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Hereafter (2010)

PG-13  |   |  Drama, Fantasy  |  22 October 2010 (USA)
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Ratings: 6.5/10 from 77,811 users   Metascore: 56/100
Reviews: 319 user | 311 critic | 42 from Metacritic.com

A drama centered on three people -- a blue-collar American, a French journalist and a London school boy -- who are touched by death in different ways.



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Nominated for 1 Oscar. Another 4 wins & 13 nominations. See more awards »



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Cast overview, first billed only:
Marie Lelay (as Cécile de France)
Cyndi Mayo Davis ...
Lisa Griffiths ...
Stall Owner
Jessica Griffiths ...
Island Girl
Ferguson Reid ...
Derek Sakakura ...
Social Worker


A drama centered on three people who are haunted by mortality in different ways. George (Damon) is a blue-collar American who has a special connection to the afterlife. On the other side of the world, Marie (de France), a French journalist, has a near-death experience that shakes her reality. And when Marcus (Frankie/George McLaren), a London schoolboy, loses the person closest to him, he desperately needs answers. Each on a path in search of the truth, their lives will intersect, forever changed by what they believe might-or must-exist in the hereafter. Written by Warner Bros. Pictures

Plot Summary | Plot Synopsis


Touched by death. Changed by life.


Drama | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic elements including disturbing disaster and accident images, and for brief strong language | See all certifications »

Parents Guide:






Release Date:

22 October 2010 (USA)  »

Also Known As:

Más allá de la vida  »

Box Office


$50,000,000 (estimated)

Opening Weekend:

$220,322 (USA) (15 October 2010)


£1,151,807 (UK) (4 February 2011)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


The restaurant in which Thierry Neuvic and Cécile De France have dinner is Sanderens, the restaurant of chef Alain Sanderens, who became a sensation when he relinquished his 3 stars and reopened the prestigious Lucas Carton under his own name - and with a more affordable menu. Since then, the place has regained 2 stars. See more »


When Marie goes to the clinic to Switzerland, the mountain road is not in Switzerland but in France. The security sticks along the roads are French ones (white and red). The Swiss ones are white and black. See more »


Dr. Rousseau: You know, as a scientist and atheist my mind was closed to such things. Oh, absolutely. Afterlife, near-death experiences Like everyone else, I thought people saw bright lights, Eden-like gardens and so forth because they were culturally conditioned to do so. But after 25 years in a hospice working with people, many of whom were pronounced dead but then miraculously survived. the account of what they actually experienced were so strikingly similar it couldn't just be coincidence. And add to ...
See more »

Crazy Credits

The mid 80s-late 90's Warner Bros. shield is used and is in black and white at the beginning of the movie, and at the end of the credits, the same Warner Bros. Shield is used alongside the Amblin logo, also in black-and-white. See more »


Featured in Maltin on Movies: Hereafter (2010) See more »


Che Gelida Manina
from "La Bohème"
Written by Giacomo Puccini
Performed by Thomas Harper
Courtesy of Naxos
By Arrangement with Source/Q
See more »

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User Reviews

Near-death experience, blessing or woe, cinematically described in the Peter Morgan scripted, Clint Eastwood directed enjoyable 3-fold poignant story
9 November 2010 | by (sf, usa) – See all my reviews

There's no worry that the film would be heavy due to subject matter. "Hereafter" is a comfortably-paced film experience from veteran director Clint Eastwood (at wondrous prime age of 80). Peter ("The Queen") Morgan's screenplay on 'life after close encounter with death' is seemingly simple yet full of spirited (pardon the pun) ingredients. There are vignettes depicting different social strata of life situations: rich and famous in the French television media and European publishing world as we follow a career-driven female journalist; quietly solo 'blue-collar worker' shying away from exposure of his 'possessed gift' in San Francisco; struggling addict, London single mom dealing with custody of her boys and the lone twin attachment to his lost brother. Morgan skillfully scripted three intersecting story lines inclusive of contemporary social elements and events: natural disaster, bomb attack, fatal accident, culinary classes, corporate meetings, company layoffs, foster care, book fair.

As in most of Eastwood directed films, there's never hurriedness or push for emphasis of themes. We are watching and experiencing at comfortable pace the development of the characters as the stories unfold. The characters, we care. Not just the three main ones, but the supporting roles are just as interesting and touching - fine acting all round. Bryce Dallas Howard as Melanie - sensual-sensory moments at the food tasting segment with Damon reminds me of the flavorful w-d Sandra Nettelbeck's 2001 German gem "Bella Martha". Brief appearance by Marthe Keller as reassuring Dr. Rousseau at the Swiss hospice institute reminds me of her 'terminal' role in d Sydney Pollack's 1977 "Bobby Deerfield" opposite Al Pacino. Derek Jacobi as himself fondly reciting Dickens is always a welcoming interlude.

Matt Damon, second time round collaboration with Eastwood (he was fantastic in his South African Rugby team captain role in Eastwood's 2009 "Invictus" opposite Morgan Freeman), once again delivered a subtly convincing and sensitive George Lonegan, the reluctant psychic who felt trapped by his not so hidden gift. Cécile De France as Marie Lelay let us share her anguish and determined pursuit for true understanding, recognition of her near-death experience. Marcus at such a young age, quite pensive and resolute in his search for connection with his brother, is well-portrayed by the McLaren twins.

Besides being director and producer to "Hereafter," Eastwood is also the composer of the film score. I appreciate the palpable energy and loving care contributed to the accompanying music as the scenes reveal and the stories evolve - the guitar strains and the piano rhythm so aptly integrated to the movie experience.

Along with screenwriter Peter Morgan, Steven Spielberg is one of the executive producers and it was said that he actually introduced the original draft to Eastwood, who promptly bought the rights to the book 'Hereafter.' There's an insightful article titled "Eastwood Breaks Another Mold" (by C. McGrath) which provided background notes to how the script and film came to be. Almost as fate plays a hand and the two important players (Eastwood-Morgan) 'intersect', we are fortunate to get to enjoy the remarkable film production of 'Hereafter': a perceptive study of life after death on the sly, dramatically rewarding.

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