a mission to scatter the ashes of her deceased mother, who lived out her life in a shack near "sacred Indian grounds." Proud of being one-eighth Native American, Zoe longs to find her roots and healthy mothering, but Cecilia keeps her at arm's distance.
With an easygoing episodic structure that works in character-driven comedy and nary a swear word or unpleasant moment, "Zoe" climaxes when the lead and Cecilia -- leaving behind Sarah and Ally -- find those sacred grounds and the nurturing friend of Cecilia's mother, Red Shirt (Gordon Tootoosis). While Cecilia comes to know what her mother was like -- and approves -- Zoe almost gets roasted in the desert when she takes a spontaneous step toward enlightenment.
The character as written and Zima's performance as Zoe are distractingly one-note after the early scenes of her bad home life. Perhaps female viewers will feel differently, but there's not enough tension or doubt about the outcome. Unfortunately, when it does conclude, there are one or two leaps meant to be taken on faith that don't make the whole scenario go down any smoother.
ZOE
Curb Entertainment
and Bill Kenwright Films
Director: Deborah Attoinese
Screenwriters: Deborah Attoinese, Amy Dawes
Producers: Bill Kenwright, Carole Curb Nemoy, Mike Curb, Ram Bergman, Dana Lustig
Director of photography: Samuel Ameen
Production designer: Charles M. Lippross
Editors: Lawrence Maddox, Richard Weis
Costume designer: Clara Ronk
Music: Dan Pinnella
Casting: Mary Margiotta, Karen Margiotta
Color/stereo
Cast:
Cecilia: Jenny Seagrove
Zoe: Vanessa Zima
Sarah: Stephi Lineburg
Ally: Victoria Davis
Red Shirt: Gordon Tootoosis
Mrs. Callahan: Kim Greist
Julian: Oliver Parker
Running time -- 90 minutes
No MPAA rating...
Picturesque origins aside, the film is an upbeat affair about three rebellious high schoolers who run away from unhappy homes somewhere in the hinterlands and head for Hollywood. They don't get very far, and not much bad happens to them. And the movie is not so bad either, but neither is it distinguished enough to hitch its way into many theaters. The presence of Jenny Seagrove ("Local Hero") and lead Vanessa Zima ("Ulee's Gold") might help in ancillary excursions.
An affair appealing mostly to women from start to finish, "Zoe" is a meandering saga that at times awkwardly loses focus but never strays too far from its path. The subjects of spousal abuse, delinquency and Native American spiritualism are handled believably, but the central plot of Zoe's quest for roots and guidance is conveniently shouldered by a stranger whom the lead and her friends Sarah (Stephi Lineburg) and Ally (Victoria Davis) hijack at gunpoint.
This unbelievable, quickly forgotten development occurs early on when the three runaways can't quite get out of a diner without a policeman giving them a fright. The stranger in question is English shrink Cecilia (Seagrove), on a mission to scatter the ashes of her deceased mother, who lived out her life in a shack near "sacred Indian grounds." Proud of being one-eighth Native American, Zoe longs to find her roots and healthy mothering, but Cecilia keeps her at arm's distance.
With an easygoing episodic structure that works in character-driven comedy and nary a swear word or unpleasant moment, "Zoe" climaxes when the lead and Cecilia -- leaving behind Sarah and Ally -- find those sacred grounds and the nurturing friend of Cecilia's mother, Red Shirt (Gordon Tootoosis). While Cecilia comes to know what her mother was like -- and approves -- Zoe almost gets roasted in the desert when she takes a spontaneous step toward enlightenment.
The character as written and Zima's performance as Zoe are distractingly one-note after the early scenes of her bad home life. Perhaps female viewers will feel differently, but there's not enough tension or doubt about the outcome. Unfortunately, when it does conclude, there are one or two leaps meant to be taken on faith that don't make the whole scenario go down any smoother.
ZOE
Curb Entertainment
and Bill Kenwright Films
Director: Deborah Attoinese
Screenwriters: Deborah Attoinese, Amy Dawes
Producers: Bill Kenwright, Carole Curb Nemoy, Mike Curb, Ram Bergman, Dana Lustig
Director of photography: Samuel Ameen
Production designer: Charles M. Lippross
Editors: Lawrence Maddox, Richard Weis
Costume designer: Clara Ronk
Music: Dan Pinnella
Casting: Mary Margiotta, Karen Margiotta
Color/stereo
Cast:
Cecilia: Jenny Seagrove
Zoe: Vanessa Zima
Sarah: Stephi Lineburg
Ally: Victoria Davis
Red Shirt: Gordon Tootoosis
Mrs. Callahan: Kim Greist
Julian: Oliver Parker
Running time -- 90 minutes
No MPAA rating...
- 1/26/2001
- The Hollywood Reporter - Movie News
PARK CITY, Utah -- Ulysses Jackson, a k a Ulee, is a former Vietnam War hero, but his toughest battles are raising his two granddaughters. Once again, filmmaker Victor Nunez has tapped into the rich vein of family life to forge a story that says much about the resilience of the human spirit.
Featuring a full and flinty performance by Peter Fonda as Ulee, this well-wrought and thoughtful drama should prove a nugget in select-site showings.
