A San Francisco spoken word artist returns to New Mexico to be with his dying father, only to find he loses his "voice" as he is sucked back in to the dysfunctional life of drugs and violence he left behind.
Sully is a rascally ne'er-do-well approaching retirement age. While he is pressing a worker's compensation suit for a bad knee, he secretly works for his nemesis, Carl, and flirts with ... See full summary »
Ulee is called one day by his incarcerated son, Jimmy, asking for a favor. Jimmy will repay his debts if they save his wife, Helen, from hoodlums. Ulee must now risk his and his family's lives to save Helen. Written by
Robert Krzanowski <email@example.com>
When Ulee is being knifed the perpetrator uses an underarm swing, which would place the wound in his lower back. The view changes to inside the truck and the perpetrator's arm is shown as over handed which would cause a wound near the shoulder where it is shown to be. See more »
A pretty good little movie. The pace is a little slow, and often not much seems to be happening. This is not a bad thing here. Hollywood is usually so formulaic that they must not be discouraged when they try something a little different. Everything worked well here, the acting, the photography, the direction. Yes, Peter Fonda turned in a fine performance. I wonder if as much would have been made of this if Fonda hadn't spent most of his career playing in total stinkers, though. The small-time crooks, Fonda must deal with (including his son) are such losers they seem directly imported from an Elmore Leonard novel. Special mention for the child actress Vanessa Zima (Penny Jackson). She performed wonderfully in her role, full of soulful and meaningful looks. Either she is a very good child actress, or the casting director did a great job finding a girl who looks the part.
10 of 10 people found this review helpful.
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