Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
Two families are unhappy with their respective relationships: first of ambitious businessman Jeffrey Byron and sexually frustrated Marianne and second of repair contractor Lucky Mann and former B-movie actress Phyllis. When Lucky arrives to Byron's apartment to make some minor repair and Marianne becomes obsessed with him, the everyday balance breaks. Written by
Written by Leonard Bernstein and Stephen Sondheim
Performed by Tom Waits
Published by Leonard Bernstein Music Publishing Company, LLC.
& G. Schirmer Inc.
Courtesy of Elektra Entertainment Group by arrangement with
Warner Special Products See more »
Dreadful puns. Unbearable middle-class, underwritten archness. Acting, script that jars even more mercilessly once you realize they're not elements of an avant-garde distanciation strategy. Probably the only film I've ever seen that elicited sheer untrammeled loathing at every moment of viewing, usually bad films only evoke a mild bemusement and wondering when it'll be over, an expectation that it may improve. Compare with meeting someone who fills you with such futility and tedium after the first few words of conversation that you just walk away from them with no excuses or explanations. This film is that person.
tedious, irritating schlock.A pristine 'chamber piece' of fatuous complacency. The 1st 20 min came with such an undertow of nauseous inertia, life flashing before eyes, etc, that didn't stick with it. Maybe should watch it again? Do they all get blown up in the end?
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