When the New York journalist Jake Bridges catches his girlfriend with another guy, he goes to Atlantic City to drink himself to oblivion. He is saved from a bar brawl by a small-time ... See full summary »
Since the earliest days in her childhood Lara has had a difficult but important task. Both her parents are deaf-mute and Lara has to translate from sign-language to the spoken word and vice... See full summary »
The same situation is played out in different cities (New York, Berlin and Tokyo). A lover has to choose whether to commit to a partner who is returning home. In each case there are other ... See full summary »
Robert John Burke,
A detective, his 3 girls & a murder case. Complex emotional relationships and human nature's darker sides are explored in this captivating suspense drama about a cop whose lust for love threatens to get in the way of his professional life.
Mommy's boy Juantxo is engaged. Dragged to the party by his friends Konradin and Paco, he loses his expensive wedding ring inside the body of a prostitute. Mafioso whorehouse owner ... See full summary »
Juanma Bajo Ulloa
Fernando Guillén Cuervo,
Alberto San Juan
A game and graphics designer lives and works alone in his apartment. One night, he finds a drunken flight attendant passed out at his front door and puts her up for the evening in his ... See full summary »
Two families are unhappy with their respective relationships: first of ambitious businessman Jeffrey Byron and sexually frustrated Marianne and second of repair contractor Lucky Mann and former B-movie actress Phyllis. When Lucky arrives to Byron's apartment to make some minor repair and Marianne becomes obsessed with him, the everyday balance breaks. Written by
Calling Alan Rudolph an acquired taste is like calling CASABLANCA just a WWII film; it doesn't even begin to tell the story. I happen to like his films when they don't star Keith Carradine (whom I don't like), but can see why others don't. In a Rudolph film, plot is less important than mood and texture, and there really isn't much of a plot in this film, it's pretty much all mood and texture. The dialogue he writes is also right out of the 30's and 40's (a friend once said Rudolph films are what would happen in Bogart ended up in a Fred Astaire movie).
In this movie, the dialogue sometimes falls flat, and some of the tone shifts are jarring. In addition, Miller's character is a complete lout; we hardly understand why Boyle, let alone Christie, would even bother with him. And Boyle had a character to play in Rudolph's EQUINOX, but here, she just flails around.
Nevertheless, this is a good movie, and that's partly because of the romantic pull Rudolph does achieve, and because of the performances of Nick Nolte and Julie Christie. Although both of them are playing characters past their prime, Rudolph films them like old movie stars would be filmed, and matches his tempo to their performances, which are relaxed and confident (which contrasts to Boyle and Miller, whose discomfort is obvious). Critics up here noted this was one of the few, if not the only, U.S. films filmed in Canada (Montreal) that actually took place there.
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