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A baby dinoshark swims away from a broken chunk of Arctic glacier that broke away due to global warming. Three years later, the dinoshark is a ferocious predatory adult and kills tourists ... See full summary »
Based on actual creatures that for years have tormented United States armed forces in the Middle East, these creatures have now invaded the southwestern deserts of the United States. The ... See full summary »
Director:
Jim Wynorski
Stars:
Brian Krause,
C. Thomas Howell,
Melissa Brasselle
Charlie Price, a former scientist turned science fiction author, starts living one of his novels when the Federal Science Foundation's weather experiments escape control and turn disastrous.
Director:
Steven R. Monroe
Stars:
Mark Moses,
Camille Sullivan,
Kaj-Erik Eriksen
An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
Hundreds of massive intergalactic robots appear in all of the world's major capitals with an ultimatum: Prove the value of human civilization or be destroyed.
Director:
C. Thomas Howell
Stars:
C. Thomas Howell,
Judd Nelson,
Darren Dalton
After dense matter from an imploded white hole hits Earth, the planet's rotation is devastated. A group of government agents must locate a lost satellite network that is the world's only hope for survival.
This is the Asylum's knock-off imitator of the big BATTLE: L.A., and it's pretty dull. The film is muddled by poor pacing, extreme predictability, characters we don't care about, and lack of scope. Budget reasons no doubt affected the latter, resulting in a film that never really visualized the full extent of its concept; all of the action stays concentrated within a small group. Amidst that microcosm, however, the film has action aplenty, although much of it is hampered by the director's turgid pacing reaction shots hold forever and are repeated over and over at the expense of engaging editing and propulsive forward motion so that the film even at its most exciting seems to proceed at a snail's pace. Cast does okay, especially Nia Peeples as an Area-51 styled military agent whose skill with a katana sword, however incongruous in the modern military, is thrilling, and Robert Pike Daniel as a crusty old-school soldier who takes pot shots at the alien saucers with a revolver, and steals the whole show. A first-rate synth-and-samples score by Brian Ralston & Kays Al-Atrakchi gives the story what propulsion it manages to gather. As the equivalent of a "B" movie it's passable entertainment for the undemanding, but most of us are demanding coherency and creativity. BoLA's story sustains little of that.
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This is the Asylum's knock-off imitator of the big BATTLE: L.A., and it's pretty dull. The film is muddled by poor pacing, extreme predictability, characters we don't care about, and lack of scope. Budget reasons no doubt affected the latter, resulting in a film that never really visualized the full extent of its concept; all of the action stays concentrated within a small group. Amidst that microcosm, however, the film has action aplenty, although much of it is hampered by the director's turgid pacing reaction shots hold forever and are repeated over and over at the expense of engaging editing and propulsive forward motion so that the film even at its most exciting seems to proceed at a snail's pace. Cast does okay, especially Nia Peeples as an Area-51 styled military agent whose skill with a katana sword, however incongruous in the modern military, is thrilling, and Robert Pike Daniel as a crusty old-school soldier who takes pot shots at the alien saucers with a revolver, and steals the whole show. A first-rate synth-and-samples score by Brian Ralston & Kays Al-Atrakchi gives the story what propulsion it manages to gather. As the equivalent of a "B" movie it's passable entertainment for the undemanding, but most of us are demanding coherency and creativity. BoLA's story sustains little of that.