Nelson Mandela, in his first term as the South African President, initiates a unique venture to unite the apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
A drama centered on three people who are haunted by mortality in different ways. George (Matt Damon) is a blue-collar American who has a special connection to the afterlife. On the other side of the world, Marie (Cécile De France), a French journalist, has a near-death experience that shakes her reality. And when Marcus (identical twins Frankie McLaren and George McLaren), a London schoolboy, loses the person closest to him, he desperately needs answers. Each on a path in search of the truth, their lives will intersect, forever changed by what they believe might-or must-exist in the hereafter. Written by
Warner Bros. Pictures
The movie was pulled from theaters in Japan after the devastating earthquake and tsunami that hit in March 2011. See more »
When getting back from their tsunami adventure, Marie and Didier are picked up by a Mercedes-Benz S-Class (model W221) at the airport. However, the W221 was unveiled at the Frankfurt Motor show in the autumn of 2005 and wasn't in production until the beginning of 2006, almost a year after the Indian Ocean tsunami. Moreover, the model in the movie is the face-lift version launched in 2009 as MY2010 (check the LED taillights). See more »
Did you do the reading?
Look, you still don't get it, do you? You think just 'cause I can make money doing this... just because I can, that I should do it.
Yeah, yeah I do. I also think you have a duty to do it, because you have a gift.
It's not a gift, Billy, it's a curse.
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The mid 80s-late 90's Warner Bros. shield is used and is in black and white at the beginning of the movie, and at the end of the credits, the same Warner Bros. Shield is used alongside the Amblin logo, also in black-and-white. See more »
On the way home from seeing this terrific movie, I stopped at a light, a few cars in front waiting to turn right. Around us, the sun had just set, a full white moon was high and the reflections of brake lights bounced off gas stations and car dealerships.
What an amazing world we live in. There is so much in the five miles between my house and the theater where I saw the movie that I could never experience it all. Moments arrive and disappear and the the people shift, move, appear and disappear.
I think most of us need some kind of assurance that it all goes on forever, that our open windows aren't just blacked over and sealed at death.
Clint Eastwood has made a quiet, reflective, thoughtful film on this condition, this need for forever. It's not a flashy paranormal probe of ghosts and goblins, spirits and such.
Taking three central lives we see our need for a hereafter from a French woman who has experienced something before being revived, from a twin boy who has lost his brother and from a lonely man who seems able to capture something from beyond this life. Or perhaps he just captures something from those who come to him.
Cecile De France is stunning as a television reporter who touches her own death and returns. Frankie (or is it George) McLaren is good as the young boy. And Matt Damon's restrained performance is a revelation.
Eastwood has the assured hand that allows long segments in French with English subtitles and a juncture with two disasters and such a touchy-feely subject, and yet it works. Quietly. Thoughtfully.
He also has the good sense to let us draw our own conclusions.
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