A San Francisco spoken word artist returns to New Mexico to be with his dying father, only to find he loses his "voice" as he is sucked back in to the dysfunctional life of drugs and violence he left behind.
Sully is a rascally ne'er-do-well approaching retirement age. While he is pressing a worker's compensation suit for a bad knee, he secretly works for his nemesis, Carl, and flirts with ... See full summary »
Ulee is called one day by his incarcerated son, Jimmy, asking for a favor. Jimmy will repay his debts if they save his wife, Helen, from hoodlums. Ulee must now risk his and his family's lives to save Helen. Written by
Robert Krzanowski <firstname.lastname@example.org>
Coincidentally, Peter Fonda's dad Henry Fonda had been an amateur beekeeper for a period during his acting career. See more »
When Ulee is being knifed the perpetrator uses an underarm swing, which would place the wound in his lower back. The view changes to inside the truck and the perpetrator's arm is shown as over handed which would cause a wound near the shoulder where it is shown to be. See more »
Peter Fonda plays Ulee, a middle-aged beekeeper raising his incarcerated son's two daughters in rural northern Florida. Suddenly two of his son's partners in crime show up, dump the son's wife (who had abandoned the family years before) on their doorstep, and begin menacing around looking for lost loot. Ulee tries to do the right thing, but while "keeping it in the family".
Most directors and screenwriters today would go for tautness and intensity. Not here, though it is not lacking in drama. This is a study in family dynamics as three generations (and neighbors) try to pull it together and address the crises that confronts them.
Rent this movie. It is subtle, well-crafted, and the best work Peter Fonda has done in decades.
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