James Bond is sent to investigate the connection between a North Korean terrorist and a diamond mogul, who is funding the development of an international space weapon.
James Bond (Pierce Brosnan) uncovers a nuclear plot when he protects an oil heiress from her former kidnapper, an international terrorist who can't feel pain.
Director:
Michael Apted
Stars:
Pierce Brosnan,
Sophie Marceau,
Robert Carlyle
James Bond (Pierce Brosnan) heads to stop a media mogul's plan to induce war between China and the U.K. in order to obtain exclusive global media coverage.
Director:
Roger Spottiswoode
Stars:
Pierce Brosnan,
Jonathan Pryce,
Michelle Yeoh
Years after a friend and fellow 00 agent is killed on a joint mission, a secret space based weapons program known as "GoldenEye" is stolen. James Bond sets out to stop a Russian crime syndicate from using the weapon.
Director:
Martin Campbell
Stars:
Pierce Brosnan,
Sean Bean,
Izabella Scorupco
Against the orders of MI6, James Bond goes rogue and seeks vengeance against a drug lord who left his best friend for dead after murdering his wife, while uncovering a drug plot posing as a hitman.
A fake Fabergé egg, and a fellow Agent's death, lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
An investigation of a horse-racing scam leads 007 to a mad industrialist who plans to create a worldwide microchip monopoly by destroying California's Silicon Valley.
Director:
John Glen
Stars:
Roger Moore,
Christopher Walken,
Tanya Roberts
James Bond is led to believe that he is targeted by the world's most expensive assassin while he attempts to recover sensitive solar cell technology that is being sold to the highest bidder.
James Bond investigates the hijacking of British and Russian submarines carrying nuclear warheads, with the help of a K.G.B. Agent, whose lover he killed.
Pierce Brosnan gives one last mission as James Bond 007. Starting off in North Korea, Bond is betrayed and captured. Fourteen months later, Bond is set free, but traded for Zao (Rick Yune) who was captured by MI6. When back in his world, Bond sets off to track down Zao. Bond gets caught up in yet another scheme which sends him to millionaire Gustav Graves (Toby Stephens). Another MI6 Agent known as Miranda Frost (Rosamund Pike) is also posing as a friend of Graves. Bond is invited to a presentation held by Graves about a satellite found in space which can project a huge laser beam. Bond must stop this madman with a fellow American Agent, known as Jinx Johnson (Halle Berry). While Bond tries to stop Graves and Zao, will he finally reveal who betrayed him?Written by
simon
Live and Let Die (1973) was the first James Bond movie to feature the word "die" (or a variation of it) in the title. Later movies in the official film franchise were called Die Another Day (2002), Tomorrow Never Dies (1997), and No Time to Die (2020). The theme song for Quantum of Solace (2008), by Alicia Keys and Jack White was called "Another Way To Die", and Licence to Kill (1989) referenced death, as did the title of Ian Fleming's short story "From a View to a Kill" (1960). Several post-Fleming James Bond novels have had titles that have referenced fatality. These include "Win, Lose or Die" (1989), "High Time to Kill" (1999), "The Facts of Death" (1998), "Trigger Mortis" (2015), "Nobody Lives for Ever" (1986), and "Never Dream of Dying" (2001). Also, "Double or Die" (2007) and "A Hard Man to Kill" (2009) are the names of a Young James Bond novel and short story, respectively. See more »
Goofs
007 is not wearing the correct fencing uniform during his match. He is right-handed, and therefore the zipper should be on his left side. Also, the jacket he is wearing stops at the waist. These jackets are meant for Sabre fencing only, not Epee. See more »
Quotes
[first lines]
Mr. Van Bierk:
[stepping out of helicopter]
Look, what is this? I'm supposed to...
[Bond puts a gun to Mr. Van Bierk's head and takes his sunglasses]
See more »
Crazy Credits
At the end of the credits, Madonna can be heard saying "I need to lay down." See more »
Alternate Versions
The following scenes were cut from the film:
During the scene where Bond is driving on Cuba in his Ford Fairlane, there were some military maneuvers going on alongside the road.
There was an additional dialogue scene between Bond and Raoul.
