A drama centered on three people who are haunted by mortality in different ways. George (Damon) is a blue-collar American who has a special connection to the afterlife. On the other side of the world, Marie (de France), a French journalist, has a near-death experience that shakes her reality. And when Marcus (Frankie/George McLaren), a London schoolboy, loses the person closest to him, he desperately needs answers. Each on a path in search of the truth, their lives will intersect, forever changed by what they believe might-or must-exist in the hereafter. Written by
Warner Bros. Pictures
When Marie is walking down the stairs with the psychic in Switzerland, you can see a cameraman cut across the path in the background, the shot shortly after is from his angle. See more »
He said, "A life that's all about death is no life at all."
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The mid 80s-late 90's Warner Bros. shield is used and is in black and white at the beginning of the movie, and at the end of the credits, the same Warner Bros. Shield is used alongside the Amblin logo, also in black-and-white. See more »
On the way home from seeing this terrific movie, I stopped at a light, a few cars in front waiting to turn right. Around us, the sun had just set, a full white moon was high and the reflections of brake lights bounced off gas stations and car dealerships.
What an amazing world we live in. There is so much in the five miles between my house and the theater where I saw the movie that I could never experience it all. Moments arrive and disappear and the the people shift, move, appear and disappear.
I think most of us need some kind of assurance that it all goes on forever, that our open windows aren't just blacked over and sealed at death.
Clint Eastwood has made a quiet, reflective, thoughtful film on this condition, this need for forever. It's not a flashy paranormal probe of ghosts and goblins, spirits and such.
Taking three central lives we see our need for a hereafter from a French woman who has experienced something before being revived, from a twin boy who has lost his brother and from a lonely man who seems able to capture something from beyond this life. Or perhaps he just captures something from those who come to him.
Cecile De France is stunning as a television reporter who touches her own death and returns. Frankie (or is it George) McLaren is good as the young boy. And Matt Damon's restrained performance is a revelation.
Eastwood has the assured hand that allows long segments in French with English subtitles and a juncture with two disasters and such a touchy-feely subject, and yet it works. Quietly. Thoughtfully.
He also has the good sense to let us draw our own conclusions.
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