A San Francisco spoken word artist returns to New Mexico to be with his dying father, only to find he loses his "voice" as he is sucked back in to the dysfunctional life of drugs and violence he left behind.
Ruby, a young woman, arrives in a Florida resort town during the off season to make a fresh start. She gets work as a sales clerk in a souvineer shop run by Mildred Chambers. She dates, and... See full summary »
Queen Victoria is deeply depressed after the death of her husband, disappearing from public. Her servant Brown, who adores her, through caress and admiration brings her back to life, but ... See full summary »
An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
Helena Bonham Carter,
Gal Young 'Un centers on a spinster woman who lives alone in the woods of north Florida until she is swept off her feet by an opportunistic bootlegger. He marries her for her place and her ... See full summary »
Ulee is called one day by his incarcerated son, Jimmy, asking for a favor. Jimmy will repay his debts if they save his wife, Helen, from hoodlums. Ulee must now risk his and his family's lives to save Helen. Written by
Robert Krzanowski <firstname.lastname@example.org>
When Ulee is being knifed the perpetrator uses an underarm swing, which would place the wound in his lower back. The view changes to inside the truck and the perpetrator's arm is shown as over handed which would cause a wound near the shoulder where it is shown to be. See more »
Surely one of the best human dramas of the last few years, Peter Fonda is great as Ulee Jackson, a deeply wounded but incredibly strong man who by sheer strength of will reaches out to drag back together a shattered family. His performance is a masterpiece of understatement; we can almost physically sense the roiling depths of anger and resentment that lie below his cold, almost imperturbable exterior. The crime subplot never takes precedence over the gripping family drama that is the movie's core. It is wonderful to see the various characters gradually becoming re-integrated into a functioning family; i.e. the daughter's appearing late at night in the work area to help Ulee, whose restrictions up to then she has mightily resented, with his backbreaking work.
Few have commented on the double entendre of the movie's title. Ulee's "Gold" is, on its surface, the honey he works to produce. It is clear, at the film's conclusion, that the "Gold" is, in actuality, the family he has brought together again. (I suppose we could have a triple entendre in that it might also refer to the long-lost money that is at the crime subplot's core).
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