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Chinatown (1974)

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A private detective hired to expose an adulterer finds himself caught up in a web of deceit, corruption, and murder.

Director:

Roman Polanski

Writer:

Robert Towne
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Popularity
1,323 ( 48)
Top Rated Movies #131 | Won 1 Oscar. Another 20 wins & 24 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jack Nicholson ... J.J. Gittes
Faye Dunaway ... Evelyn Mulwray
John Huston ... Noah Cross
Perry Lopez ... Escobar
John Hillerman ... Yelburton
Darrell Zwerling ... Hollis Mulwray
Diane Ladd ... Ida Sessions
Roy Jenson ... Mulvihill
Roman Polanski ... Man with Knife
Richard Bakalyan ... Loach (as Dick Bakalyan)
Joe Mantell ... Walsh
Bruce Glover ... Duffy
Nandu Hinds ... Sophie
James O'Rear James O'Rear ... Lawyer (as James O'Reare)
James Hong ... Evelyn's Butler
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Storyline

In 1937 Los Angeles, private investigator Jake 'J.J.' Gittes specializes in cheating-spouse cases. His current target is Hollis Mulwray, high-profile chief engineer for the Los Angeles Department of Water and Power, whose wife suspects him of infidelity. In following Mulwray, Gittes witnesses some usual business dealings, such as a public meeting for construction of a new dam to create additional water supply for Los Angeles, as fresh water is vital to the growing community during the chronic drought; Mulwray opposes the dam. Eventually Gittes sees Mulwray meeting with an unknown young woman who isn't his wife. Once news of the supposed tryst between Mulwray and this woman hits the media, additional information comes to light that makes Gittes believe that Mulwray is being framed for something and that he himself is being set up. In his investigation of the issue behind Mulwray's framing and his own setup, Gittes is assisted by Mulwray's wife Evelyn, but he thinks she isn't being ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

You get tough. You get tender. You get close to each other. Maybe you even get close to the truth. See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Cantonese | Spanish

Release Date:

20 June 1974 (USA) See more »

Also Known As:

Barrio Chino See more »

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Box Office

Budget:

$6,000,000 (estimated)

Gross USA:

$29,200,000

Cumulative Worldwide Gross:

$30,000,000, 31 January 2000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The film's enigmatic title is a metaphor for moral corruption by unseen forces. Throughout the film, Jake Gittes refers to his time as a police officer in Chinatown, where "you can't always tell what's going on." In Hollywood, the movie's line, "Forget it, Jake, it's Chinatown", has become a mantra for those who have been burned or snubbed by the entertainment industry, the implication being that it's better to "let it go" than make an issue of it, because that's just how the industry works. See more »

Goofs

When Gittes and Escobar pull Hollis out of the channel at the reservoir, Gittes has on a brown suit with a tan shirt under it. A scene later, when Gittes and Escobar confront Mrs. Mulwray, Gittes has on a tie similar to Escobar's in the scene before with a gray suit. Escobar's suit and tie are also different. See more »

Quotes

[first lines]
Jake Gittes: All right, Curly. Enough's enough. You can't eat the Venetian blinds. I just had them installed on Wednesday.
See more »

Crazy Credits

The film opens with the 1940's Paramount logo. See more »

Alternate Versions

TV versions omit the "screwing like a chinaman" joke told by Jake. See more »

Connections

Referenced in Mystery Science Theater 3000: The She-Creature (1997) See more »

Soundtracks

The Way You Look Tonight
from Swing Time (1936) (uncredited)
Jerome Kern and Dorothy Fields
See more »

Frequently Asked Questions

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User Reviews

A very classy, consistently engaging and dark detective story
3 January 2005 | by bob the mooSee all my reviews

Jake Gittes is a former cop turned private detective. When he is contracted by a Mrs Mulwray to find out if her husband is having an affair, he takes to trailing Water Company Executive Hollis Mulwray. Mulwray appears to only have water and a dry riverbed on his mind but eventually they catch him with a young woman, although almost immediately the news gets leaked to the papers and Mulwray goes missing, only to turn up dead. At this point the real Mrs Mulwray comes to Gittes threatening to sue him for his involvement and Jake realises that he had been set up to set up the Mulwrays. He continues his investigation into the murder only to find a conspiracy involving thousands of gallons of water being wasted during a drought and the mysterious presence of Mrs Mulwray's father, Noah Cross.

As a fan of film noir and tough detective movies, I am too often put off by modern entries into the genre that try to replace atmosphere and intelligence by just having nudity and swearing; the genre managed atmosphere without these in the forties and fifties but yet modern films seem to rely on them. With Chinatown however, everything works well as a homage to the best years of the genre and, as such, is very well set in the period and is of suitable presentation even if the material and tone is darker and harder than would have been allowed years ago. This is not to say it is just a copy and paste from better films because it isn't and indeed stands out as one of the best detective noirs I have seen in ages. The plot is always going to be the most important thing and it gets it spot on throughout, doing the proper thing of starting with a simple story and continually building it more and more complex as it goes. Unlike some other "classics" of the genre, Chinatown manages to do this without ever losing the audience and I found the plot to be both rewardingly complex but yet still very easy to follow.

Needless to say, things are very dark and the script is convincingly dark and miserable, leading to an ending that is as depressing as I've seen – not so much in what actually happens but also in the wider implications for the characters that the credits prevent us from seeing. Director Polanski does a great job of putting this story in a lush setting that produces a real strong sense of period but also manages to always be showing us the darkness coming through subtly throughout the movie. Of course it helps that he also has a great cast to work with. Jack Nicholson is iconic in this role and, if I had to pick one film to act as an introduction to Nicholson then it would be this one. He is tough yet damaged, upright but seedy and he brings out his complex character well. Dunaway has less screen time but is just as impressive with a similarly dark role. Huston adds class and manages to ooze menace while also coming across as a harmless old man. The support cast are all fine but really the film belongs to these three, with Nicholson being the stand out role.

Overall this is a very classy film that has stood up very well to become a well-deserved classic. The story is complex, mysterious yet simple to follow; it is dark and seedy without relying on swearing or nudity to set the atmosphere. The direction is great, with a real atmosphere and sense of time and place that is matched by a great collection of performances delivering a great script.


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