James Bond is sent to investigate the connection between a North Korean terrorist and a diamond mogul, who is funding the development of an international space weapon.
James Bond teams up with the lone survivor of a destroyed Russian research center to stop the hijacking of a nuclear space weapon by a fellow Agent formerly believed to be dead.
Director:
Martin Campbell
Stars:
Pierce Brosnan,
Sean Bean,
Izabella Scorupco
James Bond goes rogue and sets off to unleash vengeance on a drug lord who tortured his best friend, a C.I.A. Agent, and left him for dead and murdered his bride after he helped capture him.
James Bond is living on the edge to stop an evil arms dealer from starting another world war. Bond crosses all seven continents in order to stop the evil Whitaker and General Koskov.
An investigation of a horse-racing scam leads 007 to a mad industrialist who plans to create a worldwide microchip monopoly by destroying California's Silicon Valley.
Director:
John Glen
Stars:
Roger Moore,
Christopher Walken,
Tanya Roberts
A fake Fabergé egg, and a fellow Agent's death, lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond investigates the hijacking of British and Russian submarines carrying nuclear warheads, with the help of a K.G.B. Agent, whose lover he killed.
James Bond is led to believe that he is targeted by the world's most expensive assassin while he attempts to recover sensitive solar cell technology that is being sold to the highest bidder.
Pierce Brosnan gives one last mission as James Bond. Starting off in North Korea, Bond is betrayed and captured. 14 months later, Bond is set free, but traded for Zao who was captured by MI6. When back in his world, Bond sets off to track down Zao. Bond gets caught up in yet another scheme which sends him to millionaire Gustav Graves. Another MI6 agent known as Miranda Frost is also posing as a friend of Graves. Bond is invited to a presentation held by Graves about a satellite found in space which can project a huge laser beam. Bond must stop this madman with a fellow American agent, known as Jinx. Whilst Bond tries to stop Graves and Zao, will he finally reveal who betrayed him?Written by
simon
Paul Darrow, known for playing Kerr Avon in Blake's 7 (1978), plays Bond's doctor. He is the grey-haired man in the white coat, seen in the scene in which Bond is traded, and when Bond is drugged and taken away on a stretcher. See more »
Goofs
When Bond orders the Mojito in Cuba, they make it with golden rum, but when the drink is handed to him, it has been (correctly) made with white rum. See more »
Quotes
[first lines]
Mr. Van Bierk:
[stepping out of helicopter]
Look, what is this? I'm supposed to...
[Bond puts a gun to Mr. Van Bierk's head and takes his sunglasses]
See more »
Crazy Credits
At the end of the credits, Madonna can be heard saying "I need to lay down." See more »
Alternate Versions
The following scenes were cut from the film:
During the scene where Bond is driving on Cuba in his Ford Fairlane, there were some military maneuvers going on alongside the road.
There was an additional dialogue scene between Bond and Raoul.
The scene where Jinx kills Dr. Alvarez was originally longer: after the kill she breaks into his safe and steals a CD which she hides under her dress (in the making-of documentary you can see the CD hanging around Halle Berry's neck).
Deleted was a scene with Bond arriving at Heathrow. To avoid passport control, he disembarks the plane via the landing gear.
A scene with Jinx and Graves playing Ice Golf was cut. In this scene it was revealed why she is chasing Zao.
Lee Tamahori shot a raunchier version of the scene where Bond is rescued by Miranda Frost from Mr. Kil while investigating the biodrome. Here they were skin-deep in the hot tub to give the illusion they were lovers. This scene was cut due to censorship reasons.
A small scene where Jinx (in her leather outfit) is walking through the ice palace. This can be seen in the making-of documentary.
Originally General Moon realizes much earlier that Gustav Graves is his son. While Bond and Jinx are exploring the Antonov, they stumble across General Moon and Bond explains to him who Graves really is. He then continues with Jinx to go for the cockpit, while the General watches Graves and Miranda Frost planning the military campaign.
London Calling
Written by Mick Jones and Joe Strummer
Performed by The Clash
Courtesy of Epic Records and Sony Music Entertainment (UK) Ltd.
by arrangement with Sony Music Licensing See more »
Come back George, all is forgiven: At lease "On Her Majesty's Secret Service" was recognizable as a Bond film. The latest installment in the franchise, the 20th installment in fact, should have been a cause for celebration. Instead, I have to rate it a solid 1, and that only because the system won't let me rate it lower. When did James Bond morph with Rambo? What happened to the wit and charm that was evident in the best of the series, films like 'Goldfinger" and "The Spy Who Loved Me"?
There is nothing in this film that feels original or fresh. And the John Woo influenced cinematics have no place in a Bond film. And what's with the use of CGI in place of real stuntmen doing the impossible, as they did in every other film? Sure, it may look "super cool" in concept, but in fact it looks fake and out of place. They didn't use CGI to make trucks act like race cars in "License To Kill".
I'm afraid that on his 40th anniversary, the cinematic James Bond is looking every bit his age, dressed up like a 70 year old hustler trying to pick up teenagers. Forget the snazzy trappings and the flashy action scenes and get back to the basics.
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Come back George, all is forgiven: At lease "On Her Majesty's Secret Service" was recognizable as a Bond film. The latest installment in the franchise, the 20th installment in fact, should have been a cause for celebration. Instead, I have to rate it a solid 1, and that only because the system won't let me rate it lower. When did James Bond morph with Rambo? What happened to the wit and charm that was evident in the best of the series, films like 'Goldfinger" and "The Spy Who Loved Me"?
There is nothing in this film that feels original or fresh. And the John Woo influenced cinematics have no place in a Bond film. And what's with the use of CGI in place of real stuntmen doing the impossible, as they did in every other film? Sure, it may look "super cool" in concept, but in fact it looks fake and out of place. They didn't use CGI to make trucks act like race cars in "License To Kill".
I'm afraid that on his 40th anniversary, the cinematic James Bond is looking every bit his age, dressed up like a 70 year old hustler trying to pick up teenagers. Forget the snazzy trappings and the flashy action scenes and get back to the basics.