The crew of the nuclear submarine USS Ulysses rescues supposed victims of a boat disaster, but the victims turn out to be terrorists intent on capturing nuclear weapons aboard the sub. Only... See full summary »
Five years after the mad terrorist Norman Galagher was sentenced to holographic stasis, he is given a parole hearing. But an equipment failure engineered by his cronies transforms the ... See full summary »
When the New York journalist Jake Bridges catches his girlfriend with another guy, he goes to Atlantic City to drink himself to oblivion. He is saved from a bar brawl by a small-time ... See full summary »
Since the earliest days in her childhood Lara has had a difficult but important task. Both her parents are deaf-mute and Lara has to translate from sign-language to the spoken word and vice... See full summary »
The same situation is played out in different cities (New York, Berlin and Tokyo). A lover has to choose whether to commit to a partner who is returning home. In each case there are other ... See full summary »
Robert John Burke,
This movie follows the story of three friends in Korea, all three of whom drop out of school. The main character is Min, a tough guy whose widowed mother is a drunk. The story traces his ... See full summary »
Mommy's boy Juantxo is engaged. Dragged to the party by his friends Konradin and Paco, he loses his expensive wedding ring inside the body of a prostitute. Mafioso whorehouse owner ... See full summary »
Juanma Bajo Ulloa
Fernando Guillén Cuervo,
Alberto San Juan
Two families are unhappy with their respective relationships: first of ambitious businessman Jeffrey Byron and sexually frustrated Marianne and second of repair contractor Lucky Mann and former B-movie actress Phyllis. When Lucky arrives to Byron's apartment to make some minor repair and Marianne becomes obsessed with him, the everyday balance breaks. Written by
Written by Leonard Bernstein and Stephen Sondheim
Performed by Tom Waits
Published by Leonard Bernstein Music Publishing Company, LLC.
& G. Schirmer Inc.
Courtesy of Elektra Entertainment Group by arrangement with
Warner Special Products See more »
Calling Alan Rudolph an acquired taste is like calling CASABLANCA just a WWII film; it doesn't even begin to tell the story. I happen to like his films when they don't star Keith Carradine (whom I don't like), but can see why others don't. In a Rudolph film, plot is less important than mood and texture, and there really isn't much of a plot in this film, it's pretty much all mood and texture. The dialogue he writes is also right out of the 30's and 40's (a friend once said Rudolph films are what would happen in Bogart ended up in a Fred Astaire movie).
In this movie, the dialogue sometimes falls flat, and some of the tone shifts are jarring. In addition, Miller's character is a complete lout; we hardly understand why Boyle, let alone Christie, would even bother with him. And Boyle had a character to play in Rudolph's EQUINOX, but here, she just flails around.
Nevertheless, this is a good movie, and that's partly because of the romantic pull Rudolph does achieve, and because of the performances of Nick Nolte and Julie Christie. Although both of them are playing characters past their prime, Rudolph films them like old movie stars would be filmed, and matches his tempo to their performances, which are relaxed and confident (which contrasts to Boyle and Miller, whose discomfort is obvious). Critics up here noted this was one of the few, if not the only, U.S. films filmed in Canada (Montreal) that actually took place there.
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