The scene where Jinx kills Dr. Alvarez was originally longer: after the kill she breaks into his safe and steals a CD which she hides under her dress (in the making-of documentary you can see the CD hanging around Halle Berry's neck).
Deleted was a scene with Bond arriving at Heathrow. To avoid passport control, he disembarks the plane via the landing gear.
A scene with Jinx and Graves playing Ice Golf was cut. In this scene it was revealed why she is chasing Zao.
Lee Tamahori shot a raunchier version of the scene where Bond is rescued by Miranda Frost from Mr. Kil while investigating the biodrome. Here they were skin-deep in the hot tub to give the illusion they were lovers. This scene was cut due to censorship reasons.
A small scene where Jinx (in her leather outfit) is walking through the ice palace. This can be seen in the making-of documentary.
Originally General Moon realizes much earlier that Gustav Graves is his son. While Bond and Jinx are exploring the Antonov, they stumble across General Moon and Bond explains to him who Graves really is. He then continues with Jinx to go for the cockpit, while the General watches Graves and Miranda Frost planning the military campaign.
It's the 20th Bond film and premiered on the 40th anniversary of the series, and, in many ways, it is really a tribute to the entire series itself. This film's strength and its weakness both lie in the fact that it is a blend of the classic Connery films, the outlandish Moore films, and the grittiness of the Dalton films. It's rolling the entire series into a single two hour adventure and the result is actually pretty entertaining. The first half is definitely stronger than the second; a more serious adventure with a classic feel to it, before taking a nose dive down into utter camp territory. I didn't mind the idea of making some scenes a little over-the-top, but I think they went overboard at times. Throughout the movie, the filmmakers toss in little references to previous Bond films. I suppose it's a fun idea to stop and consider how far these films have come over the last 40-something years, and a long time Bond fan can find amusement in finding these subtle, but long remembered treasures that poke their head in this film for one last time. As for the technical aspects of the film: The special effects are a little too ambitious and don't always come across convincing. The dialogue goes back and forth from excellent to atrocious. The ensemble of actors is pretty strong, except for Halle Berry, who in my opinion was completely wrong for a Bond movie. The villains are a little more dynamic. The action sequences are an improvement, in my mind. Granted, there are some instances where the filmmakers push the envelope a little too far, as mentioned above. However, they also show a certain amount of creativity that seemed to be lacking in the previous two films. Overall, this film is really a mixed bag. At moments there is potential for one of the greatest Bond adventures. At other moments you're thinking, "What the heck am I watching." Personally, I feel the positives balance out the negatives, but if anything, this film is a good popcorn movie. All in all, it wasn't a bad way to close out the series before rebooting it again with Casino Royale.
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It's the 20th Bond film and premiered on the 40th anniversary of the series, and, in many ways, it is really a tribute to the entire series itself. This film's strength and its weakness both lie in the fact that it is a blend of the classic Connery films, the outlandish Moore films, and the grittiness of the Dalton films. It's rolling the entire series into a single two hour adventure and the result is actually pretty entertaining. The first half is definitely stronger than the second; a more serious adventure with a classic feel to it, before taking a nose dive down into utter camp territory. I didn't mind the idea of making some scenes a little over-the-top, but I think they went overboard at times. Throughout the movie, the filmmakers toss in little references to previous Bond films. I suppose it's a fun idea to stop and consider how far these films have come over the last 40-something years, and a long time Bond fan can find amusement in finding these subtle, but long remembered treasures that poke their head in this film for one last time. As for the technical aspects of the film: The special effects are a little too ambitious and don't always come across convincing. The dialogue goes back and forth from excellent to atrocious. The ensemble of actors is pretty strong, except for Halle Berry, who in my opinion was completely wrong for a Bond movie. The villains are a little more dynamic. The action sequences are an improvement, in my mind. Granted, there are some instances where the filmmakers push the envelope a little too far, as mentioned above. However, they also show a certain amount of creativity that seemed to be lacking in the previous two films. Overall, this film is really a mixed bag. At moments there is potential for one of the greatest Bond adventures. At other moments you're thinking, "What the heck am I watching." Personally, I feel the positives balance out the negatives, but if anything, this film is a good popcorn movie. All in all, it wasn't a bad way to close out the series before rebooting it again with Casino Royale.