A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.
Robert De Niro,
In 1937 Los Angeles, private investigator Jake 'J.J.' Gittes specializes in cheating-spouse cases. His current target is Hollis Mulwray, high-profile chief engineer for the Los Angeles Department of Water and Power, whose wife suspects him of infidelity. In following Mulwray, Gittes witnesses some usual business dealings, such as a public meeting for construction of a new dam to create additional water supply for Los Angeles, as fresh water is vital to the growing community during the chronic drought; Mulwray opposes the dam. Eventually Gittes sees Mulwray meeting with an unknown young woman who isn't his wife. Once news of the supposed tryst between Mulwray and this woman hits the media, additional information comes to light that makes Gittes believe that Mulwray is being framed for something and that he himself is being set up. In his investigation of the issue behind Mulwray's framing and his own setup, Gittes is assisted by Mulwray's wife Evelyn, but he thinks she isn't being ...Written by
Cinematographer Stanley Cortez was fired soon after production began, because his classical style did not match the naturalistic style Polanski wanted for the film, and proved to be too time consuming. Polanski had to find a replacement in only a few days, and chose John A. Alonzo. As David Fincher and Robert Towne describe on their DVD commentary, two scenes shot by Cortez are in the film. The orange grove fight with the farmers (but not the following porch scene with Evelyn), and the drive back to Los Angeles at sunset are Cortez's work. See more »
When Gittes visits the orange grove and crashes into the tree, you can see that a steel plate has been placed around the tree to protect it. See more »
All right, Curly. Enough's enough. You can't eat the Venetian blinds. I just had them installed on Wednesday.
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The film opens with the 1940's Paramount logo. See more »
Polanksi's 'Chinatown' stands as one of the classics of 1970s American cinema, the last classic period in American cinema. It's a great reminder of how utterly engaging cinema can be without the special effects, flimsy plots and outrageous stunts of many major studio productions now, not evening mentioning the obvious marketing tie-ins.
The cinematography and screenplay could be considered almost economical in its minimalism as it is really the story, script and characters that drive this movie forward.
Chinatown tells the story a detective, confidently played by Jack Nicholson, who gets embroiled in an investigation involving the mysterious murder (suicide?) of the head of the Water Board. During the investigation, he gets involved with Evelyn Mulwray, the wife of the murdered man who appears to want to get to the bottom of the mystery but during the course of the movie demonstrates that she is not telling the whole story and has something to hide.
Everything in this movie works from already mentioned tight editing down to the costumes and sets.
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