Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
New York City. Melvin Udall, a cranky, bigoted, obsessive-compulsive writer, finds his life turned upside down when neighboring gay artist Simon is hospitalized and his dog is entrusted to Melvin. In addition, Carol, the only waitress who will tolerate him, must leave work to care for her sick son, making it impossible for Melvin to eat breakfast. Written by
Jon Reeves <firstname.lastname@example.org>
A bit of humor was added right after the statement "the animals used in this film were in no way mistreated" with "the actors used in this film were in no way mistreated." See more »
When Carol pulls over Melvin's Saab convertible so she can get the full story from Simon the top is up when she pulls over. In the previous scene it was down. There is no way the top could go up at in that short amount of time, and not at the speed she was traveling at, without damaging it. Also, they pull over next to an iron gate with a stone base; although the base of the wall is as high as the car when it pulls over, the gate itself can be clearly seen at eye level during the interior car shots, as can a tree or what might be a stone divider in the gate that is not present as the car pulls over. See more »
Just after the disclaimer of the American Humane Association (The animals used in this film were in no way mistreated...) there is a second disclaimer stating "The actors used in this film were in no way mistreated." See more »
Jack Nicholson is simply phenomenal. Yes, I will give credit where it is due and congratulate Greg Kinnear, Helen Hunt, and Cuba Gooding, Jr, on their fine performances. They are talented. But I am mesmorized by Jack's intricate facial expressions and inflection each time I see this movie.
Critics panned this movie for being totally unbelievable. I would have to agree-why would Carol fall for Melvin? Why does Melvin change his ways after so many years of acid-tongued insults? I don't know. I know people who disliked the film because Melvin was such a you-know-what. Personally, I love the evil retorts he hurls at any innocent bystander. Maybe it's a sick pleasure, but Nicholson's delivery is perfect and I couldn't help but laugh as he takes on everyone.
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