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Darling (1965)

 -  Drama | Romance  -  3 August 1965 (USA)
7.2
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Ratings: 7.2/10 from 3,407 users  
Reviews: 51 user | 43 critic

A beautiful but amoral model sleeps her way to the top of the London fashion scene at the height of the Swinging Sixties.

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Title: Darling (1965)

Darling (1965) on IMDb 7.2/10

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Won 3 Oscars. Another 15 wins & 8 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
José Luis de Vilallonga ...
Prince Cesare della Romita (as Jose Luis De Villalonga)
...
Basil Henson ...
Alec Prosser-Jones
...
Felicity Prosser-Jones
Carlo Palmucci ...
Curzio della Romita
Dante Posani ...
Gino
Umberto Raho ...
Palucci
Marika Rivera ...
Woman
Alex Scott ...
Sean Martin
Ernest Walder ...
Kurt
Brian Wilde ...
Willett
Pauline Yates ...
Estelle Gold
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Storyline

Young, attractive and vivacious, model Diana Scott is firmly decided to become rich and famous as well. To succeed, she does not hesitate to take bold steps. After a while, she literally strikes gold: she meets Robert Gold, a well-known TV journalist, who not only introduces her into new social and professional circles, but also abandons his family to live with her. Diana seems to have happily combined success and love. However, in those roaring sixties, others are ready to offer her even more money, fame, and, seemingly, fun than Robert can... Written by Eduardo Casais <casaise@acm.org>

Plot Summary | Add Synopsis

Taglines:

Shame, shame, everybody knows your name! See more »

Genres:

Drama | Romance

Certificate:

TV-MA | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

3 August 1965 (USA)  »

Also Known As:

Darling - A Que Amou Demais  »

Box Office

Budget:

£400,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

First full length feature of John Woodvine. See more »

Goofs

When Diana mounts the motorbike the night after Prince Cesare's proposal, her purse is on her right hand, but from overlooking shot it's on her left. See more »

Quotes

Miles Brand: Why, Carlotta. How savage we are tonight. Did someone go back to their wife?
Carlotta: If he had, you'd have been there to greet him.
See more »

Connections

Referenced in Going the Distance: Remembering 'Marathon Man' (2001) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
London in the '60s in all its glory
16 February 2009 | by (United States) – See all my reviews

Julie Christie is "Darling" in this 1965 film directed by John Schlesinger, and also starring Dirk Bogarde and Laurence Harvey. Schlesinger does a beautiful job of showing us '60s London as it was, and yet he managed to make a film that is just as timely now.

Julie Christie is model Diana Scott, a gorgeous, ambitious young woman who moves from man to man without attachment and with the intention of helping her career. She dumps her first husband and breaks up the marriage of a British journalist (Bogarde) and then moves on to a pleasure-seeking advertising executive (Harvey), and finally, marries an Italian prince. It's one of those lives that sounds great - she has beauty, money, men, glamour, travels in the circles of the beautiful people. But she has no emotional attachments, no love, and nothing that she has feels right or is anything she wants. All the external trappings of celebrity, but it's a shell.

A really terrific movie, and I have to agree with the posters whose comments I read that Julie Christie is perfection in every way. Bogarde and Harvey give her excellent support. As an aside, Christie's wardrobe is stunning.

None of the characters are very likable, except perhaps Bogarde, who in spite of leaving his wife and family does truly love Diana.

Despite the cold realities of Darling, we're even more obsessed with celebrity today, which makes the film even more interesting. But when you look at a photo, see someone in a magazine or on the screen, you're only dealing with a persona, not the flesh and blood individual. It's a fantasy. Darling shows the audience what's behind the fantasy - and it's not very pretty.


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