A drama centered on three people who are haunted by mortality in different ways. George (Damon) is a blue-collar American who has a special connection to the afterlife. On the other side of the world, Marie (de France), a French journalist, has a near-death experience that shakes her reality. And when Marcus (Frankie/George McLaren), a London schoolboy, loses the person closest to him, he desperately needs answers. Each on a path in search of the truth, their lives will intersect, forever changed by what they believe might-or must-exist in the hereafter. Written by
Warner Bros. Pictures
One of the few films executive produced by Steven Spielberg that has neither an Amblin Entertainment or DreamWorks Pictures symbol in the "Hereafter" ads representing his involvement. (The Amblin logo does appear at the end of the film itself.) See more »
Just after the underground explosion a third generation Volvo V70 English police car is standing outside the metro station. However, this car was unveiled by Volvo on 2 February 2007. See more »
I'm sorry, I'm losing him now. He's leaving. He wants to leave.
No, Jase. Don't go. You can't.
Don't leave me. I don't wanna be here without you. Please, Jase, don't go. I miss you.
Okay, he came back. He's here. He says if you're worried about being on your own, don't be. You're not. Because he is you and you are him. One cell. One person. Always.
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The mid 80s-late 90's Warner Bros. shield is used and is in black and white at the beginning of the movie, and at the end of the credits, the same Warner Bros. Shield is used alongside the Amblin logo, also in black-and-white. See more »
Hereafter is a slow, quiet study on the effect that death and the dearly departed have on the living.
It's not really a ghost story or even a very supernatural movie. The three main characters each have felt death's power in different ways in their life. George (Matt Damon), a man who can contact the deceased, has fled from his abilities because they keep him from having a normal life. Marie (Cecile de France) is a journalist who has a near-death experience during a tsunami, and becomes consumed with understanding what she saw. And in London, a young British boy is desperate to contact a lost family member one last time.
The three separate stories do eventually connect, but that's not really where the value of Hereafter lies. I can see this film being a source of frustration for some viewers eager for a traditional conflict and resolution or character arc, but those things aren't really Eastwood's priority.The movie doesn't have much of a "point", other than how death is such an important part of all of our lives, even as it's also probably the most mysterious.
I liked it, but I'm hesitant in recommending it. Slow-paced movies like these need the right audience. It's fairly different from Eastwood's other movies, and I wouldn't mind seeing him tackle something like this, again.
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