Walking stiffly because of the constant pain he endures from his war injury, Ulee keeps pretty much to himself. That's not to say his life is not abuzz with activity: He's a rural Louisiana beekeeper who ekes out a living selling honey. Immersed in the tedium of his honey harvesting, he's fine, but his home front poses much more vexing problems. His son Jimmy is in prison, and his oldest granddaughter (Vanessa Zima) is going through a rebellious phase. Ironically, Ulee seems most in harmony with his preteen granddaughter (Jessia Biel), whose open ways and decency mirror Ulee's own disposition.
As Ulee musters all his arthritic energies toward the critical harvest season, he is stung with a horrible dilemma. His drug-addicted daughter-in-law (Christine Dunford) has washed up in Orlando and Jimmy implores Ulee to take her in. Worse, she has divulged to Jimmy's former partners-in-crime that he has held out on them, having stashed some robbery money on Ulee's bee farm.
In this spare tale, writer-director Nunez has tapped into the core of his character's strengths and weaknesses.
Neither physically healthy enough to encounter his problem nor psychologically inclined to help wrongdoers, Ulee must muster all his strength and, much tougher, struggle against his own grain to do the right thing -- help his family. It's a solitary and heroic quest.
No superhero and crippled with flaws, Ulee does the best he can. That's the beauty of this story and the pure wonder of its theme -- that man is at his best when struggling for his kin.
Fonda's understated performance as the laconic Ulee is terrific, capturing the fiber and marrow of a man who, although he sells honey, has little sweetness in his own life. Both girls, Biel and Zima, are well-cast as the granddaughters passing through a critical growing phase. J. Kenneth Campbell, as the local lawman, embodies the adage that you catch more flies with honey.
Technical credits are marvelous, from Virgil Mirano's sovereign cinematography to Charles Engstrom's smoothly whirled score.
ULEE'S GOLD
Metromedia Entertainment
Group Orion
Producer-director-screenwriter Victor Nunez
Co-producers Sam Gowan, Peter Saraf
Executive producers Edward Saxon,
John Sloss, Valerie 8
Director of photography
Virgil Mirano
Production designer Pat Garner
Costume designer Marilyn Wall-Asse
Music Charles Engstrom
Casting Judy Courtney
Sound design Pete Winter
Color/stereo
Cast:
Ulee Jackson Peter Fonda
Connie Hope Patricia Richardson
Helen Jackson Christine Dunford
Jimmy Jackson Tom Wood
Casey Jackson Jessia Biel
Penny Jackson Vanessa Zima
Eddie Flowers Steven Flynn
Ferris Dooley Dewley Weber
Running time -- 113 minutes...
Featuring a full and flinty performance by Peter Fonda as Ulee, this well-wrought and thoughtful drama should prove a nugget in select-site showings.
Walking stiffly because of the constant pain he endures from his war injury, Ulee keeps pretty much to himself. That's not to say his life is not abuzz with activity: He's a rural Louisiana beekeeper who ekes out a living selling honey. Immersed in the tedium of his honey harvesting, he's fine, but his home front poses much more vexing problems. His son Jimmy is in prison, and his oldest granddaughter (Vanessa Zima) is going through a rebellious phase. Ironically, Ulee seems most in harmony with his preteen granddaughter (Jessia Biel), whose open ways and decency mirror Ulee's own disposition.
As Ulee musters all his arthritic energies toward the critical harvest season, he is stung with a horrible dilemma. His drug-addicted daughter-in-law (Christine Dunford) has washed up in Orlando and Jimmy implores Ulee to take her in. Worse, she has divulged to Jimmy's former partners-in-crime that he has held out on them, having stashed some robbery money on Ulee's bee farm.
In this spare tale, writer-director Nunez has tapped into the core of his character's strengths and weaknesses.
Neither physically healthy enough to encounter his problem nor psychologically inclined to help wrongdoers, Ulee must muster all his strength and, much tougher, struggle against his own grain to do the right thing -- help his family. It's a solitary and heroic quest.
No superhero and crippled with flaws, Ulee does the best he can. That's the beauty of this story and the pure wonder of its theme -- that man is at his best when struggling for his kin.
Fonda's understated performance as the laconic Ulee is terrific, capturing the fiber and marrow of a man who, although he sells honey, has little sweetness in his own life. Both girls, Biel and Zima, are well-cast as the granddaughters passing through a critical growing phase. J. Kenneth Campbell, as the local lawman, embodies the adage that you catch more flies with honey.
Technical credits are marvelous, from Virgil Mirano's sovereign cinematography to Charles Engstrom's smoothly whirled score.
ULEE'S GOLD
Metromedia Entertainment
Group Orion
Producer-director-screenwriter Victor Nunez
Co-producers Sam Gowan, Peter Saraf
Executive producers Edward Saxon,
John Sloss, Valerie 8
Director of photography
Virgil Mirano
Production designer Pat Garner
Costume designer Marilyn Wall-Asse
Music Charles Engstrom
Casting Judy Courtney
Sound design Pete Winter
Color/stereo
Cast:
Ulee Jackson Peter Fonda
Connie Hope Patricia Richardson
Helen Jackson Christine Dunford
Jimmy Jackson Tom Wood
Casey Jackson Jessia Biel
Penny Jackson Vanessa Zima
Eddie Flowers Steven Flynn
Ferris Dooley Dewley Weber
Running time -- 113 minutes...
- 1/27/1997
- The Hollywood Reporter - Movie News
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