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Chinatown (1974)

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A private detective hired to expose an adulterer finds himself caught up in a web of deceit, corruption, and murder.

Director:

Roman Polanski

Writer:

Robert Towne
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Popularity
988 ( 789)

'Chinatown': Our 45th Anniversary Supercut

Chinatown premiered 45 years ago today. We look at Roman Polanski's classic, starring Jack Nicholson and Faye Dunaway, with an IMDb Supercut.

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Top Rated Movies #133 | Won 1 Oscar. Another 20 wins & 24 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jack Nicholson ... J.J. Gittes
Faye Dunaway ... Evelyn Mulwray
John Huston ... Noah Cross
Perry Lopez ... Escobar
John Hillerman ... Yelburton
Darrell Zwerling ... Hollis Mulwray
Diane Ladd ... Ida Sessions
Roy Jenson ... Mulvihill
Roman Polanski ... Man with Knife
Richard Bakalyan ... Loach (as Dick Bakalyan)
Joe Mantell ... Walsh
Bruce Glover ... Duffy
Nandu Hinds ... Sophie
James O'Rear James O'Rear ... Lawyer (as James O'Reare)
James Hong ... Evelyn's Butler
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Storyline

In 1937 Los Angeles, private investigator Jake 'J.J.' Gittes specializes in cheating-spouse cases. His current target is Hollis Mulwray, high-profile chief engineer for the Los Angeles Department of Water and Power, whose wife suspects him of infidelity. In following Mulwray, Gittes witnesses some usual business dealings, such as a public meeting for construction of a new dam to create additional water supply for Los Angeles, as fresh water is vital to the growing community during the chronic drought; Mulwray opposes the dam. Eventually Gittes sees Mulwray meeting with an unknown young woman who isn't his wife. Once news of the supposed tryst between Mulwray and this woman hits the media, additional information comes to light that makes Gittes believe that Mulwray is being framed for something and that he himself is being set up. In his investigation of the issue behind Mulwray's framing and his own setup, Gittes is assisted by Mulwray's wife Evelyn, but he thinks she isn't being ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The most highly acclaimed film of 1974! See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Filmnegah.com (Persian)

Country:

USA

Language:

English | Cantonese | Spanish

Release Date:

20 June 1974 (USA) See more »

Also Known As:

Barrio Chino See more »

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Box Office

Budget:

$6,000,000 (estimated)

Gross USA:

$29,200,000

Cumulative Worldwide Gross:

$30,000,000, 31 January 2000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The black and white (good and evil) scene of Evelyn wearing a black dress is evocative of Mike Nichols's scene in The Graduate (1967), with Mrs. Robinson wearing a black dress, while leaning against a stark white wall, as her daughter Elaine finds out about her mother's affair with Benjamin. See more »

Goofs

When Gittes takes photos from the rooftop of Mulwray and a young woman, the scene cuts away to a shot in front of Gittes, where his 35mm camera captures Mulwray embracing the woman on the terrace below. However, the image in Gittes's camera should reflect an upside down image of the couple. According to the interview with Roman Polanski on the DVD, he deliberately chose to show the couple right-side up to make it easier for the audience. He also said that "now" (in 1999) he would have shown it as upside down, as it would be in reality. See more »

Quotes

[first lines]
Jake Gittes: All right, Curly. Enough's enough. You can't eat the Venetian blinds. I just had them installed on Wednesday.
See more »

Crazy Credits

The film opens with the 1940's Paramount logo. See more »

Alternate Versions

TV versions omit the "screwing like a chinaman" joke told by Jake. See more »

Connections

Referenced in Shuffle & Cut (A Question for Godard) (2010) See more »

Soundtracks

The Vagabond King Waltz
Brian Hooker and Rudolf Friml
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Frequently Asked Questions

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User Reviews

An excellent piece of filmmaking.
21 November 2001 | by Neal WruckSee all my reviews

If it wasn't for the fact that most of the cast would have been too young or not born yet, this movie could have been made in the 1930's or 1940's. It reminds one of the film noirs that Hollywood used to make during that time period. It is a superb example of film making, certainly among the 20 best movies I have ever seen.

Jack Nicholson is private detective Jake Gitties, who can be as hard-boiled as Humphrey Bogart's Phil Marlowe. But Gitties is different: He is intelligent, dresses well and has associates whom work with him. Gitties is hired by Evelyn Mulwray (Faye Dunaway) to investigate into an extra-martial affair she believes her husband is having. However, the investigation leads into bigger things involving the water supply of Los Angeles, which is in the middle of a drought. A series of double-crosses, murders and plot twists all lead into a climatic showdown in Chinatown which has a surprising conclusion.

If the saying `They don't make them like they used to' was ever more true, it was with this movie. Sex is only suggested between the Nicholson and Dunaway characters, yet it is convincing enough. And although Faye Dunaway is a beautiful woman, we never see frontal nudity of her (Directors today would do just the opposite). Some of the plot twists also would not be possibly made today, especially the ending (Which, if you haven't seen the movie, I cannot reveal).

Nicholson is a tour de force in his role as Gitties, but the rest of the supporting cast (Including John Huston as Mulwray's deceptive father) is equally superb. As to how Nicholson could loose the Best Actor Oscar to Art Carney in Harry and Toto is beyond me. Faye Dunaway was also nominated for Best Actress, only to loose to Ellen Burstyn for Alice Doesn't Live Here Anymore. Fortunately, Nicholson and Duanway have both won Oscars since. In addition, the film itself received nominations for Best Picture and Best Director for Roman Polanski (Who has a cameo in the movie as the knife-welding thug who cuts Nicholson's nose), but those Oscars would be lost to The Godfather, Part II. The only Oscar won was for Robert Towne's screenplay, which is today considered the model for film writing. After watching the movie, one will know why. From the stellar performances to the sharp direction to the superb screenplay, this is a cinema treasure.


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