In anticipation for No Time to Die, I decided to watch all James Bond movies. This, almost 25 year old movie, is in my opinion, the first truly modern James Bond movie. Licence to Kill may have been the first non-orthodox James Bond movie with the personal vendetta storyline, rather than the secret agent on his duty for Queen and country. GoldenEye may have been the first post Soviet, post Iron Curtain movie, but it's not possible to ignore that the movie starts off with a USSR backstory intro. That movie's plot, and character stories, were branded and tattooed enough with Soviet elements for it to not really break any new grounds.
Short review: Tomorrow Never Dies was such a heavy departure from the earlier movies, that this could have been any action movie instead of being a James Bond movie. This isn't a spy movie with action elements. This is an action movie with spy elements. There are both good and ugly things with this movie.
Long review and breakdown:
Visual:
This is the first movie that is not produced, or supervised by Albert R. Broccoli - to whom the movie was dedicated in memory of. The visuals of the movie was a profound giveaway of the fact that it is helmed by someone else. I was stricken by how old and natural this movie didn't look. Pretty much all of the prior James Bond movies to this have had open and wide environments. If not in natural outdoor environments, then, more often than not, in carefully decorated indoor environments. In contrast, the majority of this movie presents small and synthetic environments without any life in the background of the scenes. It only looks newer, rather than looking reinvigorated. It manages to become ugly instead of eye-catching. Again, it's an almost 25 year old movie. But I would never look at it as a classic Bond movie - simply because it doesn't look anything like a classic Bond movie.
Sound:
While it doesn't look like any previous Bond movie at all, it certainly manages to sound like a classic Bond movie. The movie theme song, the surf guitar playing away the Bond main theme song during chase scenes and erupting in the big band style sound, the soft orchestral versions of the movie's theme in character interaction scenes - it had all of it, and some more! The previous couple of movie(s) may have had a strong ambience game. I enjoyed this throwback style of soundtrack throughout the movie.
Story:
The main antagonist of the movie is a prominent media baron, who uses his media group muscles to manipulate the UK and China into a war against eachother, for the benefit of his media business. All the breaking, all the latest - all from him. I should mention that this is a 25 year old movie. This movie and story is a product of a time when the media consumtion and news journalism still were centralized. In today's world with decentralized media, the decay of news journalism, and the dawn of social media, it's possible to argue that this movie's story might have aged like milk, or aged like wine. I don't think that this has aged anything in particular, at all. You could replace the antagonist publisher, and his print and broadcast media, with an antagonist social media mogul, and their app and internet media instead, and still have the same movie with no context lost in time and the evolution of visual media consumtion.
All in all, it's not a great movie. But it's not a bad movie, either. Not a classic Bond movie, but still due to some recognition as a groundbreaking turning point to the style and presentation of a Bond movie.
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