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Afterglow (1997)

R  |   |  Comedy, Drama, Romance  |  26 December 1997 (USA)
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Ratings: 6.2/10 from 2,838 users   Metascore: 68/100
Reviews: 46 user | 43 critic | 22 from

A handyman with marital problems meets a housewife with the same.



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Nominated for 1 Oscar. Another 8 wins & 2 nominations. See more awards »
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Cast overview, first billed only:
Lucky Mann
Marianne Byron
Donald Duncan
Domini Blythe ...
Helene Pelletier
Yves Corbeil ...
Bernard Ornay
Alan Fawcett ...
Count Falco / Jack Dana
Michèle-Barbara Pelletier ...
Isabel Marino
France Castel ...
Gloria Marino
Genevieve Bissonnette ...
Monica Bloom
Ivan Smith ...
Ellen David ...
Judy the Waitress
Byron's Concierge


Two families are unhappy with their respective relationships: first of ambitious businessman Jeffrey Byron and sexually frustrated Marianne and second of repair contractor Lucky Mann and former B-movie actress Phyllis. When Lucky arrives to Byron's apartment to make some minor repair and Marianne becomes obsessed with him, the everyday balance breaks. Written by Anonymous

Plot Summary | Add Synopsis


Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexuality and some language | See all certifications »

Parents Guide:



Official Sites:




Release Date:

26 December 1997 (USA)  »

Also Known As:

Liebesflüstern  »

Filming Locations:

Box Office

Opening Weekend:

$50,052 (USA) (26 December 1997)


$2,441,642 (USA) (3 April 1998)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Lara Flynn Boyle is named after Julie Christie's character in Doctor Zhivago (1965). This is the first time they act together. See more »


Marianne: My husband won't have sex with me either... or he can't. He hasn't said which.
See more »


Featured in If We Picked the Winners (1998) See more »


Et Maintenant
("What Now My Love")
Written by Gilbert Bécaud and Pierre Delanoë (as Pierre Delonde)
Performed by Gilbert Bécaud
Published by Editions Redeau Rouge/BMG Music Publishing, France
Administered in U.S. by BMG Songs, Inc.
Courtesy of Capitol Records under license from EMI-Capitol Music
Special Markets
See more »

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User Reviews

Rudolph not at his best, but good enough
13 February 1999 | by (Brooklyn, NY) – See all my reviews

Calling Alan Rudolph an acquired taste is like calling CASABLANCA just a WWII film; it doesn't even begin to tell the story. I happen to like his films when they don't star Keith Carradine (whom I don't like), but can see why others don't. In a Rudolph film, plot is less important than mood and texture, and there really isn't much of a plot in this film, it's pretty much all mood and texture. The dialogue he writes is also right out of the 30's and 40's (a friend once said Rudolph films are what would happen in Bogart ended up in a Fred Astaire movie).

In this movie, the dialogue sometimes falls flat, and some of the tone shifts are jarring. In addition, Miller's character is a complete lout; we hardly understand why Boyle, let alone Christie, would even bother with him. And Boyle had a character to play in Rudolph's EQUINOX, but here, she just flails around.

Nevertheless, this is a good movie, and that's partly because of the romantic pull Rudolph does achieve, and because of the performances of Nick Nolte and Julie Christie. Although both of them are playing characters past their prime, Rudolph films them like old movie stars would be filmed, and matches his tempo to their performances, which are relaxed and confident (which contrasts to Boyle and Miller, whose discomfort is obvious). Critics up here noted this was one of the few, if not the only, U.S. films filmed in Canada (Montreal) that actually took place there.

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