Divorced working woman Alex and well-to-do Jewish family doctor Daniel Hirsh share not only the same answering service but also the favours of young Bob Elkin who bed-hops between them as ... See full summary »
A young man, inching his way up from working-class traditions via a white-collar job, finds himself trapped by the frightening reality of his girlfriend's pregnancy and is forced into ... See full summary »
Bengali Sushila Sen and her son, Manek, relocate from India to London after Sushila's relationship with her husband fails. Sushila struggles with everyday living. A child piano prodigy, ... See full summary »
Young, attractive and vivacious, model Diana Scott is firmly decided to become rich and famous as well. To succeed, she does not hesitate to take bold steps. After a while, she literally strikes gold: she meets Robert Gold, a well-known TV journalist, who not only introduces her into new social and professional circles, but also abandons his family to live with her. Diana seems to have happily combined success and love. However, in those roaring sixties, others are ready to offer her even more money, fame, and, seemingly, fun than Robert can... Written by
Eduardo Casais <email@example.com>
Hugo Dyson was a fellow of Merton College, Oxford. He was also a member of the Inklings, a group which included C.S. Lewis and J.R.R. Tolkien. However, he often loudly expressed his displeasure when Tolkien read early versions of his stories. He is recorded at one Inkling meeting as saying "Oh, fuck, not another elf!" See more »
In a compartment on a train after their visit with the writer Southgate, Diana and Robert kiss. Both of Robert's hands touch her face in a close shot. When the angle changes to a shot from the corridor looking into the compartment, they are still embracing but Robert has a cigarette in his right hand which is resting on his knee. See more »
Why, Carlotta. How savage we are tonight. Did someone go back to their wife?
If he had, you'd have been there to greet him.
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"Darling", as it happens with most genuine works of art, it grows, it develops over the years and acquires a sort of clarity that, with the benefit of hindsight I will dare to call it, prophetic, as a social observation of its time. But what matters most is the film as a film. Brilliantly thought, written, directed, photographed and, of course, acted. Julie Christie became a symbol. She, clearly a very intelligent woman, surfed the waves of fame with an apparent detachment that I'm sure it's a sure sign of maturity and of a great respect for her profession and herself. If you think I love Julie Christie, you're right. But my love for her has to do with "Darling" and the age I was when I first saw it. The 60's were already in the past then but I saw them in the future, an immediate future.I can't imagine anyone, from any age, who loves film could be indifferent to this tale of isolation in a world moving fast towards an acceptable cult for celebrity. Not to be missed.
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