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Chinatown (1974)

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A private detective hired to expose an adulterer finds himself caught up in a web of deceit, corruption, and murder.

Director:

Roman Polanski

Writer:

Robert Towne
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Popularity
1,323 ( 48)
Top Rated Movies #131 | Won 1 Oscar. Another 20 wins & 24 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jack Nicholson ... J.J. Gittes
Faye Dunaway ... Evelyn Mulwray
John Huston ... Noah Cross
Perry Lopez ... Escobar
John Hillerman ... Yelburton
Darrell Zwerling ... Hollis Mulwray
Diane Ladd ... Ida Sessions
Roy Jenson ... Mulvihill
Roman Polanski ... Man with Knife
Richard Bakalyan ... Loach (as Dick Bakalyan)
Joe Mantell ... Walsh
Bruce Glover ... Duffy
Nandu Hinds ... Sophie
James O'Rear James O'Rear ... Lawyer (as James O'Reare)
James Hong ... Evelyn's Butler
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Storyline

In 1937 Los Angeles, private investigator Jake 'J.J.' Gittes specializes in cheating-spouse cases. His current target is Hollis Mulwray, high-profile chief engineer for the Los Angeles Department of Water and Power, whose wife suspects him of infidelity. In following Mulwray, Gittes witnesses some usual business dealings, such as a public meeting for construction of a new dam to create additional water supply for Los Angeles, as fresh water is vital to the growing community during the chronic drought; Mulwray opposes the dam. Eventually Gittes sees Mulwray meeting with an unknown young woman who isn't his wife. Once news of the supposed tryst between Mulwray and this woman hits the media, additional information comes to light that makes Gittes believe that Mulwray is being framed for something and that he himself is being set up. In his investigation of the issue behind Mulwray's framing and his own setup, Gittes is assisted by Mulwray's wife Evelyn, but he thinks she isn't being ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The most highly acclaimed film of 1974! See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Cantonese | Spanish

Release Date:

20 June 1974 (USA) See more »

Also Known As:

Barrio Chino See more »

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Box Office

Budget:

$6,000,000 (estimated)

Gross USA:

$29,200,000

Cumulative Worldwide Gross:

$30,000,000, 31 January 2000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

For the first screening, Roman Polanski took his old friend, composer Bronislau Kaper. Producer Robert Evans afterwards asked Kaper what he thought of the picture, to which Kaper replied, "It's a great film, but you have to change the music." See more »

Goofs

When Gittes and Evelyn Mulwray are arguing after lunch in the Biltmore Hotel's limousine lane location (while the valet fetches her Packard), the camera is facing west towards the 1926 Checkers Hotel at 535 S. Grand Ave. However, the camera is angled in a way that reveals a completely incongruous 1967, forty-two-story AT&T building (address is 611 West Sixth St) just to the south of the fifteen-story Checkers Hotel. See more »

Quotes

[first lines]
Jake Gittes: All right, Curly. Enough's enough. You can't eat the Venetian blinds. I just had them installed on Wednesday.
See more »

Crazy Credits

The film opens with the 1940's Paramount logo. See more »

Alternate Versions

TV versions omit the "screwing like a chinaman" joke told by Jake. See more »

Connections

Referenced in Conspiracy Theory (1997) See more »

Soundtracks

The Vagabond King Waltz
Brian Hooker and Rudolf Friml
See more »

Frequently Asked Questions

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User Reviews

 
Marvelous
30 January 2002 | by rmax304823See all my reviews

There is a word, impossible to spell, that describes the alignment of solar bodies like the planets when they all fall into place together. A similar word would describe this film. Everything about it is right. Polanski never directed a better movie. The performers, down to the lowest atmosphere person, are superb. The editing, the score, the sound, the decor, the dialog, all are just about flawless. The photography is peerless. The white garden apartments, the terra cotta roof tiles, the palms and desert sand are all painted with a faint gold, faintly ripe with false promise, like the oranges that bounce from Gittes' desperately speeding car in the northwest Valley.

Polanski deserves much of the credit. When Gittes surprises Evelyn Mulwray in her car, after he follows her to her daughter's house, her face slumps forward and beeps the horn briefly. Then, so faintly, we hear a few dogs bark in the background. Not only is the scene itself exquisitely done but it prefigures the ending, as does Gittes' remark earlier to Evelyn that she has a flaw in her iris. The movie is too good to deserve much dissecting. It stands repeated watching. If there is anything wrong with it, it is the serious and tragic ending that Polanski always insists on tacking on. Robert Towne was right and Polanski wrong in this case. Everything came together on this film. It's not only the best detective movie ever made; it's one of the best movies ever made -- period. A marvelous job by everyone concerned.

I have to add (6/27/05) that the word I mentioned in the first sentence is spelled "syzygy." Man, did I get enlightening email on that. I might as well add two other impressive features of this movie. (1) Polanksi takes his time. Example: Gittes sneaks into Hollis Mulwray's office and begins to go through the drawers of his old-fashioned wooden desk. As he slides each drawer out, Polanksi gives us a shot of their humdrum contents (checkbooks, magnifying glass, and so forth) and we can almost smell the heat and the odor of shellac and sawdust emanating from the wooden containers. The contents reveal nothing of importance in this case. But (2) sometimes irrelevant information crops up that resonates later in the film with its own echo. The detail might be just a word ("applecore") or an ordinary object (a pair of spectacles found in a pond, immediately after Gittes imitates the Japanese gardener's remark that the water is bad for the "glass.") Some of the references may be so consistent as to constitute a theme (water). None of this hits you over the head with its significance. It's all very neatly stitched together.


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